Alas and Alack | |
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Directed by | Joe De Grasse |
Written by | Ida May Park |
Produced by | Joe De Grasse |
Starring | Lon Chaney Cleo Madison |
Production company | |
Distributed by | Universal Pictures |
Release date |
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Running time | 13 minutes |
Country | United States |
Language | Silent with English intertitles |
Alas and Alack is a 1915 American silent drama short film directed by Joe De Grasse and featuring Lon Chaney and Cleo Madison. An incomplete print of the film survives in the BFI National Archive (one source states the last six minutes of the film are missing). [1] [2]
Chaney showed off his makeup expertise in this film playing a dual role in the film, as both Jess' fisherman husband and "Hunchback Fate" in the fairy tale portion of the film (see Plot). [3] A still exists showing Chaney as the hunchbacked fisherman. [4]
Jess is the wife of a poor hunchbacked fisherman (Lon Chaney). She daydreams of being very rich after she sees a beautiful yacht in the harbor. The yacht anchors near the beach while Jess is laboriously mending nets for her husband. The yacht is owned by the wealthy Mr. Charles Holcombe. Despite his wealth, Holcombe is unhappily married to a nagging old wife who spends all her time fussing over her pet dog. Holcombe rows ashore to escape his wife's constant nagging.
Jess' little girl is playing on the beach, and after eagerly listening to the noise in a large seashell, brings it to her mother and asks her to tell her what makes the noise inside the shell. Jess tells her daughter a fairy tale about a beautiful girl who was imprisoned in a seashell by an evil fairy because she dared to love a handsome prince, and the noises they hear inside the seashell is actually the cry of the imprisoned girl. Holcombe comes upon the two women as Jess is relating the fairy tale to her child, holding Holcombe spellbound. The fairy tale then unfolds onscreen, with Arthur Holcombe as the Prince, Jess as a Mermaid, and Jess' fisherman husband as "Hunchback Fate", three characters in her story.
Holcombe talks with the young women and laments that such a beautiful young woman lives such a terrible life. He picks a bouquet of daisies, but having no excuse to linger longer, he returns to his ship, where his wife nags him for being away for so long. As the yacht sails off, Holcombe sits dreaming about how wonderful it would be to have a good wife like Jess, while Jess sits on the shore dreaming of the wealthy man she just met and his beautiful yacht. As she daydreams, Jess' fisherman husband suddenly hands her more nets to mend, rudely returning her to the reality of her tedious, impoverished life.
"Written by Ida May Park, and taking a decidedly pessimistic attitude toward life… This is interesting, with Cleo Madison, Lon Chaney and Arthur Shirley in the principal roles." — Motion Picture News. [5]
"Some of the settings are quite novel, though a little dark in places. The story…has a fair degree of interest" — Moving Picture World. [6]
Leonidas Frank "Lon" Chaney was an American actor and makeup artist. He is regarded as one of the most versatile and powerful actors of cinema, renowned for his characterizations of tortured, often grotesque and afflicted, characters and for his groundbreaking artistry with makeup. Chaney was known for his starring roles in such silent horror films as The Hunchback of Notre Dame (1923) and The Phantom of the Opera (1925). His ability to transform himself using makeup techniques that he developed earned him the nickname "The Man of a Thousand Faces".
The Sea Urchin is a 1913 American silent short romantic drama film directed by Edwin August and starring Jeanie MacPherson and Lon Chaney. The film was the earliest known character role by Lon Chaney and the first screenplay by MacPherson. The story follows a hunchback fisherman who finds a young girl and raises her into womanhood with the intention of marrying her. The film was released on August 22, 1913, and was played across the United States. The film is presumed lost.
Back to Life is a 1913 American silent short drama film directed by Allan Dwan and featuring Pauline Bush, J. Warren Kerrigan, William Worthington and Lon Chaney. This was Chaney's first film with director Allan Dwan, which was followed by a dozen more. The film is now considered lost.
The Tragedy of Whispering Creek is a 1914 American silent short Western film directed by Allan Dwan and featuring Murdock MacQuarrie, Pauline Bush, and Lon Chaney. Chaney expert Jon Mirsalis says Chaney also wrote the screenplay, based on a story by Elliott J. Clawson, but the Blake book says the film's director Allan Dwan wrote the screenplay himself. A print exists in the Deutsche Kinemathek film archive, making it Chaney's earliest surviving moving picture. A still exists which shows Chaney in his role as "The Greaser".
The Forbidden Room is a 1914 American silent drama film directed by Allan Dwan and featuring Murdock MacQuarrie, Pauline Bush and Lon Chaney. The film's working title was originally The Web of Circumstance. The film is now considered to be lost.
