Rosicrucianism is a spiritual and cultural movement that arose in Europe in the early 17th century after the publication of several texts announcing to the world a new esoteric order. Rosicrucianism is symbolized by the Rosy Cross or Rose Cross.
Abū Mūsā Jābir ibn Ḥayyān, died c. 806−816, is the purported author of an enormous number and variety of works in Arabic, often called the Jabirian corpus. The works that survive today mainly deal with alchemy and chemistry, magic, and Shi'ite religious philosophy. However, the original scope of the corpus was vast and diverse, covering a wide range of topics ranging from cosmology, astronomy and astrology, over medicine, pharmacology, zoology and botany, to metaphysics, logic, and grammar.
The philosopher's stone is a mythic alchemical substance capable of turning base metals such as mercury into gold or silver. It is also called the elixir of life, useful for rejuvenation and for achieving immortality; for many centuries, it was the most sought-after goal in alchemy. The philosopher's stone was the central symbol of the mystical terminology of alchemy, symbolizing perfection at its finest, divine illumination, and heavenly bliss. Efforts to discover the philosopher's stone were known as the Magnum Opus.
Johann Joachim Becher was a German physician, alchemist, precursor of chemistry, scholar, polymath and adventurer, best known for his development of the phlogiston theory of combustion, and his advancement of Austrian cameralism.
Pseudo-Geber is the presumed author or group of authors responsible for a corpus of pseudepigraphic alchemical writings dating to the late 13th and early 14th centuries. These writings were falsely attributed to Jabir ibn Hayyan, an early alchemist of the Islamic Golden Age.
The Emerald Tablet, also known as the Smaragdine Tablet or the Tabula Smaragdina, is a compact and cryptic Hermetic text. It was highly regarded by Islamic and European alchemists as the foundation of their art. Though attributed to the legendary Hellenistic figure Hermes Trismegistus, the text of the Emerald Tablet first appears in a number of early medieval Arabic sources, the oldest of which dates to the late eighth or early ninth century. It was translated into Latin several times in the twelfth and thirteenth centuries. Numerous interpretations and commentaries followed.
Mu'ayyad al-Din Abu Isma'il al-Husayn ibn Ali ibn Muhammad ibn Abd al-Samad al-Du'ali al-Kināni al-Tughra'i was a poet and alchemist.
Picatrix is the Latin name used today for a 400-page book of magic and astrology originally written in Arabic under the title Ghāyat al-Ḥakīm, which most scholars assume was originally written in the middle of the 11th century, though an argument for composition in the first half of the 10th century has been made. The Arabic title translates as The Aim of the Sage or The Goal of The Wise. The Arabic work was translated into Spanish and then into Latin during the 13th century, at which time it got the Latin title Picatrix. The book's title Picatrix is also sometimes used to refer to the book's author.
Arnaldus de Villa Nova was a physician and a religious reformer.
Bernard Trevisan was a fictional Italian alchemist who lived from 1406 to 1490. His biography has been composed by editors and commentators of alchemical texts from the 16th century. It is said that he was born into a noble family in Padua and spent his entire life spending his family fortune in search of the Philosopher's stone. The mythical character emerged by a confusion with the alchemist called Bernard of Trier. A recent study founded a chronicle of his death in 1387. He has been identified with Eberhard I von der Mark (1305-1387), a law graduate and clergyman, who became chorbishop of Cologne. He resigned his positions in the Church to marry in 1346 with Maria de Looz-Agimont (ca.1336-1410), whose titles and territories counties were key points in feudal disputes involving Von der Marck family. From 1366 he was closely related to Kuno II von Falkenstein (ca.1320-1388), archbishop of Trier.
Rubedo is a Latin word meaning "redness" that was adopted by alchemists to define the fourth and final major stage in their magnum opus. Both gold and the philosopher's stone were associated with the color red, as rubedo signaled alchemical success, and the end of the great work. Rubedo is also known by the Greek word iosis.
Muḥammad ibn Umayl al-Tamīmī, known in Latin as Senior Zadith, was an early Muslim alchemist who lived from c. 900 to c. 960 AD.
Edmund Brice was an English translator and schoolmaster.
Pseudo-Democritus is the name used by scholars for the anonymous authors of a number of Greek writings that were falsely attributed to the pre-Socratic philosopher Democritus (c. 460–370 BC).
The Liber de compositione alchemiae, also known as the Testamentum Morieni, the Morienus, or by its Arabic title Masāʾil Khālid li-Maryānus al-rāhib, is a work on alchemy falsely attributed to the Umayyad prince Khalid ibn Yazid. It is generally considered to be the first Latin translation of an Arabic work on alchemy into Latin, completed on 11 February 1144 by the English Arabist Robert of Chester.
Ibn Arfa' Ra's, flourished second half of the twelfth century, was a Maghrebi poet and alchemist. He is the author of an Arabic collection of alchemical poems called the Shudhūr al-dhahab.
The Deutsche Theatrum Chemicum is a collection of alchemical texts, predominantly in German translation, which was published in Nuremberg in three volumes by Friedrich Roth-Scholtz (1687–1736), the publisher, printer and bibliographer.
"Allein Gott in der Höh sei Ehr" is an early Lutheran hymn, with text and melody attributed to Nikolaus Decius. With the reformers intending church service in German, it was intended as a German version of the Gloria part of the Latin mass, used in almost every service. Decius wrote three stanzas, probably in 1523, while a fourth was added, probably by Joachim Slüter.
"Macht hoch die Tür" is a popular German Advent hymn, written in 17th century Ducal Prussia. The lyrics were written by Georg Weissel in 1623 for the inauguration of the Altroßgärter Kirche in Königsberg. The melody that is now associated with the text appeared first in 1704 in the hymnal by Johann Anastasius Freylinghausen.
