Alexandra Elene MacLean Denny was an English singer-songwriter who was lead singer of the British folk rock band Fairport Convention. She has been described as "the pre-eminent British folk rock singer".
Fotheringay was a short-lived British folk rock group, formed in 1970 by singer-songwriter and musician Sandy Denny on her departure from Fairport Convention. The band drew its name from her 1968 composition "Fotheringay" about Fotheringhay Castle, in which Mary, Queen of Scots had been imprisoned. The song originally appeared on the 1969 Fairport Convention album, What We Did on Our Holidays, Denny's first album with that group. The original Fotheringay released one self-titled album but disbanded at the start of 1971 as Denny embarked on a solo career. Forty-five years later, a new version of the band re-formed featuring the three original surviving members together with other musicians, and toured in 2015 and 2016.
Denys Justin Wright, known professionally as Denny Wright, was a British jazz guitarist.
Trevor George Lucas was an Australian folk singer, a member of Fairport Convention and one of the founders of Fotheringay. He mainly worked as a singer-songwriter and guitarist but also produced many albums and composed for the film industry toward the end of his career. He married three times, his first wife was Cheryl, his second wife was fellow folk musician Sandy Denny (1973–1978), and his third wife was Elizabeth Hurtt (1979–1989). Lucas died on 4 February 1989 of a heart attack in his sleep, in Sydney, aged 45. He was survived by Elizabeth Hurtt, his daughter, Georgia Rose Lucas, and his son, Daniel 'Clancy' Lucas. According to Australian rock music historian Ian McFarlane, Lucas "was one of the most acclaimed singer-songwriters Australia ever produced and although he was held in high regard in UK folk rock circles, he remained virtually unknown in his homeland".
Linda Thompson is an English singer-songwriter.
(guitar, vocal) is a 1976 album by Richard Thompson. It was released by Island Records as a career retrospective after he and his wife Linda had gone into semi-retirement from the business of making and performing music following the release of Pour Down Like Silver (1975).
Beverley Martyn is an English singer, songwriter and guitarist.
Alex Campbell was a Scottish folk singer whose nickname was 'Big Daddy'. He was influential in the British folk music revival of the 1950s and 1960s, and was one of the first folk singers in modern times to tour the UK and Europe. He was described by Colin Harper as a "melancholic, hard-travelling Glaswegian" and was known for his story-telling and singing
"The 3:10 to Yuma" is a folk song written by George Duning (music) and Ned Washington (lyrics) and sung by Frankie Laine as the theme song to the 1957 film 3:10 to Yuma.
"The Last Thing on My Mind" is a song written by American musician and singer-songwriter Tom Paxton in the early 1960s and recorded first by Paxton in 1964. It is based on the traditional lament song "The Leaving of Liverpool". The song was released on Paxton's 1964 album Ramblin' Boy, which was his first album released on Elektra Records.
John James is known, primarily, as a solo acoustic fingerstyle guitarist, composer and entertainer.
It's Sandy Denny is a compilation album, issued in 1970. It consists of songs Sandy Denny recorded for Saga Records in 1967, and which were initially released on two separate albums: Alex Campbell and his Friends and Sandy and Johnny.
Who Knows Where the Time Goes? is a retrospective compilation of the work of English folk rock singer Sandy Denny issued in 1985. It is a four LP boxed set released on the Island Records label in the UK and Germany and on Hannibal/Carthage Records in the US, later reissued as a three CD set. It includes released and previously unreleased recordings from 1967 to 1977, live performances, outtakes and demos from Denny's solo career, and with Fairport Convention, Fotheringay and Strawbs.
The Paul McKenna Band are a five piece folk musical group from Glasgow, Scotland.
Sandy and Johnny is a split album featuring early recordings by Sandy Denny and Johnny Silvo, recorded for Saga Records in 1967. Despite being credited to both singers, the album consists of solo songs by each.
Fairport Chronicles is a 1976 compilation album of the British folk-rock band Fairport Convention, including songs from 1968 to the departure of the last original member in 1972. The double album is unique in that it was only released in the USA, features original material and American covers over the traditional material usually associated with Fairport, and includes songs from side projects. All of the material was originally issued in the USA on A&M Records, which explains the exclusion of songs taken from their first, pre-Sandy Denny album, which was only later released in the United States.
Live at the BBC is a four disc compilation of British folk singer songwriter Sandy Denny's BBC sessions from 1966 to 1973 and contains almost all her solo work for the corporation. Disc 4 of the set is a DVD of Denny performing three songs on the music programme One in ten in 1971: the only surviving solo footage of her. This compilation superseded the earlier one-disc set issued on the Strange Fruit label in 1997 that due to rights issues was withdrawn on the day of release thereby creating a highly collectable disc up until the release of this comprehensive set.
Live at the BBC is a 2007 compilation album by British folk rock band Fairport Convention. It consists of tracks recorded for the BBC for various radio programmes between 1968 and 1974 and comprises four CDs in a fold-out package with a fifty-page booklet including song lyrics and numerous contemporary photographs.
Johnny Silvo was a British folk and blues singer.
"This Train", also known as "This Train Is Bound for Glory", is a traditional American gospel song first recorded in 1922. Although its origins are unknown, the song was relatively popular during the 1920s as a religious tune, and it became a gospel hit in the late 1930s for singer-guitarist Sister Rosetta Tharpe. After switching from acoustic to electric guitar, Tharpe released a more secular version of the song in the early 1950s.