The Old Cobbler is a 1914 American silent drama film directed by Murdock MacQuarrie. The film features Murdock MacQuarrie, Richard Rosson, Agnes Vernon and Lon Chaney. The Old Cobbler was MacQuarrie's debut film as a director. The film is now considered to be lost.
The Pipes o' Pan is a 1914 American silent drama film directed by Joe De Grasse and featuring Lon Chaney and Pauline Bush. It is thought the screenplay was written by De Grasse's wife Ida May Park, but she was uncredited. The film is now considered to be lost.
The Sin of Olga Brandt is a 1915 American silent drama film directed by Joe De Grasse and featuring Lon Chaney and Pauline Bush. Jon Mirsalis claims the film was written by Ida May Park and that "some sources suggest that the film, which preaches about the high morality of moving pictures, was instigated by (producer) Carl Laemmle, who was involved in censorship fights of his own over some of his releases".
The Star of the Sea is a 1915 American silent drama film directed by Joe De Grasse, written by Phil K. Walsh, and starring Lon Chaney and Pauline Bush. The film is now considered to be lost. A still exists showing Lon Chaney in the role of Tomasco, the hunchbacked fisherman.
When the Gods Played a Badger Game is a 1915 American silent drama film directed by Joe De Grasse and written by Ida May Park, and featuring Pauline Bush and Lon Chaney. The film's working title was The Girl Who Couldn't Go Wrong. The film is today considered lost.
The Trust is a 1915 American short silent drama film directed by Lon Chaney and written by Katherine M. Kingsherry. It starred Lon Chaney and Vera Sisson. The film was also called The Truce in some magazine reviews. The film is today considered to be lost. A still exists showing Chaney as Jim Mason, hanging out in a bar with his criminal associates.
The Chimney's Secret is a 1915 American silent drama film written and directed by, and starring, Lon Chaney. Chaney's screenplay was based on a story by Milton Moore. The film is now considered to be in the public domain and a lost film.
The Fascination of the Fleur de Lis is a 1915 American silent drama film directed by Joe De Grasse, written by Bess Meredyth, and featuring Lon Chaney and Cleo Madison. A partial print of the film apparently survives in a private collection in the United Kingdom.
A Mother's Atonement is a 1915 American silent drama film directed by Joe De Grasse, written by Ida May Park, and featuring Lon Chaney and Cleo Madison. Chaney played a dual role as Ben Morrison. Two stills exist showing Lon Chaney in both of the roles he plays in the film.
The Gilded Spider is a 1916 American silent drama film directed by Joe De Grasse, written by Ida May Park and starring Lon Chaney and Louise Lovely. A print exists in the Museo del Cine Pablo C. Ducros Hicken film archive.
The Piper's Price is a 1917 silent drama film directed by Joe De Grasse and starring Lon Chaney, William Stowell and Dorothy Phillips. It was the first in a series of films co-starring William Stowell and Dorothy Phillips together. The screenplay was written by Ida May Park, based on the short story by Nancy Mann Waddel Woodrow. The film was released in the U.K. as Storm and Sunshine. The film is today considered lost. A still exists showing Lon Chaney in the role of Billy Kilmartin.
The Flashlight is a 1917 American silent drama film directed by Ida May Park and starring Lon Chaney, Dorothy Phillips and William Stowell. The screenplay was written by Ida May Park, based on the short story by Albert M. Treynore. This was the first film Ida May Park ever directed.
A Doll's House is a 1917 American silent drama film based on the eponymous 1879 play by Henrik Ibsen. The film was written and directed by Joe De Grasse, and stars Lon Chaney, William Stowell and Dorothy Phillips. Film historian Jon C. Mirsalis stated that director De Grasse's wife Ida May Park wrote the screenplay, but most sources attribute both the writing and directing of the film to De Grasse himself. The film is today considered lost.
Riddle Gawne is a 1918 American silent Western film directed by William S. Hart and Lambert Hillyer, and featuring William S. Hart, Katherine MacDonald and Lon Chaney. The film was co-produced by William S. Hart and Thomas H. Ince. The screenplay was written by Charles Alden Seltzer from his earlier novel The Vengeance of Jefferson Gawne. Chaney historian Jon C. Mirsalis claims that William S. Hart contributed greatly to the screenplay but all other sources credit the writing of the screenplay solely to Charles Alden Seltzer.
Bondage is a 1917 American silent drama film written and directed by Ida May Park, and starring Dorothy Phillips, William Stowell, Gretchen Lederer and J.B. MacLaughlin.