The Ambum stone is an ancient stone sculpture thought to have been carved c. 1500 B.C.E. Other similar stones excavated depict humans, birds, or other animals. [2] Scientists are unsure exactly which animal this sculpture is meant to represent, but some believe it may represent a now extinct marsupial. Speculation also surrounds the object's intended purpose; some believe that it may have acted as a pestle.
The stone was discovered by Europeans in 1962, it was reportedly recovered from a cave in Ambum Valley which is located in the Western highlands province of Papua New Guinea. [3]
It is not known why the stone was created. The stone was found by the Enga of Papua New Guinea, and was thought to have ritual significance. [4] It was found in a cave in the early 1960s, [5] and in 1977, was acquired by the National Gallery of Australia. Some suspect that the stone was illegally exported from Papua New Guinea to be able to land in the National Gallery of Australia. [6]
In May 2000, the artifact was damaged while it was on loan to the Museum of African Arts, Pacific and Indian. It broke into three main segments: the head, the body, and a chip off the head. [7] Additionally, the artifact incurred several minor chips and surface bruises.Beata Tworek-Matuszkiewicz (21 April 2022). "Analysing the Ambum Stone". National Gallery of Australia. Retrieved 14 April 2024. It was later restored using adhesive and an inpaint to match the finish.
In archaeology, cave paintings are a type of parietal art, found on the wall or ceilings of caves. The term usually implies prehistoric origin. These paintings were often created by Homo sapiens, but also Denisovans and Neanderthals; other species in the same Homo genus. Discussion around prehistoric art is important in understanding the history of the Homo sapiens species and how Homo sapiens have come to have unique abstract thoughts. Some point to these prehistoric paintings as possible examples of creativity, spirituality, and sentimental thinking in prehistoric humans.
A necklace is an article of jewellery that is worn around the neck. Necklaces may have been one of the earliest types of adornment worn by humans. They often serve ceremonial, religious, magical, or funerary purposes and are also used as symbols of wealth and status, given that they are commonly made of precious metals and stones.
In the history of art, prehistoric art is all art produced in preliterate, prehistorical cultures beginning somewhere in very late geological history, and generally continuing until that culture either develops writing or other methods of record-keeping, or makes significant contact with another culture that has, and that makes some record of major historical events. At this point ancient art begins, for the older literate cultures. The end-date for what is covered by the term thus varies greatly between different parts of the world.
A figure painting is a work of fine art in any of the painting media with the primary subject being the human figure, whether clothed or nude. Figure painting may also refer to the activity of creating such a work. The human figure has been one of the constant subjects of art since the first Stone Age cave paintings, and has been reinterpreted in various styles throughout history.
An artifact or artefact is a general term for an item made or given shape by humans, such as a tool or a work of art, especially an object of archaeological interest. In archaeology, the word has become a term of particular nuance and is defined as an object recovered by archaeological endeavor, which may be a cultural artifact having cultural interest.
A Bisj, Mbis or Bis pole is a ritual artifact created and used by the Asmat people of South-western New Guinea, Indonesia. They are also common in New Zealand, Vanuatu.
The culture of Papua New Guinea is complex and multifaceted. It is estimated that more than 7000 different cultural groups exist in Papua New Guinea, and most groups have their own language. Because of this diversity, in which they take pride, many different styles of cultural expression have emerged; each group has created its own expressive forms in art, dance, weaponry, costumes, singing, music, architecture and much more. To unify the nation, the language Tok Pisin, once called Neo-Melanesian has evolved as the lingua franca — the medium through which diverse language groups are able to communicate with one another in Parliament, in the news media, and elsewhere. People typically live in villages or dispersed hamlets which rely on the subsistence farming of yams and taro. The principal livestock in traditional Papua New Guinea is the oceanic pig.
A zemi or cemi was a deity or ancestral spirit, and a sculptural object housing the spirit, among the Taíno people of the Caribbean. Cemi’no or Zemi’no is a plural word for the spirits.
Oceanic art or Oceanian art comprises the creative works made by the native people of the Pacific Islands and Australia, including areas as far apart as Hawaii and Easter Island. Specifically it comprises the works of the two groups of people who settled the area, though during two different periods. They would in time however, come to interact and together reach even more remote islands. The area is often broken down into four separate regions: Micronesia, Melanesia, Polynesia and Australia. Australia, along with interior Melanesia (Papua), are populated by descendants of the first waves of human migrations into the region by Australo-Melanesians. Micronesia, Island Melanesia, and Polynesia, on the other hand, are descendants of later Austronesian voyagers who intermixed with native Australo-Melanesians; mostly via the Neolithic Lapita culture. All of the regions in later times would be greatly affected by western influence and colonization. In more recent times, the people of Oceania have found a greater appreciation of their region's artistic heritage.
