Raymond Pettibon is an American artist who lives and works in New York City. Pettibon came to prominence in the early 1980s in the southern California punk rock scene, creating posters and album art mainly for groups on SST Records, owned and operated by his older brother, Greg Ginn. He has subsequently become widely recognized in the fine art world for using American iconography variously pulled from literature, art history, philosophy, and religion to politics, sport, and sexuality.
On Kawara was a Japanese conceptual artist who lived in SoHo, New York City, from 1965. He took part in many solo and group exhibitions, including the Venice Biennale in 1976.
Marcel Broodthaers was a Belgian poet, filmmaker, and visual artist with a highly literate and often witty approach to creating art works. From 1943 to 1951 he was a member of a Communist party.
Angela Bulloch, is an artist who often works with sound and installation; she is recognised as one of the Young British Artists. Bulloch lives and works in Berlin.
The Institute of Contemporary Art, Los Angeles, formerly known as the Santa Monica Museum of Art (SMMoA), is a contemporary art museum in Los Angeles, California, United States. As an independent and non-collecting art museum, it exhibits the work of local, national, and international contemporary artists. Until May 2015, the museum was based at the Bergamot Station Arts Center in Santa Monica, California. In May 2016, the museum announced an official name change to the Institute of Contemporary Art, Los Angeles and its relocation to Los Angeles's Downtown Arts District. The museum reopened to the public in September 2017.
Mel Bochner is an American conceptual artist. Bochner received his BFA in 1962 and honorary Doctor of Fine Arts in 2005 from the School of Art at Carnegie Mellon University. He lives in New York City.
Allan McCollum is a contemporary American artist who lives and works in New York City. In 1975, his work was included in the Whitney Biennial, and he moved to New York City the same year. In the late 1970s he became especially well known for his series, Surrogate Paintings.
Jason Fayette Rhoades was an American installation artist. Better known in Europe, where he exhibited regularly for the last twelve years of his life, Rhoades was celebrated for his combination dinner party/exhibitions that feature violet neon signs and his large scale sculptural installations inspired by his rural upbringing in Northern California and Los Angeles car culture. His work often incorporates building materials and found objects assembled with "humor and conceptual rigor." He was known for by-passing conventional ideas of taste and political correctness in his pursuit of the creative drive.
Annette Messager is a French visual artist. She is known for championing the techniques and materials of outsider art. In 2005, she won the Golden Lion Award at the Venice Biennale for her artwork at the French Pavilion. In 2016, she won the prestigious Praemium Imperiale International Arts Award. She lives and works in Malakoff, France.
Robert Barry is an American artist. Since 1967, Barry has produced non-material works of art, installations, and performance art using a variety of otherwise invisible media. In 1968, Robert Barry is quoted as saying "Nothing seems to me the most potent thing in the world."
New Langton Arts was a not-for-profit arts organization focusing on contemporary art founded in 1975 and located the South of Market neighborhood in San Francisco, California. Part of the first wave of alternative art spaces in the United States, and New Langton Arts was a leader in exhibiting new media forms in art and involving artists in the decision-making process. Its first directors were Judy Moran and Renny Pritikin.
Leigh Ledare uses photography, archival material, text and film to explore human agency, social relationships, taboos and the photographic in equal turns. Through a wide span of artistic practices, Ledare examines issues related to desire, identity, and morality.
Dennis Adams is an American artist. He has made urban interventions and museum installations that reveal historical and political undercurrents in photography, cinema, public space and architecture.
William Leavitt is a conceptual artist known for paintings, photographs, installations, and performance works that examine "the vernacular culture of L.A. through the filter of the entertainment industry...drawing on 'stock environments' and designs of films as well as the literature of the place." A critical figure in the West Coast conceptual art movement of the late 60s, Leavitt himself has managed to maintain a low profile. "Over the last 40 years, William Leavitt has made a name for himself as an influential artist while staying so far out of fame's spotlight that his hard-to-categorize works have been all but invisible to the public," wrote the LA Times. While his work is collected by high-profile artists such as John Baldessari and Mike Kelley, Leavitt himself has eschewed celebrity.
Foundation for Art Resources (FAR) is a Los Angeles-based, non-profit arts organization that facilitates the production and presentation of contemporary art projects outside of the gallery structure. It was founded in 1977 by gallerists Morgan Thomas, Connie Lewallen, and Claire Copley, who transferred leadership to the artist and mediator Dorit Cypis in 1979. Since then, FAR has been overseen collaboratively by over 20 different groups of Board Members and 100 artist-Directors. Currently the longest-running extant arts collective in Los Angeles with no exhibition space, FAR partners with different private, public and educational institutions throughout Los Angeles to produce exhibitions, lectures, and performances with a focus on the relational structures between art, producers, and audience.
Public Fiction is a curatorial project and quarterly publication based in Los Angeles. It was founded in 2010 by Lauren Mackler.
Alex Cecchetti is an Italian artist, poet and choreographer based in Paris and London.
The Claire S. Copley Gallery was a Los Angeles gallery on La Cienega Boulevard that existed from 1973-1977. Together with the galleries of Eugenia Butler, Rolf Nelson, Nick Wilder, and Riko Mizuno, the Claire Copley Gallery played an important role in the Los Angeles art scene of the 1960s and 1970s. The gallery provided a venue for emerging American and European minimalist and Conceptual artists, among them Bas Jan Ader, Terry Allen, Michael Asher, Daniel Buren, Jan Dibbets, Ger Van Elk, On Kawara, Joseph Kosuth, David Lamelas, William Leavitt, Allan McCollum, Allen Ruppersberg, and William Wegman.
Matt Keegan is a visual artist working across disciplines including sculpture, photography, printmaking, video, and independent publishing. Keegan's work is conceptual and multi-faceted, and it often involves the intersection of language and image, as well as collaboration. He lives and works in Brooklyn, NY.
Didier Vermeiren is a Belgian sculptor.
