Related Research Articles
Advanced Chemistry is a German hip hop group from Heidelberg, a scenic city in Baden-Württemberg, South Germany. Advanced Chemistry was founded in 1987 by Toni L, Linguist, Gee-One, DJ Mike MD and MC Torch. Each member of the group holds German citizenship, and Toni L, Linguist, and Torch are of Italian, Ghanaian, and Haitian backgrounds, respectively.
Yunus Emre also known as Derviş Yûnus (1238–1320) was a Turkish folk poet and Sufi who greatly influenced Turkish culture. The UNESCO General Conference unanimously passed a resolution declaring 1991, the 750th anniversary of the poet's birth, International Yunus Emre Year.
German hip hop refers to hip hop music produced in Germany. Elements of American hip hop culture, such as graffiti art and breakdancing, diffused into Western Europe in the early 1980s.
Turkish hip hop refers to hip hop music produced by members of the Turkish minority in Germany, and to a lesser degree by hip hop artists in Turkey. The Turkish minority, called the Turks, first drew inspiration from the discrimination and racism they received while living as migrant workers in Germany in the 1960s. Turkish hip hop uses Arabesk music, a folk style that finds its roots in Turkey during the 1960s, and is influenced by the hip hop music of America and Germany. Album artwork, lyrical content, and the Turkish language are used by hip hop artists to express their uniquely Turkish identity.
Kreuzberg is a district of Berlin, Germany. It is part of the Friedrichshain-Kreuzberg borough located south of Mitte. During the Cold War era, it was one of the poorest areas of West Berlin, but since German reunification in 1990, it has become more gentrified and is known for its arts scene.
Friedrichshain-Kreuzberg is the second borough of Berlin, formed in 2001 by merging the former East Berlin borough of Friedrichshain and the former West Berlin borough of Kreuzberg. The historic Oberbaum Bridge, formerly a Berlin border crossing for pedestrians, links both districts across the river Spree as the new borough's landmark.
Beat Street is a 1984 American dance drama film featuring New York City hip hop culture of the early 1980s. Set in the South Bronx, the film follows the lives of a pair of brothers and their group of friends, all of whom are devoted to various elements of early hip hop culture, including breakdancing, DJing and graffiti.
Die Fantastischen Vier, often shortened to Fanta 4, is a German hip hop band from Stuttgart. The members are Michael Schmidt (Smudo), Andreas Rieke, Thomas Dürr, and Michi Beck. They were, together with Advanced Chemistry, one of the earlier German-language rap groups.
Feridun Zaimoğlu is a German author and visual artist of Turkish descent.
Krauts with Attitude was released in 1991 under the Bombastic label. The album was compiled by DJs Michael Reinboth and Katmando. It features 15 different acts; three rapped in German, eleven in English, and one in French. This release was the first compilation of German hip-hop, and essentially helped create a hip-hop scene in Germany.
Neco Çelik is a Turkish-German filmmaker.
Da Crime Posse was one well-known group in the genre of Turkish hip hop in Germany. The group was composed of one Turkish people (M.Ali), one German person (Olcay/Ole), and one Cuban person (Babalu). In his essay addressing the development of hip-hop in Germany, author Timothy S. Brown suggests that many musical groups in Germany are adopting a sort of “symbolic ethnicity” which asserts that one “does not necessarily have to be Turkish” to assume the Turkish identity. Furthermore, a scholar named Dietmar Elfein has cited Da Crime Posse as an example of how the “Turkish identity proposed is a mythological one” in the sense that one did not necessarily have to be Turkish to assume this symbolic ethnicity. Perhaps one of the most important musical collaborations that Da Crime Posse has taken part in has been that with Karakan and Erci E. Cina-i Sebeke was the individual who met fellow Turkish hip-hop artists Karakan and Erci-E and spurred their musical collaboration. Together, they established the legendary group Cartel and released a compilation album in 1995. The only single from their self-titled album, composed by Big Porno Ahmet, brought the biggest success in the history of Turkish hip-hop. With this unexpected success, they achieved Gold and Platinum status by selling more than 2,250,000 copies.
King Size Terror is a German hip hop group of Turkish, Peruvian, and Afro-American origin.
Turkish-German Cinema historians and theoreticians of film sometimes call movies out of Germany directed by German-Turkish filmmakers. These films often raise transcultural issues and have some other specific similarities.
The Actuarial Society of Turkey is the association of actuaries in Turkey. It is a professional organisation whose purpose is the advancement of actuarial science applied to life, health, property, casualty, pension and similar risk exposures.
The 36 Boys were a gang of primarily Turkish immigrants from Berlin-Kreuzberg.
"Prison Break Anthem (Ich glaub' an dich)" is a hit song by German hip-hop artist Azad and Adel Tawil, singer of Ich + Ich. It was released as the first single of Azad's album Blockschrift. It is the German title song of the American television series Prison Break.
The FHXB Friedrichshain-Kreuzberg Museum is a local history museum focusing on the borough of Friedrichshain-Kreuzberg in Berlin, Germany. It contains a historical archive related to both parts of the district, permanent exhibits on urban development and social and immigration history, temporary exhibits on the district's past and present, and a historic printing press. The museum is part of the Culture and History Department within the district administration of Friedrichshain-Kreuzberg, and is located at Adalbertstrasse 95a in Kreuzberg.
Burak Çelik is a Turkish actor and model.
Kida Khodr Ramadan is a German actor and director. He has won several awards for his portrayal of Ali "Toni" Hamady in the series 4 Blocks.
References
- ↑ Brown, Timothy “‘Keeping it Real’ in a Different ‘Hood: (African)-Americanization and Hip Hop in Germany,” in Dipannita Basu and Sidney Lemelle eds., The Vinyl Ain’t Final: Hip Hop and the Globalization of Black Culture (London: Pluto, 2006), 137-150.
- ↑ NYTimes - The Saturday Profile; A Bold New View of Turkish-German Youth
