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The Desert Music and Other Poems was a 1954 Random House book collecting 1949-54 poems by the American modernist poet/writer William Carlos Williams. It is now collected, along with Pictures from Brueghel and Other Poems (1962) and Journey to Love (1955), in the New Directions paperback Pictures from Brueghel and other poems by William Carlos Williams: Collected Poems 1950-1962.
Except for the title poem, all the pieces here are in triadic stanza form (with slight exceptions), as in the opening of "The Descent":
The descent beckons
as the ascent beckoned.
Memory is a kind
of accomplishment,
a sort of renewal
even
Parts of "Theocritus: Idyl I" and "The Orchestra" were used in The Desert Music, a composition for chorus and orchestra or voices and ensemble by Minimalist composer Steve Reich in 1984.
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The Pulitzer Prize for Poetry is one of the seven American Pulitzer Prizes awarded annually for Letters, Drama, and Music. It first presented in 1922 for a distinguished volume of original verse by an American author, published during the preceding calendar year.
William Carlos Williams was a Puerto Rican-American poet, writer, and physician closely associated with modernism and imagism.
Theocritus was a Sicilian poet and the creator of Ancient Greek pastoral poetry.
George Sainton Kaye Butterworth, MC was an English composer who was best known for the orchestral idyll The Banks of Green Willow and his song settings of A. E. Housman's poems from A Shropshire Lad.
Louis Zukofsky was an American poet. He was one of the founders and the primary theorist of the Objectivist group of poets and thus an important influence on subsequent generations of poets in America and abroad.
"The Passionate Shepherd to His Love", known for its first line "Come live with me and be my love", is a poem written by the English poet Christopher Marlowe.
The Desert Music is a work of music for voices and orchestra composed by the minimalist composer Steve Reich. It is based on texts by William Carlos Williams and takes its title from the poetry anthology The Desert Music and Other Poems. The composition consists of five movements, with a duration of about 46 minutes, and in both its tempi and arrangement of thematic material, the piece is in a characteristic arch form (ABCBA). The piece was composed in 1983 and had its world premiere on 17 March 1984 in Cologne, Germany.
Paterson is an epic poem by American poet William Carlos Williams published, in five volumes, from 1946 to 1958. The origin of the poem was an eighty-five line long poem written in 1926, after Williams had read and been influenced by James Joyce's novel Ulysses. As he continued writing lyric poetry, Williams spent increasing amounts of time on Paterson, honing his approach to it both in terms of style and structure. While The Cantos of Ezra Pound and The Bridge by Hart Crane could be considered partial models, Williams was intent on a documentary method that differed from both these works, one that would mirror "the resemblance between the mind of modern man and the city."
An idyll or idyl is a short poem, descriptive of rustic life, written in the style of Theocritus' short pastoral poems, the Idylls.
Pictures from Brueghel and Other Poems is a 1962 book of poems by the American modernist poet/writer William Carlos Williams. It was Williams's final book, for which he posthumously won the Pulitzer Prize for Poetry in 1963. Two previously-published collections of poetry are included: The Desert Music and Other Poems from 1954 and Journey to Love from 1955.
Joel Lester Oppenheimer was an American poet associated with both the Black Mountain poets and the New York School. He was the first director of the St. Marks Poetry Project (1966–68). Though a poet, Oppenheimer was perhaps better known for his columns in the Village Voice from 1969 to 1984.
Spring and All is a volume of poems by William Carlos Williams, first published in 1923 by Robert McAlmon's Contact Publishing Co.
"Landscape with the Fall of Icarus" is an ecphrastic poem by the 20th-century American poet William Carlos Williams that was written in response to Landscape with the Fall of Icarus, traditionally attributed to Pieter Bruegel. Williams first published the poem as part of a sequence in The Hudson Review in 1960, subsequently using the sequence as the basis for his final book, Pictures from Brueghel and Other Poems, published in 1962.
The following are the Pulitzer Prizes for 1963.
Nationality words link to articles with information on the nation's poetry or literature.
Journey to Love was a 1955 Random House book by the American modernist poet/writer William Carlos Williams. He dedicated it to his wife. All of the poems are in triadic stanza form, sometimes "with a short fourth line to fill out the measure."
Triadic-line poetry or stepped line is a long line which "unfolds into three descending and indented parts". Created by William Carlos Williams, it was his "solution to the problem of modern verse" and later was also taken up by poets Charles Tomlinson and Thom Gunn.
Thomas Canning was a composer and music educator, serving as a professor of composition and music theory at the Eastman school and as composer-in-residence at West Virginia University. He also held appointments at Morningside College, Indiana University of Pennsylvania, and the Royal Conservatory of Music. In his composition work, he created music for specific occasions or ceremonies, focusing on hymns and choral works, and collaborated with poets Robert Frost and William Carlos Williams to create music in conjunction with their works. His best-known orchestral work, Fantasy on a Hymn by Justin Morgan (1944), was recorded by Leopold Stokowski and Howard Hanson.
The Wedge is a 1944 book of poems by American modernist writer and poet William Carlos Williams. He assembled this collection in response to requests from American servicemen during World War II for a pocket-sized collection of his work to take into deployment with them. Despite the poet's inquiries and the nature of the requests that prompted him to approach them, several publishers rejected The Wedge. Their grounds for doing so were a perceived lack of literary quality and wartime shortages. The book was eventually handset printed by Henry Duncan and Wightman Williams at Cummington Press and bound surreptitiously on the premises and at the expense of one of the publishers who had previously rejected it. The book is dedicated to poet Louis Zukofsky, who helped Williams revise and rearrange the poems for publication.