Alfred | |
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Masque (later opera) by Thomas Arne | |
Librettist | |
Based on | Life of Alfred the Great |
Premiere |
Alfred is a sung stage work about Alfred the Great with music by Thomas Arne and libretto by David Mallet and James Thomson. The work was initially devised as a masque in 1740 and was first performed at Cliveden, country home of Frederick, Prince of Wales, on 1 August 1740 to commemorate the accession of his grandfather George I and the birthday of the Princess Augusta. [1] Arne later revised the work turning it into an all-sung oratorio in 1745 and then an opera in 1753. It is best known for its finale "Rule, Britannia!".
Frederick, Prince of Wales made considerable efforts to demonstrate his British nationality and identity, to distinguish himself from his German father George II, with whom he was on very poor terms. [2] The masque Alfred, to a text by David Mallet and James Thomson, was first performed at Frederick's country home at Cliveden on 1 August 1740. [2] It was the ideal entertainment for him: a mixture of romantic heroism and British patriotism. [2]
In its original form, Alfred contained only eight vocal sections and the overture, including the famous patriotic song "Rule, Britannia!". [2] Arne later significantly expanded the work, and the printed score of 1753 runs to 27 musical numbers. [2] The libretto included additional pieces, including several choruses, the music for which is now lost. [2] An expanded version of the work was first performed in London in March 1745. [2]
Roles | Voice type | Premiere cast, 1 August 1740 [3] Conductor: Thomas Arne |
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Alfred | tenor | Thomas Lowe |
Emma/Venus | soprano | Kitty Clive |
Spirit/Pallas/Paris | mezzo-soprano | Susannah Maria Cibber |
Bard/Mercury | bass |
The following synopsis is based on the work as performed in London at the King's Theatre in 1753 and the Drury Lane Theatre in 1754 and is the version performed by Bampton Classical Opera in 1998. [4]
The setting is the Isle of Athelney in the year 878. Following a defeat by the Vikings, Alfred has taken refuge in the hut of the shepherd Corin and his wife Emma who wonder about the mysterious stranger. Alfred expresses his anguish at the state of affairs of his kingdom and prays to the Genius of Britannia. Alfred's wife Eltruda and his son Edward arrive and rejoice at finding him alive. Corin and Emma still have no idea who their guests really are.
Later, Edward brings news that twelve hundred Britons loyal to Alfred are camped nearby and awaiting his command. Emma and Corrin now realise the true identity of their guests as Alfred departs for battle. When news of his victory reaches them, all rejoice. Edward praises the return of British values. Alfred exhorts his people: "Britons, proceed, the subject deep command, awe with your navies ev'ry hostile land". In response, all sing "Rule Britannia", an ode in honour of Great Britain.
The masque was a form of festive courtly entertainment that flourished in 16th- and early 17th-century Europe, though it was developed earlier in Italy, in forms including the intermedio. A masque involved music, dancing, singing and acting, within an elaborate stage design, in which the architectural framing and costumes might be designed by a renowned architect, to present a deferential allegory flattering to the patron. Professional actors and musicians were hired for the speaking and singing parts. Masquers who did not speak or sing were often courtiers: the English queen Anne of Denmark frequently danced with her ladies in masques between 1603 and 1611, and Henry VIII and Charles I of England performed in the masques at their courts. In the tradition of masque, Louis XIV of France danced in ballets at Versailles with music by Jean-Baptiste Lully.
Thomas Augustine Arne was an English composer. He is best known for his patriotic song "Rule, Britannia!" and the song "A-Hunting We Will Go", the latter composed for a 1777 production of The Beggar's Opera, which has since become popular as a folk song and a nursery rhyme. Arne was a leading British theatre composer of the 18th century, working at the West End's Drury Lane and Covent Garden. He wrote many operatic entertainments for the London theatres and pleasure gardens, as well as concertos, sinfonias, and sonatas.
"Rule, Britannia!" is a British patriotic song, originating from the 1740 poem "Rule, Britannia" by James Thomson and set to music by Thomas Arne in the same year. It is most strongly associated with the Royal Navy, but is also used by the British Army.
David Mallet was a Scottish poet and dramatist.
James Thomson was a Scottish poet and playwright, known for his poems The Seasons and The Castle of Indolence, and for the lyrics of "Rule, Britannia!"
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Augusta of Great Britain was a British princess, granddaughter of George II and the only elder sibling of George III. She was Duchess of Brunswick-Lüneburg and Princess of Brunswick-Wolfenbüttel by marriage to Charles William Ferdinand, Duke of Brunswick. Her daughter Caroline was the spouse of George IV.
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Events from the year 1740 in Great Britain.
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