Papua New Guinean art has a long rich diverse tradition. In particular, it is world-famous for carved wooden sculpture: masks, canoes and story-boards. Papua New Guinea also has a wide variety of clay, stone, bone, animal and natural die art. Many of the best collections of these are held in overseas museums.
The Papuans are one of four major cultural groups of Papua New Guinea. The majority of the population lives in rural areas. In isolated areas there remains a handful of the giant communal structures that previously housed the whole male population, with a circling cluster of huts for the women. The Papuan people are Melanesian people composed of at least 240 different peoples, each with its own language and culture. Sago is the staple food of the Papuan supplemented with hunting, fishing and small gardens.
Wolf Cave is a crack in the Pyhävuori mountain in Kristinestad, near the Karijoki municipality in Finland. The upper part of the crack has been packed with soil, forming a cave. In 1996, some objects were found in the cave that brought about speculations that it could have been inhabited in the Paleolithic, between 120,000 and 130,000 years ago. These objects, if authentic, would be the only known Neanderthal artifacts in the Nordic countries.
Inuit art, also known as Eskimo art, refers to artwork produced by Inuit, that is, the people of the Arctic previously known as Eskimos, a term that is now often considered offensive. Historically, their preferred medium was walrus ivory, but since the establishment of southern markets for Inuit art in 1945, prints and figurative works carved in relatively soft stone such as soapstone, serpentinite, or argillite have also become popular.
Zimbabwean art includes decorative esthetics applied to many aspects of life, including art objects as such, utilitarian objects, objects used in religion, warfare, in propaganda, and in many other spheres. Within this broad arena, Zimbabwe has several identifiable categories of art. It is a hallmark of African cultures in general that art touches many aspects of life, and most tribes have a vigorous and often recognisable canon of styles and a great range of art-worked objects. These can include masks, drums, textile decoration, beadwork, carving, sculpture, ceramic in various forms, housing and the person themselves. Decoration of the body in permanent ways such as scarification or tattoo or impermanently as in painting the body for a ceremony is a common feature of African cultures.
The art of the Upper Paleolithic represents the oldest form of prehistoric art. Figurative art is present in Europe and Southeast Asia, beginning between about 40,000 to 35,000 years ago. Non-figurative cave paintings, consisting of hand stencils and simple geometric shapes, are somewhat older, at least 40,000 years old, and possibly as old as 64,000 years. This latter estimate is due to a controversial 2018 study based on uranium-thorium dating, which would imply Neanderthal authorship and qualify as art of the Middle Paleolithic.
The visual art of Botswana has varied among the different ethnic groups and throughout history. Historically it has fallen into two main categories: that of the San peoples and that of the Bantu-derived peoples such as the Batswana.
Prehistoric Indonesia is a prehistoric period in the Indonesian archipelago that spanned from the Pleistocene period to about the 4th century CE when the Kutai people produced the earliest known stone inscriptions in Indonesia. Unlike the clear distinction between prehistoric and historical periods in Europe and the Middle East, the division is muddled in Indonesia. This is mostly because Indonesia's geographical conditions as a vast archipelago caused some parts — especially the interiors of distant islands — to be virtually isolated from the rest of the world. West Java and coastal Eastern Borneo, for example, began their historical periods in the early 4th century, but megalithic culture still flourished and script was unknown in the rest of Indonesia, including in Nias and Toraja. The Papuans on the Indonesian part of New Guinea island lived virtually in the Stone Age until their first contacts with modern world in the early 20th century. Even today living megalithic traditions still can be found on the island of Sumba and Nias.
The Vogelherd Cave is located in the eastern Swabian Jura, south-western Germany. This limestone karst cave came to scientific and public attention after the 1931 discovery of the Upper Palaeolithic Vogelherd figurines, attributed to paleo-humans of the Aurignacian culture. These miniature sculptures made of mammoth ivory rank among the oldest uncontested works of art of mankind. Because of the cultural importance of these sculptures and the cave's testimony to the development of Paleolithic art and culture, in 2017 the site became part of the UNESCO World Heritage Site called Caves and Ice Age Art in the Swabian Jura.
The Papua New Guinea National Museum and Art Gallery (NMAG) is a museum and art gallery in Waigani, Port Moresby, Papua New Guinea. It is the national museum of Papua New Guinea.
Chiquihuite Cave is a possible Upper Paleolithic archaeological site in the Astillero Mountains, Zacatecas State, in North-Central Mexico. Chiquihuite Cave may be evidence of early human presence in the Western Hemisphere up to 33,000 years ago. It is located 2,740 meters above sea level and about 1 kilometer higher than the valley below. Stones discovered here, thought to be lithic artifacts, have been dated to 26,000 years ago based on more than 50 samples of animal bone and charcoal found in association with these stones. However, there is scholarly debate over whether the stones are truly artifacts, human-made tools that are evidence of human presence, or if they were formed naturally. No evidence of human DNA or hearth have been unearthed.