Always on Duty

Last updated
Zu jeder Stunde
Directed byHeinz Thiel
Written byLothar Dutombé
Produced bySiegfried Nürnberger
StarringRolf Stövesand
CinematographyErwin Anders
Edited byWally Gurschke
Music byHelmut Nier
Production
company
Distributed by Progress Film
Release date
  • 29 January 1960 (1960-01-29)
Running time
85 minutes
Country East Germany
Language German

Zu jeder Stunde (English-language title: Always On Duty) [1] is an East German black-and-white film, directed by Heinz Thiel. It was released in 1960.

Contents

Plot

Border Troops soldier Martin arrives in a village on the Inner German border. He falls in love with a local girl, Renate. Her father is opposed to their relationship, having promised her to the son of farmer Grabow. When Grabow plans to leave to the West with the aid of corrupt officer Zimmer, Martin discovers their plans and informs his superiors, although Zimmer has been his friend.

Cast

Production

The DEFA Commission reviewed 58 scripts proposed for filming in the years 1959/60. Four of those were considered "aesthetic films", and were all centered on portraying Christians as backward and reactionary. The one script eventually authorized by State Secretary of Cinema Erich Wendt evolved into Always on Duty. However, the improvement in church and state relations in East Germany during 1960 prompted several changes in the plot, and the antagonists were not presented as devout Catholics. [2]

Reception

Miera and Antonin Liehm cited Zu Jeder Stunde as one of DEFA's "contemporary socialist films." [3] The Der Monat journal's critic wrote that while viewing the film, "the public could be impressed by the alertness of the Border Troops." [4] The German Film Lexicon regarded it as "unassuming, propagandistic, unpersuasive and artistically weak, as well as full of stereotypes." [5]

Related Research Articles

<i>Jacob the Liar</i> (1975 film) 1974 film

Jacob the Liar is a 1975 war drama film directed by Frank Beyer, adapted by Beyer and Jurek Becker from the latter's novel of the same title. Set in Nazi-occupied Poland during the Holocaust, the film centers on Jakob Heym, a Polish Jew who attempts to raise the morale inside the ghetto by sharing encouraging rumors that he claims he has heard on an (imaginary) radio. The film was a co-production between East Germany and Czechoslovakia. It premiered on East German television on 22 December 1974, and was released theatrically on 18 April 1975.

Girls in Gingham —sometimes called Beaverskin—is a 1949 German drama film directed by Kurt Maetzig.

Duped Till Doomsday is a 1957 East German drama film directed by Kurt Jung-Alsen. It was entered into the 1957 Cannes Film Festival.

<i>The Adventures of Werner Holt</i> (film) 1965 film

The Adventures of Werner Holt is a 1965 East German drama film directed by Joachim Kunert.

<i>The Benthin Family</i> 1950 film

Familie Benthin is an East German film. It was released in 1950.

<i>The Call of the Sea</i> 1951 film

The Call of the Sea or The Oceans Are Calling is a 1951 East German drama film directed by Eduard Kubat and starring Hans Klering, Käte Alving and Evamaria Bath. A defector to West Germany returns to the East having become disillusioned by capitalist society.

The Kaiser's Lackey is a 1951 East German film directed by Wolfgang Staudte, based on Heinrich Mann's 1918 satirical novel by the same name.

Shadow over the Islands is an East German black-and-white film, directed by Otto Meyer. It was released in 1952.

<i>The Condemned Village</i> 1952 film

The Condemned Village is a 1952 East German propaganda film directed by Martin Hellberg.The film is about a man who returns from a Soviet prisoner-of-war camp to his home village in occupied West Germany and leads a resistance to the American military's plans to demolish the village to build an airfield. The film was commissioned to build East German opposition to the United States and support for the Soviet Union during the early Cold War.

Swelling Melodies is a 1955 East German musical film directed by E.W. Fiedler and starring Erich Arnold, Jarmila Ksírová and Sonja Schöner. It is an adaptation of the operetta Die Fledermaus by Johann Strauss II and Richard Genée and was part of a tradition of operetta films in German cinema.. It was released in 1955, and sold 4,968,582 tickets.

<i>Berlin, Schoenhauser Corner</i> 1957 film

Berlin, Schoenhauser Corner is an East German crime film directed by Gerhard Klein. It was released in 1957.

Schlösser und Katen is an East German black-and-white film, directed by Kurt Maetzig. It was released in 1957.

Don't Forget My Little Traudel is an East German comedy film, directed by Kurt Maetzig. It was released in 1957.

<i>The Sailors Song</i> 1958 East German black-and-white film

The Sailor's Song is an East German black-and-white film directed by Kurt Maetzig and Günter Reisch. It was released in 1958.

Maibowle is an East German musical comedy film, released in 1959. It was directed by Günter Reisch.

Love's Confusion is an East German romantic comedy film directed by Slátan Dudow. It was released in 1959.

September Love is an East German film directed by Kurt Maetzig. It was released in 1961.

Sun Seekers is an East German film, directed by Konrad Wolf during 1958. It was banned and subsequently released only in 1972.

<i>The Axe of Wandsbek</i> (1951 film) 1951 film

The Axe of Wandsbek is a 1951 East German film, directed by Falk Harnack.

<i>The Beaver Coat</i> (1949 film) 1949 film

The Beaver Coat is a 1949 East German comedy film directed by Erich Engel and starring Fita Benkhoff, Werner Hinz and Käthe Haack. It is an adaptation of Gerhart Hauptmann's 1893 play The Beaver Coat, previously adapted into a 1928 silent film and a 1937 sound film produced during the Nazi era.

References

  1. Zu jeder Stunde on DEFA Foundation's website.
  2. Zu jeder Stunde on the German Church and State Research Institute's website.
  3. Miera Liehm, Antonin J. Liehm . The Most Important Art: Soviet and Eastern European Film After 1945. ISBN   978-0-520-04128-8. Page 266.
  4. Der Monat: eine internationale Zeitschrift, Volume 13, page 64.
  5. Zu jeder Stunde on zweitausendeins.de.