Alexandre Tharaud (born 9 December 1968) is a French pianist. He is active on the concert stage and has released a large and diverse discography. [1]
Alexandre Tharaud (born 9 December 1968) is a French pianist. He is active on the concert stage and has released a large and diverse discography. [1]
Born in Paris, Tharaud discovered the music scene through his mother who was a dance teacher at the Opéra de Paris, and his father, an amateur director and singer of operettas. Tharaud thus appeared as a child in theatres around northern France, where the family spent many weekends. [2] His grandfather was a violinist in Paris in the 1920s and 1930s. [3] At the initiative of his parents, Alexandre started his piano studies at the age of five, and he entered Conservatory of the 14th Arrondissement, where his teacher was Carmen Taccon-Devenat, a student of Marguerite Long. [2]
He entered the Conservatoire de Paris at the age of 14 where he won first prize for piano in the class of Germaine Mounier when he was 17 years old. With Theodor Paraskivesco, he mastered the piano, and he sought and received advice from Claude Helffer, Leon Fleisher and Nikita Magaloff. In 1987, he won third prize at the Maria Canals International Competition in Barcelona [1] and, a year later, the Senigallia Competition in Italy. In 1989, he was awarded 2nd prize at the ARD International Music Competition in Munich. His career developed quickly in Europe as well as in North America and Japan.
In 2009, he took part in a show devoted to Erik Satie with actor François Morel. [4] Alongside the singer Juliette, he organised a Satie Day at the Cité de la musique, recorded for France Télévisions. He has also worked with the French composer Thierry Pécou, performing the première of his first piano concerto in October 2006 at the Théâtre des Champs-Élysées and later recording it. [5]
In 2012, Tharaud took part in the French film Amour by Michael Haneke where he played himself, alongside Jean-Louis Trintignant, Emmanuelle Riva and Isabelle Huppert, although he said that it would not be the start of a film career for him. [3]
The New York Times described his Bach playing at a recital in 2005 as "crisply articulated and vividly etched". [6]
In 2015 Tharaud starred as the central performer at the Prinsengrachtconcert in Amsterdam.
Following Piano intime: conversations avec Nicolas Southon (Philippe Rey, 2013), in 2017 Tharaud published a second book entitled Montrez-moi vos mains (Show me your hands) (Grasset, 2017), in which he recounts his career, methods of working, relationships with colleagues, variations in audiences around the world, and his personal feelings about a musician's life.
Tharaud refuses to keep a piano in his residence [5] [7] because he believes he would begin to prefer the pleasure of improvisation to the necessity of rigorous work. He practices on different instruments at friends' residences. He composes, but usually privately. [8] Before each recording he lays flowers at the tomb of Emmanuel Chabrier at Montparnasse Cemetery. [1] When asked what a camera would record at his recording sessions, he replied that he sings, shouts, dances, and argues with the piano ("absurd behaviour"—comportements ridicules). [1]
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Frank Braley is a French classical pianist.
Laurent Martin is a French classical pianist.
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Croquis et agaceries d'un gros bonhomme en bois, translated as Sketches and Exasperations of a Big Wooden Dummy, is a 1913 piano composition by Erik Satie. One of his pre-World War I humoristic suites, it was published by E. Demets that same year. Ricardo Viñes gave the premiere during a concert of the Société Nationale de Musique at the Salle Pleyel in Paris on March 28, 1914. A typical performance lasts about five minutes.
Les trois valses distinguées du précieux dégoûté (The Three Distinguished Waltzes of a Jaded Dandy) is a 1914 piano composition by Erik Satie. The shortest of his humoristic keyboard suites of the 1910s, it features what author James Harding called "the most baroque verbal scaffolding Satie ever erected around his music". A performance lasts around 3 minutes.
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The Petite ouverture à danser(Little Overture to a Dance) is a piece for solo piano composed around 1897 by Erik Satie. Unknown for many years, it is one of the more popular works to emerge from his posthumous manuscripts. A performance lasts under 3 minutes.
Poudre d'or(Gold Dust) is a waltz for solo piano composed in 1901 by Erik Satie. It is the first notable example of his light café-concert idiom, and is still popular today. In performance it lasts about 5 minutes. Satie also created a version for small orchestra but this survives only in a fragmentary state.
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