Althea Waites

Last updated
Althea Waites
Born1939 (age 8485)
Occupation(s)Pianist, educator
Instrument(s) Piano

Althea Waites (born 1939) is an American concert pianist. She has performed across the United States and internationally. She is currently a faculty member at California State University, Long Beach.

Contents

Biography

Waites was born in 1939 in New Orleans, Louisiana, [1] to a musical family; her father and grandfather played the piano, and her mother sang in the church choir. [2] She began studying piano at age five. [2] She made her debut with the New Orleans Philharmonic at age 17. [2]

Waites studied music at Xavier University in New Orleans and went on to earn a master's degree in piano from Yale University. [2] [3] She also studied with Russell Sherman at the New England Conservatory. [3] After graduating, Waites toured as a performer and taught at a number of East Coast institutions, including Smith College. [2]

In the 1970s, she moved to the West Coast, teaching at California State University, San Bernardino, and the University of California, Riverside. [3] She became a full-time faculty member at Cal State in 1979. [3] In addition to instructing private and group piano lessons, she taught music theory and African-American music history. [2] She later joined the faculty at California State Polytechnic, Pomona, [4] where she was artist-in-residence. [5] For more than 20 years, she has taught at California State University, Long Beach. [6] [7]

Waites has said that she has been on a "crusade" to perform music by Black women composers. [2] In 1987, she made her recording debut with an album of piano works by Florence Price. [8] She was the first pianist to make a recording of Price's music. [9] A review in the academic journal The Black Perspective in Music highlighted the album's significance as a record of an important figure (Price) in American music history. [8]

Waites has performed across the United States and in Canada, Europe, and Latin America. In 1989, Waites toured the then-Soviet Union, performing in Moscow, Kiev, and Leningrad (now Saint Petersburg). [10]

In 1993, she released the album Black Diamonds, on which she performed works by African-American composers, including Price, William Grant Still, Margaret Bonds, and Ed Bland. [11] Her Grammy-nominated 2023 album, Reflections in Time, [12] continues her project of (in her words) "mainstreaming" new music and the music of composers of color, presenting world-premiere recordings of music by Margaret Bonds, [13] [ circular reference ] Jeremy Siskind, [14] and Curt Cacioppo [15] along with three of the "Three-Fours" of Samuel Coleridge-Taylor. [16] [ circular reference ]

Critical reception

A 1980 review in The San Bernardino County Sun described Waites as a "good technician" and "an excellent performer" who "projects a sense of informality, of conversing with her listeners intimately with her music." [17] For a 1986 performance of Florence Price's Sonata in E Minor, the Los Angeles Times praised her "technical assurance and probing artistry." [18]

The American Music Guide highlighted her performance of Price's music on her 1993 album, Black Diamonds, observing that she plays "with great respect and dignity, making the listener aware of the quality of the music and its expressive content." [11]

Selected recordings

Related Research Articles

<span class="mw-page-title-main">Scott Joplin</span> American composer, music teacher, and pianist (1868–1917)

Scott Joplin was an American composer and pianist. Dubbed the "King of Ragtime", he composed more than 40 ragtime pieces, one ragtime ballet, and two operas. One of his first and most popular pieces, the "Maple Leaf Rag", became the genre's first and most influential hit, later being recognized as the quintessential rag. Joplin considered ragtime to be a form of classical music meant to be played in concert halls and largely disdained the performance of ragtime as honky tonk music most common in saloons.

<span class="mw-page-title-main">Hazel Scott</span> American pianist and singer (1920–1981)

Hazel Dorothy Scott was a Trinidadian jazz and classical pianist and singer. She was an outspoken critic of racial discrimination and segregation. She used her influence to improve the representation of Black Americans in film.

<span class="mw-page-title-main">Rosalyn Tureck</span> Musical artist

Rosalyn Tureck was an American pianist and harpsichordist who was particularly associated with the music of Johann Sebastian Bach. However, she had a wide-ranging repertoire that included works by composers Ludwig van Beethoven, Johannes Brahms and Frédéric Chopin, as well as more modern composers such as David Diamond, Luigi Dallapiccola and William Schuman. Diamond's Piano Sonata No. 1 was inspired by Tureck's playing.

