Greed is a 1924 American silent psychological drama film written and directed by Erich von Stroheim and based on the 1899 Frank Norris novel McTeague. It stars Gibson Gowland as Dr. John McTeague; ZaSu Pitts as Trina Sieppe, his wife; and Jean Hersholt as McTeague's friend and eventual enemy Marcus Schouler. The film tells the story of McTeague, a San Francisco dentist, who marries his best friend Schouler's girlfriend Trina.
Jean-Claude Villeminot, better known as Jean-Claude Pascal, was a French comedian, actor, singer and writer.
Denise Vernac, was a French film actress. She appeared in seventeen films, between 1939 and 1966.
The Wedding March is a 1928 American synchronized sound romantic drama film written and directed by Erich von Stroheim. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. The film stars Erich von Stroheim, Fay Wray and ZaSu Pitts. Paramount Pictures forced von Stroheim to create two films from the footage, the second being The Honeymoon. The Honeymoon is now considered lost, the only known copy destroyed in a fire in France in 1959.
Napoléon is a 1955 French historical epic film directed by Sacha Guitry that depicts major events in the life of Napoleon.
The Lebanese Mission or The Lady of Lebanon is a 1956 French-Italian Eastmancolor adventure thriller film directed by Richard Pottier and starring Jean-Claude Pascal, Gianna Maria Canale, Jean Servais and Luciana Paluzzi. Omar Sharif also appeared in one of his earlier film roles. It is an adaptation of the 1924 novel The Lady of Lebanon by Pierre Benoit. The film's sets were designed by the art director Rino Mondellini. Location shooting took place around Le Grau-du-Roi.
Madame du Barry is a 1954 French-Italian historical drama film directed by Christian-Jaque and starring Martine Carol, Daniel Ivernel, Gianna Maria Canale and Jean Parédès. The film depicts the life of Madame du Barry, mistress to Louis XV in the eighteenth century. It was shot at the Saint-Maurice Studios in Paris. The film's sets were designed by the art director Robert Gys.
Portrait of an Assassin is a 1949 French drama thriller film directed by Bernard-Roland and starring Maria Montez, Erich von Stroheim, Arletty and Pierre Brasseur.
Storm Over Lisbon is a 1944 American thriller film produced and directed by George Sherman and starring Vera Ralston. The screenplay concerns a nightclub owner who attempts to gain secret information.
Ultimatum is a 1938 French historical drama film directed by Robert Wiene and Robert Siodmak and starring Dita Parlo, Erich von Stroheim and Abel Jacquin. The film's plot is set in 1914 against the backdrop of the July Crisis between the assassination of Archduke Franz Ferdinand and the beginning of the First World War. It focuses on the relationship between a Serbian officer and his Austrian-born wife and their involvement in espionage between the countries.
Madonna of the Sleeping Cars is a 1955 French drama film directed by Henri Diamant-Berger and starring Giselle Pascal, Jean Gaven and Erich von Stroheim. The film is an adaptation of the 1925 novel of the same title by Maurice Dekobra, though the plot has been changed somewhat, and the action brought into the 1950s and set in Latin America rather than the Black Sea coast of the USSR.
Immediate Call, is a 1939 French comedy drama film, directed by Léon Mathot and starring Mireille Balin, Roger Duchesne, Erich von Stroheim, and Bernard Lancret. The plot is about a hosted peace conference, that results in saving the world.
Thunder Over Paris is a 1940 French drama film directed by Dominique Bernard-Deschamps and starring Arletty, Marcel Dalio and Annie Ducaux. It was shot at the Joinville Studios of Pathé in Paris. The film's sets were designed by the art director Robert Hubert. It was filmed before the outbreak of war and released during the Phoney War period before the Fall of France.
The Dance of Death, is a 1948 French-Italian drama film directed by Marcel Cravenne and starring Erich von Stroheim, Denise Vernac and Palau. It is based on August Strindberg's The Dance of Death. It was shot at the Titanus Studios in Rome and the Icet Studios in Milan. The film's sets were designed by Georges Wakhévitch.
The Other Side of Paradise is a 1953 French drama film directed by Edmond T. Gréville and starring Erich von Stroheim, Jacques Sernas and Denise Vernac. Much of the film was shot on location in Provence. The film's sets were designed by the art director Jean Douarinou.
Devil and the Angel is a 1946 French drama film directed by Pierre Chenal and starring Madeleine Sologne, Erich von Stroheim and Louis Salou.
That's Not the Way to Die is a 1946 French mystery crime film directed by Jean Boyer and starring Erich von Stroheim, Anne-Marie Blanc and Denise Vernac. The film's sets were designed by the art director Aimé Bazin. It borrows its main plot device from the 1932 American film The Death Kiss. von Stroheim was not happy with the film, but felt it received good reviews and was popular with audiences.
Rail Pirates is a 1938 French adventure film directed by Christian-Jaque and starring Charles Vanel, Suzy Prim and Erich von Stroheim. It was shot at the Victorine Studios in Nice and on location in the Camargue. The film's sets were designed by the art director Pierre Schild. It is based on a novel of the same title by the Belgian writer Oscar Paul Gilbert, who also contributed to the screenplay.
Threats is a 1940 French drama film directed by Edmond T. Gréville and starring Mireille Balin, John Loder, Ginette Leclerc and Erich von Stroheim. Gréville began production on the film shortly after the Munich Agreement of September 1938. It was shot at the François 1er Studios in Paris. The film's sets were designed by the art director Lucien Jaquelux.
The Red Signal is a 1949 French drama film directed by Ernst Neubach and starring Erich von Stroheim, Denise Vernac and Frank Villard. It is based on a novel of the same title by Adolf Schütz and Paul Baudisch. It was shot at the Victorine Studios in Nice. The film's sets were designed by the art director Louis Le Barbenchon.
