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| All My Friends Are Funeral Singers | |
|---|---|
| Film poster | |
| Directed by | Tim Rutili |
| Written by | Tim Rutili |
| Starring | Angela Bettis |
| Music by | Califone |
| Distributed by | Better Angel Films IndiePix Films |
Release date |
|
Running time | 84 minutes |
| Country | United States |
| Language | English |
| Budget | $30,000 [2] |
All My Friends are Funeral Singers is a 2010 experimental drama film directed by Tim Rutili of the band Califone. The film makes extensive use of the music of Califone, and was released as a companion to the band's album of the same name. [2] The film tells the story of a medium, played by Angela Bettis, living with a group of ghosts in the house who want to leave. She finds out that the ghosts were trapped by her grandmother.
| Role | Played By |
|---|---|
| Zel | Angela Bettis |
| Karen | Emily Candini |
| Ted | Reid Coker |
| Henry | Kevin Ford |
| Margaret | Megan Hovde-Wilkins |
| Camille | Karol Kent |
| Julius | George McAuliffe |
| Buñuel | Michael McGinley |
| Alice | Sierra Magdalena Mitchell |
| Alan | Alan Scalpone |
| Nyla | Molly Wade |
| Moe | Wesley Walker |
| Musicians | Joe Adamik Jim Becker Ben Massarella Tim Rutili |
| Grandma's voice | Suzanne Sole |
| Answering machine voices | Taylor Patterson Roseann Rutili |
Rutili began writing the film's screenplay in September 2008, and developed the screenplay alongside the album. [3] The screenplay was completed by December of the same year, but production on the film didn't begin until April 2009. [3] Rutili was heavily inspired by the 1970s Spanish drama The Spirit of the Beehive , in addition to the works of David Lynch. [3] [4]
The film made its premiere at the 2010 Sundance Film Festival. [5] It also screened at the 2010 South by Southwest festival where Califone played the live score and additional concerts. [6]
The film's reception has been mixed. The Hollywood Reporter noted that the film "will be of interest to fans of the band Califone" and that "filmmaker/bandmember Rutili could edit together some good concert-backdrop material from the more experimental moments." [7] and positive reviews of the film were given by both Express Night Out [8] and Inside Pulse Films, [9] with the latter referring to the film as "trance-like and dreamy — like a washed-out jeans version of Beetlejuice " and "an unqualified crowd-pleaser." [9]
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