<span class="mw-page-title-main">Joan Tower</span> American composer, concert pianist and conductor

Joan Tower is a Grammy-winning contemporary American composer, concert pianist and conductor. Lauded by The New Yorker as "one of the most successful woman composers of all time", her bold and energetic compositions have been performed in concert halls around the world. After gaining recognition for her first orchestral composition, Sequoia (1981), a tone poem which structurally depicts a giant tree from trunk to needles, she has gone on to compose a variety of instrumental works including Fanfare for the Uncommon Woman, which is something of a response to Aaron Copland's Fanfare for the Common Man, the Island Prelude, five string quartets, and an assortment of other tone poems. Tower was pianist and founding member of the Naumburg Award-winning Da Capo Chamber Players, which commissioned and premiered many of her early works, including her widely performed Petroushskates.

<span class="mw-page-title-main">Leontyne Price</span> American soprano (born 1927)

Mary Violet Leontyne Price is an American spinto soprano who was the first African American soprano to receive international acclaim. From 1961 she began a long association with the Metropolitan Opera. She regularly appeared at the world's major opera houses, including the Royal Opera House, San Francisco Opera, Lyric Opera of Chicago, and La Scala; at La Scala, she was also the first African American to sing a leading role. She was particularly renowned for her performances of the title role in Verdi's Aida.

<span class="mw-page-title-main">Florence Price</span> American composer (1887–1953)

Florence Beatrice Price was an American classical composer, pianist, organist and music teacher. Born in Little Rock, Arkansas, Price was educated at the New England Conservatory of Music, and was active in Chicago from 1927 until her death in 1953. Price is noted as the first African-American woman to be recognized as a symphonic composer, and the first to have a composition played by a major orchestra. Price composed over 300 works: four symphonies, four concertos, as well as choral works, art songs, chamber music and music for solo instruments. In 2009, a substantial collection of her works and papers was found in her abandoned summer home.

<span class="mw-page-title-main">Vijay Iyer</span> American composer, pianist, bandleader, producer, and writer

Vijay Iyer is an American composer, pianist, bandleader, producer and writer based in New York City. The New York Times has called him a "social conscience, multimedia collaborator, system builder, rhapsodist, historical thinker and multicultural gateway". Iyer received a 2013 MacArthur Fellowship, a Doris Duke Performing Artist Award, a United States Artists Fellowship, a Grammy nomination, and the Alpert Award in the Arts. He was voted Jazz Artist of the Year in the DownBeat magazine international critics' polls in 2012, 2015, 2016, and 2018. In 2014, he received a lifetime appointment as the Franklin D. and Florence Rosenblatt Professor of the Arts at Harvard University, where he was jointly appointed in the Department of Music and the Department of African and African American Studies.

<span class="mw-page-title-main">Margaret Bonds</span> American composer and pianist (1913–1972)

Margaret Allison Bonds was an American composer, pianist, arranger, and teacher. One of the first Black composers and performers to gain recognition in the United States, she is best remembered today for her popular arrangements of African-American spirituals and frequent collaborations with Langston Hughes.

Natalie Leota Henderson Hinderas was an American pianist, composer and professor at Pennsylvania's Temple University.

<span class="mw-page-title-main">Apo Hsu</span> Taiwanese musician

Apo Hsu or Hsu Ching-hsin is a conductor born in Taiwan and resident of both Taiwan and the United States. Hsu served as music director of the National Taiwan Normal University Symphony Orchestra and the Springfield Symphony Orchestra in Springfield, Missouri. Her past appointments include serving as artistic director of The Women's Philharmonic in San Francisco, California, and conductor of the Oregon Mozart Players in Eugene, Oregon. She has been a mentor for many young conductors on both sides of the world through her work at NTNU and at The Conductor's Institute at Bard College in New York. Her performances have been featured in national broadcasts in the United States, Taiwan, and Korea.

Florence Cole Talbert-McCleave, also known as Madame Florence Cole-Talbert, was an American operatic soprano, music educator, and musician. Called "The First Lady in Grand Opera" by the National Negro Opera Guild, she was one of the first African American women and black opera artists performing abroad who received success and critical acclaim in classical and operatic music in the 20th century. Through her career as a singer, a music educator, and an active member of the National Association of Negro Musicians, she became a legendary figure within the African American music community, also earning the titles of "Queen of the Concert Stage" and "Our Divine Florence."

<span class="mw-page-title-main">Yoonjung Han</span>

Yoonjung "Yoonie" Han is a South Korean-born American classical pianist.

