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Alex Kahn is an American visual/performance artist and co-founder of the arts ensemble Processional Arts Workshop. He is most widely known for his creation of the large-scale puppet performance works that lead New York's Village Halloween Parade each year.
In 1998, Kahn and his partner, Sophia Michahelles, brought together an ensemble of artists, puppeteers, theatrical technicians, and performers to design the annual performances that lead New York's Village Halloween Parade. Originally named "Superior Concept Monsters", the group was incorporated as a non-profit in 2005 and renamed Processional Arts Workshop with a mission to create site-specific community-built processions, parades, and other open-space performances. These works are often developed through open community workshops that bring hundreds of volunteers together to build, rehearse, and ultimately perform cyclical pieces specifically for the parade. The performances typically incorporate elements of puppetry, sound, dance, costume/mask, lighting/projection and mobile architecture, an amalgam of mediums Kahn dubbed "processional art".
In addition to leading New York's Village Halloween Parade each year, Kahn's creations have appeared in venues nationally and internationally. His work, Metamorphosis, involving 20' tall pupating luna moths, officially opened the 2000 Henson International Festival of Puppet Theatre. In 2002, he and Michahelles initiated a midsummer pageant project in the Italian Alps village of Morinesio, drawing on local folklore and oral history to create a unique site-specific pageant. Inspired by the success of the now-annual tradition, they have seeded similar projects in diverse locales in Ukraine, Turkey, Italy, Texas, New York, and elsewhere. In 2006, Kahn was awarded a Fulbright Scholarship to Trinidad and Tobago, to study the artistic and cultural structures behind Caribbean Carnival and Trinidadian "Mas'", or costumed procession. More recent PAW works have included major commissions for Socrates Sculpture Park [1] the NY Architectural League's Beaux Arts Ball, the PEN World Voices Festival, [2] Houston's Buffalo Bayou Park, [3] the Grand Opening of the High Line over Penn Rail Yards.
Kahn has maintained an independent practice as a theatrical designer, printmaker, installation artist, and teacher. His interdisciplinary approach was strongly influenced by his experience as technical director of the Kitchen Performance Center during the 1990s. During this time he created lighting, objects, and effects for performance artists including John Jesurun ("Chang in a Void Moon"), Mikel Rouse ("Failing Kansas"), Roseanne Spradlin, Meredith Monk, Pauline Oliveros, and David Hykes. Kahn trained as a master printer under Robert Blackburn (artist) and chaired the Printmaking Department at Maine College of Art from 2000 to 2004. His Spam Cantos, a retooling of spam messages generated by Baysean algorithms into a series of letterpress poems, appeared at the Maine Institute of Contemporary Art in 2008. In 2016, Kahn performed in the role of "choir-master" in "The Visitors" a video-work by Icelandic artist Ragnar Kjartansson, which has appeared at major museums around the world. His ongoing project, a fictional traveling museum called the Archive of the Synapse, has been exhibited nationally. San Francisco Chronicle art critic Kenneth Baker described the work as follows:
In a dark box several objects, including a broken fluorescent tube and a floppy disk, glow with touches of color under ultraviolet light. Beneath it, a backlit label explains that traces of a lost dimension called the Synapse persist in, for example, "the fractures along which things break inexplicably . . . the penny which flips only tails, even the virus-infested computer disk." Kahn's piece makes these traces visible. He makes sly analogies between mystic-scientistic cult thinking and new art's uneasy position in the culture at large. Most remarkably, Kahn reawakens us to a true spookiness of art through the fiction of an X-Files-style obsession.
Puppetry is a form of theatre or performance that involves the manipulation of puppets – inanimate objects, often resembling some type of human or animal figure, that are animated or manipulated by a human called a puppeteer. Such a performance is also known as a puppet production. The script for a puppet production is called a puppet play. Puppeteers use movements from hands and arms to control devices such as rods or strings to move the body, head, limbs, and in some cases the mouth and eyes of the puppet. The puppeteer sometimes speaks in the voice of the character of the puppet, while at other times they perform to a recorded soundtrack.
