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Gara is a Hindustani classical raga belonging to the Khamaj Thaat. This raga is similar to raga Jaijaiwanti. Both ragas i.e. raga Jaijaiwanti and raga Gara, have the same svaras. Gara is a rare raga. It is rendered in the late evening. The raga uses all the seven notes, six in the ascent and seven in the descent. Therefore, the Jati of the raga is Shaadav-Sampurna. While some say that seven svaras are played in the ascent and seven in the descent. Therefore, the Jati then becomes Sampurna-Sampurna. It uses both, the Komal (flat) and Shuddha (full) Nishad, and all other notes are Shuddha (full). The derivative ragas out of this structure are grouped under the broad head of Khamaj Thaat. Gara belongs to a family of melodic entities, which were apparently derived from folk melodies, and entered art-music in association with the thumri genre. This family includes ragas like Kafi, Piloo, Jangula, Barwa, and Zilla, along with several others. This raga expresses the feeling of happiness and satisfaction of achievement, however it simultaneously conveys the sadness of losing. This raga is also a vivacious and romantic one.
References
- ↑ "Aleksandar Seksan". BFI. Archived from the original on 1 December 2017.
- ↑ //https://www.klix.ba/magazin/showbiz/aleksandar-seksan-islam-je-perfektan-on-postane-vodilja-i-olaksica-onome-ko-ga-shvati/240521157
- ↑ //https://www.youtube.com/watch?v=vw2ebZyN2WQ
- ↑ //https://www.youtube.com/watch?v=wK9hW0eB9eY
