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Giacomo Puccini was an Italian composer known primarily for his operas. Regarded as the greatest and most successful proponent of Italian opera after Verdi, he was descended from a long line of composers, stemming to the late-Baroque era. Though his early work was firmly rooted in traditional late-19th-century Romantic Italian opera he later developed his work in the realistic verismo style, of which he became one of the leading exponents.
Turandot is an opera in three acts by Giacomo Puccini, posthumously completed by Franco Alfano in 1926, and set to a libretto in Italian by Giuseppe Adami and Renato Simoni. Its best-known aria is "Nessun dorma".
Renata Scotto is an Italian soprano and opera director.
Franco Alfano was an Italian composer and pianist, best known today for his opera Risurrezione (1904) and for having completed Puccini's opera Turandot in 1926. He had considerable success with several of his own works during his lifetime.
"Nessun dorma" is an aria from the final act of Giacomo Puccini's opera Turandot and one of the best-known tenor arias in all opera. It is sung by Calaf, il principe ignoto, who falls in love at first sight with the beautiful but cold Princess Turandot. Any man who wishes to wed Turandot must first answer her three riddles; if he fails, he will be beheaded. In the aria, Calaf expresses his triumphant assurance that he will win the princess.
Katia Ricciarelli is an Italian soprano and actress.
Andrea Gruber is an American dramatic soprano particularly admired for her interpretations of the works of Puccini, Verdi, and Wagner.
Barbara Frittoli is an Italian operatic soprano, specializing in operas by Verdi and Mozart. She has sung leading roles in opera houses throughout Europe and in the United States, such as La Scala in Milan and the Metropolitan Opera in New York. Her signature roles include Mimì in La bohème, the Countess in The Marriage of Figaro, Donna Elvira in Don Giovanni, Desdemona in Otello.
Éva Marton is a Hungarian dramatic soprano, particularly known for her operatic portrayals of Puccini's Turandot and Tosca, and Wagnerian roles.
Turandot(BV 273) is a 1917 opera with spoken dialogue and in two acts by Ferruccio Busoni. Busoni prepared his own libretto, in German, based on the play by Count Carlo Gozzi. The music for Busoni's opera is based on the incidental music, and the associated Turandot Suite, which Busoni had written in 1905 for a production of Gozzi's play. The opera is often performed as part of a double bill with Busoni's earlier one-act opera Arlecchino.
"Tu che di gel sei cinta" is a soprano aria from act 3, scene 1, of Puccini's 1926 opera Turandot. It is sung by Liù under torture, prior to her suicide.
Ettore Panizza was an Argentinian conductor and composer, one of the leading conductors of the early 20th century. Panizza possessed technical mastery and was popular and influential during his time, widely admired by Richard Strauss and Giacomo Puccini, among others.
Emilio Venturini (1878–1952) was an Italian operatic lyric tenor known for his portrayal of character roles. He made his professional opera debut in 1900 in Italy where he remained for the next several years. In 1901 he sang the role of Brighella in Mascagni's Le maschere at the Teatro Regio in Turin. He made his La Scala debut in 1903 as Froh in Wagner's Das Rheingold and sang in the premiere of Umberto Giordano's Siberia. In 1904, he originated the role of Prince Yamadori in Puccini's Madama Butterfly at La Scala. In 1905, Venturini joined the roster of the Opéra National de Paris. In 1907 he moved to London to sing with Royal Opera at Covent Garden. In 1910, Venturini became a member of the Chicago Opera Association where he performed roles until the summer of 1917. While in Chicago he sang mostly character parts but did sing some major roles like Turiddu in Cavalleria rusticana, Edgardo in Lucia di Lammermoor and the Pinkerton in Madama Butterfly. In 1911 he sang the roles of Cassio in Verdi's Otello and Spoletta in Puccini's Tosca at the Metropolitan Opera. Venturini also returned to Italy for brief periods in 1910, 1911, and 1916 to perform roles with the Teatro Massimo in Palermo. In 1921, Venturini joined the roster at La Scala and sang roles with that opera house until 1948. He notably originated the roles of Il Tempiere in Boito's Nerone in 1924 and Pang in Puccini's Turandot in 1926. and was the first to record the role of Nereo in Boito's Mefistofele in the 1931 La Scala recording.
This is a partial discography of Turandot, an opera by Giacomo Puccini. The first performance was held at the Teatro alla Scala in Milan on 25 April 1926, conducted by Arturo Toscanini.
Erika Sunnegårdh is a Swedish operatic soprano. She lived for many years in New York, where she made a much reported debut at the Metropolitan Opera in 2006.
Amanda Louise Thane was an Australian operatic soprano known for her interpretations of roles such as Violetta in Verdi's La traviata, Liù in Puccini's Turandot, Eva in Wagner's Die Meistersinger, and the title role in Donizetti's Maria Stuarda. She sang at the Royal Opera House, Covent Garden, from 1991 to 2000, including leading roles in Les Huguenots, The Tales of Hoffmann and La bohème.
Alfred Kim is a Korean operatic tenor. With The Royal Opera, Kim sang the role of Calaf in Puccini's Turandot in 2014.
Yonghoon Lee is a South Korean operatic tenor. He has performed at many of the most prestigious theaters in the world, including the Royal Opera House, Covent Garden, Metropolitan Opera, Deutsche Oper Berlin, Vienna State Opera, Rome Opera, Dutch National Opera in Amsterdam, Bavarian State Opera in Munich, Teatro alla Scala in Milan, Semperoper Dresden, Lyric Opera of Chicago, San Francisco Opera, Opera Australia, amongst others.
Lise Lindstrom is an American operatic soprano. She is best known for the title role of Puccini's Turandot and also highly recognized in the dramatic repertory of Richard Strauss and Richard Wagner.
Jürgen Maehder is a German musicologist and opera director. He discovered Franco Alfano's original version of the finale for the third act of Puccini's Turandot. He has lectured and staged opera internationally.
References
- ↑ Hartston, William (21 February 2014) "Turandot at the Royal Opera House review: A lavish setting for Puccini's icy heroine". Daily Express . Retrieved 30 March 2014.
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