A marionette is a puppet controlled from above using wires or strings depending on regional variations. A marionette's puppeteer is called a marionettist. Marionettes are operated with the puppeteer hidden or revealed to an audience by using a vertical or horizontal control bar in different forms of theatres or entertainment venues. They have also been used in films and on television. The attachment of the strings varies according to its character or purpose.
William Britton "Bil" Baird was an American puppeteer of the mid- and late 20th century. In a career that spanned over 60 years, he and his puppets performed for millions of adults and children. One of his better known creations was Charlemane the lion. He and his wife Cora Eisenberg Baird (1912–1967) produced and performed the famous puppetry sequence for "The Lonely Goatherd" in the film version of The Sound of Music. His son Peter Baird was also a puppeteer, and he continued his family's legacy until his own death in July 2004.
The Village Halloween Parade is an annual holiday parade on the night of every Halloween, in the Greenwich Village neighborhood of New York City. The parade, initiated in 1974 by Greenwich Village puppeteer and mask maker Ralph Lee, is the world's largest Halloween parade and the only major nighttime parade in the United States. The parade reports itself to have 50,000 "costumed participants" and 2 million spectators. The parade has its roots in New York's queer community.
Jeanne Fleming is an American Celebration Artist from New York City, who organized the Harbor Festival Fair in 1986, the Official Land Celebration for the Centennial of the Statue of Liberty and who is currently director of New York's Village Halloween Parade.
Ralph Lee is an American puppeteer and theatre artist. His work is centered on the design and use of masks in theatre and performance. The majority of his productions take place outside of traditional performance venues, include parades, pageants, celebrations, and outdoor theatrical performances. Masks and large puppets are central to his productions, which aim to make artistic experiences accessible to all members of the community. He stages his productions in familiar, public locations, charging no admission fee whenever possible and creating vivid images that can immediately resonate with the audience.
Sophia Michahelles is one of the two chief artists and puppeteers of Processional Arts Workshop, makers of pageant puppets and other processional art in upstate New York. She works closely with co-director Alex Kahn. The couple's work, under the informal moniker "Superior Concept Monsters" has been commissioned each year since 1998 to lead New York's Village Halloween Parade, the largest puppet parade and street-pageant of its kind in the United States, drawing two million spectators.
The Center for Puppetry Arts, located in Atlanta, is the United States' largest organization dedicated to the art form of puppetry. The center focuses on three areas: performance, education and museum. It is one of the few puppet museums in the world. The center is located in Midtown, the city's arts district. It was founded in 1978 by Vincent Anthony.
Dadi Pudumjee is a leading puppeteer in India and he is the founder of The Ishara Puppet Theatre Trust. He was awarded the Sangeet Natak Akademi Award in 1992.
Timothy Lagasse is an American director, puppeteer and puppet designer. He has worked on films and television programs for Sesame Workshop, Nickelodeon, Disney XD, and HBO. He is known for playing the title character on Noggin's Oobi, and Crash on Disney XD's Crash & Bernstein.
Basil Twist is a New York City-based puppeteer who is known for his underwater puppet show, "Symphonie Fantastique". He was named a MacArthur Fellowship recipient on September 29, 2015.
A puppet is an object, often resembling a human, animal or mythical figure, that is animated or manipulated by a person called a puppeteer. The puppeteer uses movements of their hands, arms, or control devices such as rods or strings to move the body, head, limbs, and in some cases the mouth and eyes of the puppet. The puppeteer often speaks in the voice of the character of the puppet, and then synchronizes the movements of the puppet's mouth with this spoken part. The actions, gestures and spoken parts acted out by the puppeteer with the puppet are typically used in storytelling. Puppetry is a very ancient form of theatre which dates back to the 5th century BC in Ancient Greece. There are many different varieties of puppets, and they are made from a wide range of materials, depending on their form and intended use. They range from very simple in construction and operation to very complex.
