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"All She Gets from the Iceman Is Ice" is a popular song, originally published in 1907 and written by Arthur J. Lamb and Alfred Solman. As with many popular songs of the era, it is largely forgotten today, although a 1908 version by Ada Jones can be found at several websites because it is now public domain. Additionally, the UCSB Cylinder Audio Archive has a version by Edward M. Favor issued on Indestructible Records. [1]
William Thomas Murray was one of the most popular singers in the United States in the early 20th century. While he received star billing in vaudeville, he was best known for his prolific work in the recording studio, making records for almost every record label of the era.
"The Teddy Bears' Picnic" is a song consisting of a melody by American composer John Walter Bratton, written in 1907, and lyrics added by Irish songwriter Jimmy Kennedy in 1932. It remains popular as a children's song, having been recorded by numerous artists over the decades. Kennedy lived at Staplegrove Elm and is buried in Staplegrove Church, Taunton, Somerset, England. Local folklore has it that the small wooded area between the church and Staplegrove Scout Hut was the inspiration for his lyrics.
Arthur Francis Collins was an American baritone who was one of the most prolific and beloved of pioneer recording artists, regarded in his day as "King of the Ragtime Singers".
The Peerless Quartet was an American vocal group that recorded in the early years of the twentieth century. They formed to record for Columbia Records, where they were credited as the Columbia Quartet or Columbia Male Quartet. From about 1907, when they began to record for record labels other than Columbia, they were more widely known as the Peerless Quartet.
Ada Jane Jones was an English-American popular singer who made her first recordings in 1893 on Edison cylinders. She is among the earliest female singers to be recorded.
Leonard Garfield Spencer was an early American recording artist. He began recording for the Columbia Phonograph Company, in 1889 or 1890. Between 1892 and 1897 he recorded extensively for the New Jersey Phonograph Company and its successor the United States Phonograph Company. He specialized in vaudeville sketches and comic songs, but also sang sentimental ballads popular at the time. He returned to Columbia in 1898 for an exclusive contract then began recording for Berliner Gramophone (disc) records in 1899 and continued with Victor and Columbia as discs became the dominant format in the early 1900s.
"Hesitation Blues" is a popular song adapted from a traditional tune. One version was published by Billy Smythe, Scott Middleton, and Art Gillham. Another was published by W.C. Handy as "Hesitating Blues". Because the tune is traditional, many artists have taken credit as writer, frequently adapting the lyrics of one of the two published versions. Adaptations of the lyrics vary widely, though typically the refrain is recognizably consistent. The song is a jug band standard and is also played as blues and sometimes as Western swing. It is cataloged as Roud Folk Song Index No. 11765. Composer William Grant Still arranged a version of the song in 1916 while working with Handy.
The Cylinder Audio Archive is a free digital collection maintained by the University of California, Santa Barbara Library with streaming and downloadable versions of over 10,000 phonograph cylinders manufactured between 1893 and the mid-1920s. The Archive began in November 2003 as the successor of the earlier Cylinder Preservation and Digitization Pilot Project.
William Reese Jones was a tenor who recorded during the 1920s and 1930s, finding fame as a radio star on The Happiness Boys radio program.
The "Black and White Rag" is a 1908 ragtime composition by George Botsford.
"The Ballad of Casey Jones", also known as "Casey Jones, the Brave Engineer" or simply "Casey Jones", is a traditional American folk song about railroad engineer Casey Jones and his death at the controls of the train he was driving. It tells of how Jones and his fireman Sim Webb raced their locomotive to make up for lost time, but discovered another train ahead of them on the line, and how Jones remained on board to try to stop the train as Webb jumped to safety. It is song number 3247 in the Roud Folk Song Index.
"Good Evening, Caroline" is a 1908 popular song, written by Albert Von Tilzer and Jack Norworth. The singer Billy Murray made at least two recordings of the song: one from 1908 on Edison Records, and one in 1909 on Indestructible Record Company. The 1909 recording became one of the most popular recordings of its year. Billy Murray's versions are also the most commonly heard today, and are found at several websites.
I'm Afraid to Come Home in the Dark is popular song, written by Egbert Van Alstyne and Harry Williams in 1907, and made famous by Billy Murray. Today it is popular among collectors of cylinder recordings. Billy Murray recorded the song on several record labels, including Edison Records in 1908. This version is now in the public domain.
"Any Little Girl, That's a Nice Little Girl, Is the Right Little Girl for Me" is a popular song, first published in 1910, and written by Thomas J. Gray and Fred Fisher. Although largely forgotten today, a 1911 recording of the song by Billy Murray on Zon-O-Phone Records survives, and is widely accessible because the recording has entered the public domain. It was also featured in a Max Fleischer "Follow the Bouncing Ball" sing-a-long animated cartoon in the early 1930s. The song appears on the soundtrack of the 1933 film Stage Mother. Subsequently, in 1938 it was recorded for Bluebird Records by Shep Fields and his orchestra, with the accordionist John Serry Sr.
"Will the Circle Be Unbroken?" is a popular Christian hymn written in 1907 by Ada R. Habershon with music by Charles H. Gabriel. The song is often recorded unattributed and, because of its age, has lapsed into the public domain. Most of the chorus appears in the later songs "Can the Circle Be Unbroken" and "Daddy Sang Bass".
"Pride Of The Prairie" is a popular song written in 1907 with music by George Botsford and lyrics by Henry J. Breen. The lyrics tell of a cowboy's love for Mary, the "Pride of the Prairie".
"It's a Long Way to Berlin, But We'll Get There!" is a World War I era song released in 1917. Arthur Fields wrote the lyrics. Leon Flatow composed the music. Leo Feist, Inc. of New York City published the song. Rosenbaum Studios designed the sheet music cover. It features soldiers marching in formation. There is an inset photo of Maurice Burkhardt, Will J. Ward, Ed Morton, Jimmy Flynn, Willie Weston, or Francis Maguire that varies per edition. There is another version of the cover known as the "Popular edition." It features a photo of Henry Bergman.
U.S. Everlasting Records was an American record label which was in operation from 1908 to 1912. It issued two-minute and four-minute phonographic cylinders made of celluloid, and released over 1000 titles.
Busy-Bee was an American early record label of the 1900s, who issued both cylinders and discs, often with content licensed from other labels. Their cylinders could only be played on special Busy-Bee players. A 1906 cylinder catalog shows artists including Gilmore's Band, Billy Murray, Arthur Collins, Bob Roberts, and Ada Jones.
Marie Narelle, born Catherine Mary Ryan, was an Australian singer, billed as "the Australian Queen of Irish Song".
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