"This Is Just to Say" (1934) is an imagist poem [1] by William Carlos Williams. The three-versed, 28-word poem is an apology about eating the reader's plums. The poem was written as if it was a note left on a kitchen table. It has been widely pastiched. [2] [3]
I have eaten
the plums
that were in
the icebox
and which
you were probably
saving
for breakfast
Forgive me
they were delicious
so sweet
and so cold [4]
The poem appears to the reader like a piece of found poetry. [5] Metrically, the poem exhibits no regularity of stress or of syllable count. Except for lines two and five (each an iamb) and lines eight and nine (each an amphibrach), no two lines have the same metrical form. [5] The consonance of the letters "Th" in lines two, three, and four, as well the consonance of the letter "F" in lines eight and nine, and the letter 'S' in lines eleven and twelve give rise to a natural rhythm when the poem is read aloud.
A conspicuous lack of punctuation contributes to the poem's tonal ambiguity. While the second stanza begins with a conjunction, implying a connection to the first stanza, the third stanza is separated from the first two by the capitalised "Forgive". In a 1950 interview, John W. Gerber asked the poet what it is that makes "This Is Just to Say," a poem; Williams replied, "In the first place, it's metrically absolutely regular... So, dogmatically speaking, it has to be a poem because it goes that way, don't you see!" [5] Critic Marjorie Perloff writes, "on the page, the three little quatrains look alike; they have roughly the same physical shape. It is typography rather than any kind of phonemic recurrence that provides directions for the speaking voice (or for the eye that reads the lines silently) and that teases out the poem's meanings." [5] Additionally, this typographical structure influences any subsequent interpretation on the part of the reader.
Florence Williams's (Williams's wife) ''reply'' to This Is Just to Say is included as a 'Detail' in the partially published Detail & Parody for the poem Paterson (a manuscript at SUNY Buffalo) [6] first appearing in 1982. [7] Since Williams chose to include the ''reply'' in his own sequence it seems likely that he took a note left by his wife and turned it into a ''poem''. [6]
"Jabberwocky" is a nonsense poem written by Lewis Carroll about the killing of a creature named "the Jabberwock". It was included in his 1871 novel Through the Looking-Glass, the sequel to Alice's Adventures in Wonderland (1865). The book tells of Alice's adventures within the back-to-front world of the Looking-Glass world.
Poetry is a form of literary art that uses aesthetic and often rhythmic qualities of language to evoke meanings in addition to, or in place of, literal or surface-level meanings. Any particular instance of poetry is called a poem and is written by a poet. Poets use a variety of techniques called poetic devices, such as assonance, alliteration, euphony and cacophony, onomatopoeia, rhythm, and sound symbolism, to produce musical or incantatory effects. Most poems are formatted in verse: a series or stack of lines on a page, which follow a rhythmic or other deliberate pattern. For this reason, verse has also become a synonym for poetry.
In poetry, a stanza is a group of lines within a poem, usually set off from others by a blank line or indentation. Stanzas can have regular rhyme and metrical schemes, but they are not required to have either. There are many different forms of stanzas. Some stanzaic forms are simple, such as four-line quatrains. Other forms are more complex, such as the Spenserian stanza. Fixed verse poems, such as sestinas, can be defined by the number and form of their stanzas.
William Carlos Williams was an American poet and physician of Latin American descent closely associated with modernism and imagism. His Spring and All (1923) was written in the wake of T. S. Eliot's The Waste Land (1922). In his five-volume poem Paterson (1946–1958), he took Paterson, New Jersey as "my 'case' to work up. It called for a poetry such as I did not know, it was my duty to discover or make such a context on the 'thought.'" Some of his best known poems, "This Is Just to Say" and "The Red Wheelbarrow", are reflections on the everyday. Other poems reflect the influence of the visual arts. He, in turn, influenced the visual arts; his poem "The Great Figure" inspired the painting I Saw the Figure 5 in Gold by Charles Demuth. Williams won a posthumous Pulitzer Prize for Poetry for Pictures from Brueghel and Other Poems (1962).
Eli Siegel was a poet, critic, and educator. He founded Aesthetic Realism, a philosophical movement based in New York City. An idea central to Aesthetic Realism—that every person, place or thing in reality has something in common with all other things—was expressed in the title poem of his first volume, Hot Afternoons Have Been in Montana: Poems. His second volume was Hail, American Development.
Poetry analysis is the process of investigating the form of a poem, content, structural semiotics, and history in an informed way, with the aim of heightening one's own and others' understanding and appreciation of the work.
