Alice Kettle (born 1961) is a British contemporary textile and fiber artist. [1]
Kettle was born in Winchester in Hampshire and studied fine art at the University of Reading from 1979 to 1984 before taking the postgraduate diploma course in textile art at Goldsmiths College during 1985 and 1986. [2] She subsequently received a series of grants and artist-in-residence awards, notably at the Canberra School of Art in Australia, and also took several part-time and visiting teaching posts. [2] Kettle is currently a Professor in Textile Arts at Manchester School of Art at Manchester Metropolitan University. [3]
Kettle's work is focused upon stitched textiles, [4] and explores themes of cultural heritage, journeys and displacement. [5] Her stitched works, many the size of huge figurative tapestries, exploit the textures and effects made possible through the harnessing of a mechanical process to intuitive and creative ends. [3]
Her work is represented in various public collections such as the Crafts Council in London, the Whitworth Art Gallery in Manchester, the Museo Internationale delle Arti Applicate Oggi in Turin, Italy. Commissions by Kettle include works for the National Library of Australia in 1999, plus a work for the School of Music & Drama at the University of Manchester. [3] Other public works by Kettle include
The Whitworth is an art gallery in Manchester, England, containing over 60,000 items in its collection. The gallery is located in Whitworth Park and is part of the University of Manchester.
Fiber art refers to fine art whose material consists of natural or synthetic fiber and other components, such as fabric or yarn. It focuses on the materials and on the manual labor on the part of the artist as part of the works' significance, and prioritizes aesthetic value over utility.
Opus Anglicanum or English work is fine needlework of Medieval England done for ecclesiastical or secular use on clothing, hangings or other textiles, often using gold and silver threads on rich velvet or linen grounds. Such English embroidery was in great demand across Europe, particularly from the late 12th to mid-14th centuries and was a luxury product often used for diplomatic gifts.
Ana Maria Pacheco is a Brazilian sculptor, painter, and printmaker. Her work is influenced by her Brazilian heritage and often focuses on supernatural themes, incorporating them into unfolding narratives within her work. Pacheco's work has been displayed in galleries internationally and has won multiple awards throughout her career.
Rita Donagh is a British artist, known for her realistic paintings and painstaking draughtsmanship.
Valerie Anne Campbell-Harding was an experimental textile art designer and author of 24 books.
Alison Mary Wilding OBE, RA is an English artist noted for her multimedia abstract sculptures. Wilding's work has been displayed in galleries internationally.
Anne Wilson is a Chicago-based visual artist. Wilson creates sculpture, drawings, Internet projects, photography, performance, and DVD stop motion animations employing table linens, bed sheets, human hair, lace, thread and wire. Her work extends the traditional processes of fiber art to other media. Wilson is a professor in the Department of Fiber and Material Studies at The School of the Art Institute of Chicago.
Nava Lubelski is a contemporary artist who works and lives in Asheville, North Carolina.
Art and Sacred Places is a UK-based national charity in London working in the field of commissioning visual art for sacred places. Its work includes both temporary and permanent commissions and projects which bring together communities of people from both faith and non-faith backgrounds.
Ann Sumner is an art historian, exhibition curator, author and former museum director. She is currently Visiting Professor at Manchester Metropolitan University and Chair of the Methodist Modern Art Collection.
Magna Carta (An Embroidery) is a 2015 work by English installation artist Cornelia Parker. The artwork is an embroidered representation of the complete text and images of an online encyclopedia article for Magna Carta, as it appeared in English Wikipedia on 15 June 2014, the 799th anniversary of the document.
Maria Jane Balshaw CBE is director of the Tate art museums and galleries. The appointment was confirmed by Theresa May, the UK Prime Minister at the time, on 16 January 2017, making Balshaw the first female director of the Tate.
Mabel Phyllis Barron was an English designer, known for her textile printing workshop with Dorothy Larcher. These textiles are ‘noted for the assurance and originality of the designs, their distinctive and subtle colouring, and the quality of the materials selected’
Dorothy Larcher (1884–1952) was an English designer of textiles, known for the printing workshops she shared with Phyllis Barron in Hampstead (1923–1930) and Painswick, Gloucestershire (1930–1940).
Kate Just is an American-born Australian feminist artist. Just is best known for her inventive and political use of knitting, both in sculptural and pictorial form. In addition to her solo practice, Just often works socially and collaboratively within communities to create large scale, public art projects that tackle significant social issues including sexual harassment and violence against women.
The 62 Group of Textile Artists is an international group of professional textile artists founded in the United Kingdom in 1962. The group is a Constituted Artists Co-operative, focussed on exhibiting the work of its members in the UK and overseas. Membership of the group is achieved through a selection process. The 62 Group requires members to submit work to a selection panel of their peers for every exhibition "If members fail to submit, or are rejected for three successive exhibitions, then membership is forfeited...a policy which ensures that the group consistently produces exciting work." The increased profile of textile art and its evolution in the latter part of the 20th century "has to a great extent been dictated by members of the 62 Group."
Joan Livingstone is an American contemporary artist, educator, curator, and author based in Chicago. She creates sculptural objects, installations, prints, and collages that reference the human body and bodily experience.
Louisa Pesel (1870–1947) was an English embroiderer, educator and textile collector. She was born in Bradford, and studied textile design at the National Art Training School, causing her to become interested in decorative stitchery. She served as the director of the Royal Hellenic School of Needlework and Lace in Athens, Greece, from 1903 to 1907. Pesel served as the first president of the Embroiderers' Guild. She produced samplers for the Victoria and Albert (V&A) Museum and cushions, kneelers, alms bags and a lectern carpet for Winchester Cathedral. She collected textiles extensively, and following her death in Winchester in 1947, her collection went to the University of Leeds.
Audrey Walker was an accomplished textile artist, embroiderer and teacher, who was active from the 1970s and 1990s in United Kingdom. Walker became known for developing an innovative style of embroidery based on fine threads applied by machine and by hand, to create striking figurative wall-hung works of art. Walker described her work as evolving from fairly fluid ideas, and the process as being akin to drawing with fabrics.
2 artworks by or after Alice Kettle at the Art UK site