Allison Beth Vulgamore (born 1950s) is an American orchestra executive, known especially for her tenure with the Atlanta Symphony Orchestra.
Vulgamore is the daughter of Melvin L. Vulgamore, 13th president of Albion College. [1] She received a bachelor's degree in music from the Oberlin College Conservatory of Music in 1980, graduated from the first class of the American Symphony Orchestra League (today League of American Orchestras) Management Fellowship in 1980, and in that year she became the artistic administrator and general manager of the National Symphony Orchestra, serving until 1985. While there she worked with Henry Fogel, who became her mentor. [2] She next spent two years with the Philadelphia Orchestra before being appointed orchestra and, later, general manager of the New York Philharmonic, where she remained for six months. [3] Her tenure as president of the Atlanta Symphony Orchestra began in 1993. There she helped develop the ensemble into one of the top orchestras in the United States; she also worked to find it a summer home in Alpharetta, Georgia, and otherwise became well known for her leadership and collaborative spirit. [2] She hired music director Robert Spano and principal guest conductor Donald Runnicles in 2001, and with them has played a key role in fostering the so-called "Atlanta School", a loose group of composers who have a strong connection to the orchestra. [2] Her tenure in Atlanta was generally well-regarded, although she was unable to finance a new concert hall, designed by Santiago Calatrava, which had been planned for the city. [4] In 2009 she returned to the Philadelphia Orchestra as president and CEO. The orchestra was in financial crisis at her arrival, but Vulgamore has since overseen a renegotiation of musicians' salaries. [3] [4] She also oversaw the appointment of Yannick Nézet-Séguin as the orchestra's principal conductor and its declaration of Chapter 11 bankruptcy in 2011. Her contract was later renewed through 2014. [5]
Vulgamore has no children; she was married to keyboardist Peter Marshall, a classmate from Oberlin, until their divorce in 2003. [3]
The Boston Symphony Orchestra (BSO) is an American orchestra based in Boston. It is the second-oldest of the five major American symphony orchestras commonly referred to as the "Big Five". Founded by Henry Lee Higginson in 1881, the BSO performs most of its concerts at Boston's Symphony Hall and in the summer performs at Tanglewood.
The Bournemouth Symphony Orchestra (BSO) is an English orchestra, founded in 1893 and originally based in Bournemouth. With a remit to serve the South and South West of England, the BSO is administratively based in the adjacent town of Poole, since 1979. The orchestra is resident at Lighthouse in Poole, with other major concert series given at Portsmouth Guildhall, the Great Hall of Exeter University and Bristol Beacon. Shorter series are also given in Bournemouth and Basingstoke.
The Atlanta Symphony Orchestra (ASO) is an American orchestra based in Atlanta, Georgia, United States. The ASO's main concert venue is Atlanta Symphony Hall in the Woodruff Arts Center.
The Dallas Symphony Orchestra (DSO) is an American orchestra based in Dallas, Texas. Its principal performing venue is the Morton H. Meyerson Symphony Center in the Arts District of downtown Dallas.
The Philadelphia Orchestra is an American symphony orchestra, based in Philadelphia. One of the "Big Five" American orchestras, the orchestra is based at the Kimmel Center for the Performing Arts, where it performs its subscription concerts, numbering over 130 annually, at Marian Anderson Hall.
Leonard Edward Slatkin is an American conductor, author and composer.
The Houston Symphony is an American orchestra based in Houston, Texas. The orchestra is resident at the Jesse H. Jones Hall for the Performing Arts.
Wolfgang Sawallisch was a German conductor and pianist.
Neeme Järvi is an Estonian American conductor.
Christoph Eschenbach is a German pianist and conductor.
Marin Alsop is an American conductor, the first woman to win the Koussevitzky Prize for conducting and the first conductor to be awarded a MacArthur Fellowship. She is music director laureate of the Baltimore Symphony Orchestra and chief conductor of the Vienna Radio Symphony Orchestra, the Ravinia Festival, and the Polish National Radio Symphony Orchestra. She was elected a Fellow of the American Academy of Arts and Sciences in 2008 and to the American Philosophical Society in 2020.
Robert Spano is an American conductor and pianist. He is currently music director of the Fort Worth Symphony Orchestra, music director of the Aspen Music Festival and School, principal conductor of the Rhode Island Philharmonic Orchestra, and music director laureate of the Atlanta Symphony Orchestra (ASO).
The Colorado Symphony is an American symphony orchestra located in Denver, Colorado. Established in 1989 as the successor to the Denver Symphony Orchestra, the Colorado Symphony performs in Boettcher Concert Hall, located in the Denver Performing Arts center, and throughout the Front Range, presenting education and outreach programs, as well as Masterworks, Pops, Holiday, Family, and the Inside the Score and Symphony on the Rocks series.
Xian Zhang is a Chinese-American conductor.
James Paul is an American conductor. He is currently the music director of the Oregon Coast Music Festival.
JoAnn Falletta is an American conductor.
Yannick Nézet-Séguin, CC is a Canadian conductor and pianist. He is currently music director of the Orchestre Métropolitain (Montréal), the Metropolitan Opera, and the Philadelphia Orchestra. He was the principal conductor of the Rotterdam Philharmonic Orchestra from 2008 to 2018.
Nathalie Stutzmann is a French contralto and, in her later career, conductor.
Mei-Ann Chen is a Taiwanese-American conductor. She is currently music director of the Chicago Sinfonietta and conductor laureate of the Memphis Symphony Orchestra.
Black conductors are musicians of African, Caribbean, African-American ancestry and other members of the African diaspora who are musical ensemble leaders who direct classical music performances, such as an orchestral or choral concerts, or jazz ensemble big band concerts by way of visible gestures with the hands, arms, face and head. Conductors of African descent are rare, as the vast majority are male and Caucasian.