Processional Arts Workshop (PAW) is an ensemble of performing artists and theatrical technicians founded in 1998, devoted to pageant puppetry and processional art. They are also known by the name Superior Concept Monsters (SCM). They are best known for creating the large-scale puppet performances that lead New York's Village Halloween Parade.
Sue Hastings was an American puppeteer known for popularizing the ancient art of puppetry in the 1930s and 1940s. She was a protégé of famous advertising artist and master puppeteer Tony Sarg. She was known as a society hostess and for performing with her large collection of professionally made marionettes, which she created with the assistance of her large team of artisan puppeteers. Her many renowned performing companies were headquartered in New York City, New York, USA. During the height of her career, as owner and CEO of Sue Hastings Marionettes, Inc., she reputedly, in her inimitable "hands-on" style, was actively and very successfully directing over 50 performing companies, some of which performed worldwide for heads of Royalty, such as Queen Elizabeth I, and many other dignitaries and distinguished national and international diplomats and world leaders.
Anurupa Roy is a puppeteer, puppet designer and director of the puppet theater. Puppeteer Anurupa Roy's views puppetry as not "manipulating dolls with strings" but an amalgam of plastic and performing arts where sculptures, masks, figures, materials, found objects and narratives come together with music, movement, physicality and theater to create the theater where humans and puppets are co actors. She started at her group Katkatha in 1998 which was registered as the Katkatha Puppet Arts Trust 2006. She has directed over 15 shows for children and adults ranging from the Ramayana and Mahabharata to Shakespearean comedy to the Humayun-nama. The puppets used by the group range from 3 inches to forty feet. The shows have toured across Europe, Japan and South Asia. A major aspect of her work is using puppets for psycho social interventions in conflict areas like Kashmir, Sri Lanka and Manipur to Juvenile Remand homes. She has worked with youth and women across the country using puppets to raise awareness about HIV/AIDS and gender issues. She is a recipient of the Ustad Bismillah Khan Yuva Puraskar ine Puppetry(2006). She has been a visiting faculty at the University of California Los Angeles an Artists in Residence at Pro Helvetia Swiss Arts Council.
The Ballard Institute and Museum of Puppetry (BIMP) is a public museum of puppetry operated by the University of Connecticut and located in Storrs, Connecticut.
In the late 1980s, the African Research and Educational Puppetry Program (AREPP) founded "Puppets Against AIDS", a traveling puppet show that visited African villages and cities to encourage audience members to use condoms to prevent HIV/AIDS transmission.
Paul Vincent Davis is an American puppeteer. For over 30 years, he served as Artist in Residence at Puppet Showplace Theater in Brookline, Massachusetts. In the 1980s, UNIMA-USA awarded Davis five Citations of Excellence for his work.
Animal Cracker Conspiracy Puppet Company, or Animal Cracker Conspiracy (ACC), is a contemporary hybrid puppet company co-founded by Iain Gunn and Bridget Rountree that is invested in pushing the boundaries of kinetic performance, creating performances that "decenter expectations, open new avenues of thought, and invoke the uncanny." Their ongoing practice is based on a shared interest and exploration of where fine art, puppetry, performance art, circus, dance, film, and mixed media intersect. They perform nationally and internationally out of a multiplicity of venues such as La Jolla Playhouse in San Diego, California, where the company resides. ACC specializes in inclusive multimedia performances that encourage difficult discussions and foster community through local theater, street parades, and national tours.
A giant puppet is a puppet which is tall enough to be easily visible to a street crowd while being manipulated by puppeteers, on the same level. It is therefore most suitable for processions, street theatre and performance art, although some large theatrical animations can be used for the same purpose. Giant puppets are usually articulated and made from a lightweight material. Some are manipulated by puppeteers using rods, strings, stilts, other mechanisms, or a combination of these. Giant puppets have been used worldwide for street entertainment, celebrations or other purposes from ancient times, and they continue in use and in development today. Of the traditional giant rod puppets, the Chinese dragon New Year puppet is "perhaps the most recognized form of the parade puppet". Of the most recent examples, Royal de Luxe of France has produced a notable set of giant string puppets.
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