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James Augustine Aloysius Joyce was an Irish novelist, poet, and literary critic. He contributed to the modernist avant-garde movement and is regarded as one of the most influential and important writers of the 20th century. Joyce's novel Ulysses (1922) is a landmark in which the episodes of Homer's Odyssey are paralleled in a variety of literary styles, particularly stream of consciousness. Other well-known works are the short-story collection Dubliners (1914), and the novels A Portrait of the Artist as a Young Man (1916) and Finnegans Wake (1939). His other writings include three books of poetry, a play, letters, and occasional journalism.
Samuel Barclay Beckett was an Irish novelist, dramatist, short story writer, theatre director, poet, and literary translator. His literary and theatrical work features bleak, impersonal and tragicomic experiences of life, often coupled with black comedy and nonsense. His work became increasingly minimalist as his career progressed, involving more aesthetic and linguistic experimentation, with techniques of repetition and self-reference. He is considered one of the last modernist writers, and one of the key figures in what Martin Esslin called the Theatre of the Absurd.
Waiting for Godot is a play by Samuel Beckett in which two characters, Vladimir (Didi) and Estragon (Gogo), engage in a variety of discussions and encounters while awaiting the titular Godot, who never arrives. Waiting for Godot is Beckett's translation of his own original French-language play, En attendant Godot, and is subtitled "a tragicomedy in two acts". The original French text was composed between 9 October 1948 and 29 January 1949. The premiere, directed by Roger Blin, was on 5 January 1953 at the Théâtre de Babylone, Paris. The English-language version premiered in London in 1955. In a poll conducted by the British Royal National Theatre in 1998/99, it was voted the "most significant English-language play of the 20th century".
In literary criticism, stream of consciousness is a narrative mode or method that attempts "to depict the multitudinous thoughts and feelings which pass through the mind" of a narrator. The term was coined by Daniel Oliver in 1840 in First Lines of Physiology: Designed for the Use of Students of Medicine, when he wrote,
If we separate from this mingled and moving stream of consciousness, our sensations and volitions, which are constantly giving it a new direction, and suffer it to pursue its own spontaneous course, it will appear, upon examination, that this, instead of being wholly fortuitous and uncertain, is determined by certain fixed laws of thought, which are collectively termed the association of ideas.
Play is a one-act play by Samuel Beckett. It was written between 1962 and 1963 and first produced in German as Spiel on 14 June 1963 at the Ulmer Theatre in Ulm-Donau, Germany, directed by Deryk Mendel, with Nancy Illig (W1), Sigfrid Pfeiffer (W2) and Gerhard Winter (M). The first performance in English was on 7 April 1964 at the Old Vic in London. It was not well-received upon its British premiere.
Ohio Impromptu is a "playlet" by Samuel Beckett.
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Ira Bruce Nadel is an American-Canadian biographer, literary critic and James Joyce scholar, and a distinguished professor at the University of British Columbia. He has written books on the twentieth-century Modernists, especially Ezra Pound and Joyce, biographies of Leonard Cohen and Leon Uris, and on Jewish-American authors. He has won Canadian literary awards, and has edited and written the introduction to a number of scholarly books and period pieces. He is a critic of the Olympic torch relay as a legacy of the Nazis.
Jay Clayton is an American literary critic who is known for his pioneering work on the relationship between nineteenth-century culture and postmodernism. He has published influential works on Romanticism and the novel, Neo-Victorian literature, steampunk, hypertext fiction, online games, contemporary American fiction, technology in literature, and genetics in literature and film. He is the William R. Kenan, Jr. Professor of English and Director of the Curb Center for Art, Enterprise, and Public Policy at Vanderbilt University.
Self-translation is a translation of a source text into a target text by the writer of the source text.
Samuel Beckett: Anatomy of a Literary Revolution is a 1997 book by French literary critic Pascale Casanova about the Nobel Prize-winning Irish playwright, novelist and poet Samuel Beckett. She contends that rather than the representative of literary existentialism that he is popularly understood to be, Beckett is best viewed as a creator of a highly autonomous form of literature, that is, a literature that is largely devoid of external references. The book was published in English translation in 2006.
Carma Ryanne Gorman is an American art historian known for her work in the area of design history. Her American Quarterly article "Educating the eye: Body mechanics and streamlining in the United States, 1925-1950" was one of ten reprinted in the Organization of American Historians' anthology The Best American History Essays 2008.
In British and Irish culture, a party piece is something done at a gathering in order to entertain the company such as the recitation of a poem, performing a dance, singing a song, performing a trick, or giving a display of memory or strength. It is usually the speciality of the performer. The practice relates to the tradition of oral storytelling and has been described as reaching a peak in the Victorian era before the development of broadcast entertainment.
References
- ↑ "UT College of Liberal Arts". liberalarts.utexas.edu. Retrieved 1 March 2019.
- ↑ "ALAN WARREN FRIEDMAN : Curriculum Vitae" (PDF). Minio.la.utexas.edu. Retrieved 1 March 2019.
- ↑ Anderson, Roger K. (1 April 1995). "Fictional Death and the Modernist Enterprise (review)". MFS Modern Fiction Studies. 42 (1): 234–236. doi:10.1353/mfs.1995.0028. S2CID 142625804.
- ↑ North, Michael (1997). "Fictional Death and the Modernist Enterprise. Alan Warren Friedman". Modern Philology. 95: 139–142. doi:10.1086/392470.
- ↑ Stern, Carol Simpson (1 January 2012). "Performance Set-Pieces in Joyce and Beckett's Writings". Storytelling, Self, Society. 8 (1): 52–57. doi:10.1080/15505340.2012.635088 (inactive 31 December 2022). Retrieved 1 March 2019– via Taylor and Francis+NEJM.
{{cite journal}}: CS1 maint: DOI inactive as of December 2022 (link)
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