"To Autumn" is a poem by English Romantic poet John Keats. The work was composed on 19 September 1819 and published in 1820 in a volume of Keats's poetry that included Lamia and The Eve of St. Agnes. "To Autumn" is the final work in a group of poems known as Keats's "1819 odes". Although personal problems left him little time to devote to poetry in 1819, he composed "To Autumn" after a walk near Winchester one autumnal evening. The work marks the end of his poetic career, as he needed to earn money and could no longer devote himself to the lifestyle of a poet. A little over a year after the publication of "To Autumn", Keats died in Rome.
"Ode to a Nightingale" is a poem by John Keats written either in the garden of the Spaniards Inn, Hampstead, London or, according to Keats' friend Charles Armitage Brown, under a plum tree in the garden of Keats' house at Wentworth Place, also in Hampstead. According to Brown, a nightingale had built its nest near the house that he shared with Keats in the spring of 1819. Inspired by the bird's song, Keats composed the poem in one day. It soon became one of his 1819 odes and was first published in Annals of the Fine Arts the following July. The poem is one of the most frequently anthologized in the English language.
"The Road Not Taken" is a narrative poem by Robert Frost, first published in the August 1915 issue of the Atlantic Monthly, and later published as the first poem in the 1916 poetry collection, Mountain Interval. Its central theme is the divergence of paths, both literally and figuratively, although its interpretation is noted for being complex and potentially divergent.
In English literature, The Nymph’s Reply to the Shepherd (1600), by Walter Raleigh, is a poem that responds to and parodies the poem “The Passionate Shepherd to His Love” (1599), by Christopher Marlowe. In her reply to the shepherd’s courtship, the nymph presents a point-by-point rejection of his offer of a transitory life of passion and pastoral idyll.
This glossary of literary terms is a list of definitions of terms and concepts used in the discussion, classification, analysis, and criticism of all types of literature, such as poetry, novels, and picture books, as well as of grammar, syntax, and language techniques. For a more complete glossary of terms relating to poetry in particular, see Glossary of poetry terms.
Elegy Written in a Country Churchyard is a poem by Thomas Gray, completed in 1750 and first published in 1751. The poem's origins are unknown, but it was partly inspired by Gray's thoughts following the death of the poet Richard West in 1742. Originally titled Stanzas Wrote in a Country Church-Yard, the poem was completed when Gray was living near the Church of St Giles, Stoke Poges. It was sent to his friend Horace Walpole, who popularised the poem among London literary circles. Gray was eventually forced to publish the work on 15 February 1751 in order to preempt a magazine publisher from printing an unlicensed copy of the poem.
This is a glossary of poetry terms.
Sonnet 21 is one of 154 sonnets written by the English playwright and poet William Shakespeare and is part of the Fair Youth sequence. Like Sonnet 130, it addresses the issue of truth in love, as the speaker asserts that his lines, while less extravagant than those of other poets, are more truthful. Contrary to most of Shakespeare's sonnets, Sonnet 21 is not addressed to any one person. There is no second person, no overt "you" or "thou" expressed in it.
"A Prayer for My Daughter" is a poem by William Butler Yeats written in 1919 and published in 1921 as part of Yeats' collection Michael Robartes and the Dancer. It is written to Anne, his daughter with Georgie Hyde-Lees, whom Yeats married after his last marriage proposal to Maud Gonne was rejected in 1916. Yeats composed the poem while staying in a tower at Thoor Ballylee during the Anglo-Irish War, two days after Anne's birth on 26 February 1919. The poem reflects Yeats's complicated views on Irish Nationalism, sexuality, and is considered an important work of Modernist poetry.
Anisometric verse, known also as heterometric stanza, is a type of poetry where the stanza is made up of lines having unequal metrical length. The number of syllables within the individual lines do not correspond, nor do the number of feet. In poetry, a foot is a group of syllables patterned according to their weight, stress, or accent relative to each other.
A line is a unit of writing into which a poem or play is divided: literally, a single row of text. The use of a line operates on principles which are distinct from and not necessarily coincident with grammatical structures, such as the sentence or single clauses in sentences. Although the word for a single poetic line is verse, that term now tends to be used to signify poetic form more generally. A line break is the termination of the line of a poem and the beginning of a new line.
Aeolic verse is a classification of Ancient Greek lyric poetry referring to the distinct verse forms characteristic of the two great poets of Archaic Lesbos, Sappho and Alcaeus, who composed in their native Aeolic dialect. These verse forms were taken up and developed by later Greek and Roman poets and some modern European poets.
The Mental Traveller is a poem by William Blake. It is part of a collection of unpublished works called The Pickering Manuscript and was written in a manner that suggests the poem was to be read directly from the collection.
Triadic-line poetry or stepped line is a long line which "unfolds into three descending and indented parts". Created by William Carlos Williams, it was his "solution to the problem of modern verse" and later was also taken up by poets Charles Tomlinson and Thom Gunn.