All in a Night's Work | |
---|---|
Directed by | Joseph Anthony |
Screenplay by | Edmund Beloin Maurice Richlin Sidney Sheldon |
Story by | Owen Elford (play) Margit Veszi |
Produced by | Hal Wallis |
Starring | Dean Martin Shirley MacLaine Cliff Robertson Charles Ruggles |
Cinematography | Joseph LaShelle |
Edited by | Howard A. Smith |
Music by | André Previn |
Production company | Wallis-Hazen |
Distributed by | Paramount Pictures |
Release date |
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Running time | 94 minutes |
Country | United States |
Language | English |
Box office | $2.2 million [1] |
All in a Night's Work is a 1961 American Technicolor romantic screwball comedy film directed by Joseph Anthony and starring Dean Martin and Shirley MacLaine. [2]
Tony Ryder's uncle, the wealthy publisher of magazines, has just died. The young playboy Tony inherits the paper but is left with a board of directors that thinks he's unsuited for the task, plus a hotel detective who thinks Tony should know about a girl who was seen running away from his uncle's Palm Beach hotel room, wearing nothing but a Turkish towel and an earring, on the night of his death.
Tony discovers that the young lady in question, Katie Robbins, is employed in his own research department. The board decrees that he must send in the detective to watch her and head off any attempts at blackmail. But the more time Tony spends trying to get Katie to open up about what her relationship to his uncle was, the less he cares. Complications ensue in the form of Ms. Robbins's fiancé—he's a strait-laced veterinarian—and the board's insistence that Katie be silenced at all costs.
Tony goes as far as kidnapping a dog off the street, so he can gain access to Kingsley's veterinary clinic and size him up. When the dog's muscular owner appears, Tony beats a hasty retreat and leaves Kingsley to take the heat.
When Kingsley's strait-laced parents come to New York to meet Katie, they quickly discover her inability to cook and her low tolerance for alcohol. The father, somewhat henpecked, secretly enjoys a grand tour of Manhattan's nightspots.
Kingsley Jr. is exposed as an unworthy "Mamma's Boy", and Tony demonstrates his loyalty by proposing to Katie in a crowded elevator of strangers.
Isadore "Dore" Schary was an American playwright, director, and producer for the stage and a prolific screenwriter and producer of motion pictures. He directed one feature film, Act One, the film biography of his friend, playwright and theater director Moss Hart. He became head of production at Metro-Goldwyn-Mayer and replaced Louis B. Mayer as president of the studio in 1951.
Edward Dmytryk was a Canadian-born American film director and editor. He was known for his 1940s noir films and received an Oscar nomination for Best Director for Crossfire (1947). In 1947, he was named as one of the Hollywood Ten, a group of blacklisted film industry professionals who refused to testify to the House Un-American Activities Committee (HUAC) in their investigations during the McCarthy-era Red Scare. They all served time in prison for contempt of Congress. In 1951, however, Dmytryk testified to the HUAC and named individuals, including Arnold Manoff, whose careers were then destroyed for many years, to rehabilitate his own career. First hired again by independent producer Stanley Kramer in 1952, Dmytryk is likely best known for directing The Caine Mutiny (1954), a critical and commercial success. The second-highest-grossing film of the year, it was nominated for Best Picture and several other awards at the 1955 Oscars. Dmytryk was nominated for a Directors Guild Award for Outstanding Directorial Achievement in Motion Pictures.
Charles Sherman Ruggles was an American comic character actor. In a career spanning six decades, Ruggles appeared in close to 100 feature films, often in mild-mannered and comic roles. He was also the elder brother of director, producer, and silent film actor Wesley Ruggles (1889–1972).
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Dorothy Malone was an American actress. Her film career began in 1943, and in her early years, she played small roles, mainly in B-movies, with the exception of a supporting role in The Big Sleep (1946). After a decade, she changed her image, particularly after her role in Written on the Wind (1956), for which she won the Oscar for Best Supporting Actress.
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The Plastic Age is a 1925 American black-and-white silent romantic comedy film directed by Wesley Ruggles and starring Clara Bow, Donald Keith, and Gilbert Roland. The film was based on a best-selling novel from 1924 of the same name, written by Percy Marks, a Brown University English instructor who chronicled the life of the fast-set of that university and used the fictitious Sanford College as a backdrop. The Plastic Age is known to most silent film fans as the very first hit of Clara Bow's career, and helped jumpstart her fast rise to stardom. Frederica Sagor Maas and Eve Unsell adapted the book for the screen.
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Hugo Wilhelm Friedhofer was an American composer and cellist best known for his motion picture scores.
Rowland Vance Lee was an American film director, actor, writer, and producer.
Oscar Brodney was an American lawyer-turned-screenwriter. He is best known for his long association with Universal Studios, where his credits included Harvey, The Glenn Miller Story (1954), several Francis movies and the Tammy series.
Cecil Lauriston Kellaway was a South African character actor. He was nominated for the Academy Award for Best Supporting Actor twice, for The Luck of the Irish (1948) and Guess Who's Coming to Dinner (1967).
Rumba is a 1935 American musical drama film starring George Raft as a Cuban dancer and Carole Lombard as a Manhattan socialite. The movie was directed by Marion Gering and is considered an unsuccessful follow-up to Raft and Lombard's smash hit Bolero the previous year.
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Judy Ann Nugent was an American actress.
Allan "Rocky" Lane was an American studio leading man and the star of many cowboy B-movies in the 1940s and 1950s. He appeared in more than 125 films and TV shows in a career lasting from 1929 to 1966. He is best known for his portrayal of Red Ryder and for being the voice of the talking horse on the television series Mister Ed, beginning in 1961.
Shirley O'Hara was an American actress. She appeared in numerous films from the 1940s to the 1980s.
Henry Blair is an American former film and radio actor.
Florence Ravenel also known as Florence Ray, was an American stage, radio and film actress, perhaps best known for her work on the radio series The Court of Missing Heirs, and on the TV sitcom The Farmer's Daughter.
Gertrude Astor, 'All in a Night's Work,' Hal Wallis-Paramount.
Rosemarie Bowe, 'All in a Night's Work,' Paramount.
Johnstone White, Donald Foster, Carlyle H. Mitchell, Mike Mahoney, Michael P. Moll, Florence Ravenel, Cecil Elliott, Richard Wessel, Carle Saxe, 'All in a Night's Work,' Paramount.
Virginia Whitmire and Jay Girard, 'All in a Night's Work,' Hal Wallis-Paramount.
Yuki Shimoda, 'All in a Night's Work,' Paramount.
Joan Stahley [sic], 'All in a Night's Work,' Paramount.
Jack Weston and Mary Teen, 'All in a Night's Work,' Paramount.