<span class="mw-page-title-main">Helen Eugenia Hagan</span> American composer and pianist (1891–1964)

Helen Eugenia Hagan was an American composer, pianist and music educator of African descent.

<span class="mw-page-title-main">Olga Steeb</span>

Olga Steeb was an American pianist and music educator, based in Los Angeles, California.

Laura Kobayashi is a violinist and teacher currently living in northern Virginia. She has performed in orchestras, chamber groups, and as a soloist.

The Woman's Symphony Orchestra of Chicago was an American orchestra based in Chicago. In addition to its regular radio broadcasts which spanned 1925–1948, the Woman's Symphony Orchestra of Chicago also toured.

<span class="mw-page-title-main">Frances Walker-Slocum</span> American educator, pianist, and organist (1924–2018)

Frances Walker-Slocum was an American educator, pianist, and organist, and the first tenured African-American female professor at the Oberlin Conservatory of Music, the first conservatory in the United States to admit black students.

<span class="mw-page-title-main">Julia Bal de Zuniga</span> Belgian-born concert pianist and music educator

Julia Bal de Zuniga was a Belgian-born concert pianist and music educator in Los Angeles.

Helen Walker-Hill was a Canadian pianist and musicologist who specialised in the music of black women composers.

Karen Michele Walwyn, born in New York, is an American concert pianist, classical music composer, and recording artist. She is an interpreter, advocate, and scholar of Florence B. Price and is noted as the first pianist to record the Florence Price Concerto in E minor for Piano along with a number of other premiere solo piano works of Price which drew many praises including a quote by James Harrington, October 25, 2022, from Fanfare Magazine, “her playing captures the essence of Price's inventive writing with personality, sensitivity and flair”. She currently is on faculty as Professor of Piano at the Berklee College of Music.

References

  1. Caldwell, Hansonia LaVerne (1995). African American Music: A Chronology: 1619-1995 (First ed.). Los Angeles: Ikoro Communications. p. 184. ISBN   0-9650441-0-6. OCLC   35851372.
  2. 1 2 3 4 5 6 7 Cooklis, Ray (1982-03-26). "A life that's set to music". The San Bernardino County Sun. p. 11. Retrieved 2020-07-07.
  3. 1 2 3 4 Kernodle, Tammy; Mxille, Horace; Price, Emmett G. III, eds. (2011). "New England". Encyclopedia of African American music. Santa Barbara, Calif.: ABC-CLIO. p. 664. ISBN   978-0-313-34200-4. OCLC   699474764.
  4. "American Music Week at Cal State". The San Bernardino County Sun. 1989-11-08. p. 57. Retrieved 2020-07-07.
  5. 1 2 "Waites' performance first of Dunn music series". Santa Ynez Valley News. 1994-01-13. p. 15. Retrieved 2020-07-07.
  6. Zonkel, Phillip (2015-04-07). "CSU faculty union releases report detailing members' struggles to pay bills". Press Telegram. Retrieved 2020-07-07.
  7. "Althea Waites". Bob Cole Conservatory of Music, California State University, Long Beach. Retrieved 2020-07-07.
  8. 1 2 3 de Lerma, Dominique-René (1988). "Music Review: Althea Waites Performs the Piano Music of Florence Price". The Black Perspective in Music. 16 (1): 117. doi:10.2307/1215135. JSTOR   1215135.
  9. Smittle, Stephanie (2019-10-15). "On Florence Price and William Grant Still: Five Questions with Linda Holzer". Arkansas Times. Retrieved 2020-07-07.
  10. "Renowned pianist to play". Palm Desert Post. 1989-05-24. p. 17. Retrieved 2020-07-07.
  11. 1 2 Miller, Karl (1993). "Black Diamonds". American Music Guide. Vol. 56, no. 6.
  12. https://www.sonicrendezvous.com/product/waites-althea/reflections-in-time/590418
  13. Margaret Bonds
  14. https://jeremysiskind.com/
  15. https://curtcacioppo.com/
  16. Samuel Coleridge-Taylor
  17. Cooklis, Ray (1980-02-22). "Wet weather, warm music". The San Bernardino County Sun. p. 56. Retrieved 2020-07-07.
  18. Henken, John (1986-01-27). "More in festival". The Los Angeles Times. p. 76. Retrieved 2020-07-07.