Amedeo Bassi | |
|---|---|
 | |
| Born | 29 July 1872 Montespertoli, Italy |
| Died | 14 January 1949 (aged 76) Florence, Italy |
| Occupation | Tenor |
Amedeo Bassi (29 July 1872 - 14 January 1949) was an Italian tenor.
Amedeo Bassi | |
|---|---|
| | |
| Born | 29 July 1872 Montespertoli, Italy |
| Died | 14 January 1949 (aged 76) Florence, Italy |
| Occupation | Tenor |
Amedeo Bassi (29 July 1872 - 14 January 1949) was an Italian tenor.
Born in Montespertoli, Bassi studied singing with Marquis Pavesi-Negri, and made his official debut in 1897, in Filippo Marchetti's opera Ruy Blas. [1] [2] Thanks to the immediate acclaim he received, he started an intense career in Italy, where he performed in the major opera houses of the time including La Scala in Milan and Teatro di San Carlo in Naples, and abroad, where he performed multiple times at the Royal Opera House, at the Metropolitan Opera House, at the Chicago Opera House, as well as in Paris, Vienna, Latin America, Russia, Spain. [1] [2] He retired from stage in the second half of the 1920s, and spent the rest of his life as a singing teacher, having among his pupils Ferruccio Tagliavini . [1] [2] In his hometown, he named a museum and a music festival. [3]
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another.
La traviata is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on La Dame aux camélias (1852), a play by Alexandre Dumas fils adapted from his own 1848 novel. The opera was originally titled Violetta, after the main character. It was first performed on 6 March 1853 at La Fenice opera house in Venice.
La fille du régiment is an opéra comique in two acts by Gaetano Donizetti, set to a French libretto by Jules-Henri Vernoy de Saint-Georges and Jean-François Bayard. It was first performed on 11 February 1840 by the Paris Opéra-Comique at the Salle de la Bourse.
Luciano Pavarotti was an Italian operatic tenor who during the late part of his career crossed over into popular music, eventually becoming one of the most acclaimed tenors of all time. He made numerous recordings of complete operas and individual arias, gaining worldwide fame for his tone, and gaining the nickname "King of the High Cs".
In opera, verismo, from vero, meaning 'true') was a post-Romantic operatic tradition associated with Italian composers such as Pietro Mascagni, Ruggero Leoncavallo, Umberto Giordano, Francesco Cilea and Giacomo Puccini. Verismo as an operatic genre had its origins in an Italian literary movement of the same name. This was in turn related to the international literary movement of naturalism as practised by Émile Zola and others. Like naturalism, the verismo literary movement sought to portray the world with greater realism. In so doing, Italian verismo authors such as Giovanni Verga wrote about subject matter, such as the lives of the poor, that had not generally been seen as a fit subject for literature.
Franco Corelli was an Italian tenor who had a major international opera career between 1951 and 1976. Associated in particular with the spinto and dramatic tenor roles of the Italian repertory, he was celebrated universally for his powerhouse voice, electrifying top notes, clear timbre, passionate singing and remarkable performances. Dubbed the "prince of tenors", audiences were enchanted by his handsome features and charismatic stage presence. He had a long and fruitful partnership with the Metropolitan Opera in New York City between 1961 and 1975. He also appeared on the stages of most of the major opera houses in Europe and with opera companies throughout North America.
La fanciulla del West is an opera in three acts by Giacomo Puccini to an Italian libretto by Guelfo Civinini and Carlo Zangarini, based on the 1905 play The Girl of the Golden West by the American author David Belasco. Fanciulla followed Madama Butterfly, which was also based on a Belasco play. The opera has fewer of the show-stopping highlights that characterize Puccini's other works, but is admired for its impressive orchestration and for a score that is more melodically integrated than is typical of his previous work. Fanciulla displays influences from composers Claude Debussy and Richard Strauss, without being in any way imitative. Similarities between the libretto and the work of Richard Wagner have also been found though some attribute this more to the original plot of the play, and have asserted that the opera remains quintessentially Italian.
Tito Schipa was an Italian lyric tenor, considered the greatest tenore di grazia and one of the most popular tenors of the century.
Le siège de Corinthe is an opera in three acts by Gioachino Rossini set to a French libretto by Luigi Balocchi and Alexandre Soumet, which was based on the reworking of some of the music from the composer's 1820 opera for Naples, Maometto II, the libretto of which was written by Cesare della Valle.
Ferruccio Tagliavini was an Italian operatic lyric tenor mainly active in the 1940s and 1950s. Tagliavini was hailed as the heir apparent to Tito Schipa and Beniamino Gigli in the lyric-opera repertory due to the exceptional beauty of his voice, but he did not sustain his great early promise across the full span of his career.
Carmen Melis was an Italian operatic soprano who had a major international career during the first four decades of the 20th century. She was known, above all, as a verismo soprano, and was one of the most interesting singing actresses of the early 20th century. She made her debut in Novara in 1905 and her career rapidly developed in her native country over the next four years. From 1909 to 1916 she performed with important opera companies in the United States; after which she was busy performing at many of Europe's most important opera houses. From 1917 until her retirement from the stage in 1935 she was particularly active at the Teatro Costanzi in Rome and at La Scala in Milan. After her singing career ended, she embarked on a second career as a voice teacher. Her most notable student was soprano Renata Tebaldi.
Riccardo Stracciari was a leading Italian baritone. His repertoire consisted mainly of Italian operatic works, with Rossini's Figaro and Verdi's Rigoletto becoming his signature roles during a long and distinguished career which stretched from 1899 to 1944.
Cristoforo Colombo is an opera in four acts and an epilogue by Alberto Franchetti to an Italian libretto by Luigi Illica. It was written in 1892 to commemorate the 400th anniversary of Christopher Columbus' arrival in America.
Luigi Bassi, Pesaro, 5 September 1766 – Dresden, 13 September 1825, was an Italian operatic baritone.
Bonaldo Giaiotti was an Italian operatic bass, particularly associated with the Italian repertory.
Siberia is an opera in three acts by Umberto Giordano from a libretto by Luigi Illica. It premiered on 19 December 1903 at La Scala in Milan. There is no direct source for the plot of Siberia and it is quite possible that this is an original work by Illica. It was suggested at the New York premiere in 1908 that it was based on Leo Tolstoy's 1899 novel Resurrection or one of the novels within it.
Emma Carelli was an Italian operatic soprano who was particularly associated with the dramatic soprano roles of the verismo repertoire and the works of Richard Wagner. After a singing career which lasted almost two decades, she managed the Teatro Costanzi in Rome for almost fifteen years. After studying with her father, Beniamino Carelli, at the Conservatorio San Pietro a Majella, she made her professional debut in 1895 in the title role of Mercadante's La vestale during the centenary celebrations at Altamura and went on to appear in the opera houses of many Italian cities. In 1898 she married the left-wing politician, self-made millionaire, and later impresario, Walter Mocchi.
Cavalleria rusticana is an opera in one act by Pietro Mascagni to an Italian libretto by Giovanni Targioni-Tozzetti and Guido Menasci, adapted from an 1880 short story of the same name and subsequent play by Giovanni Verga. Considered one of the classic verismo operas, it premiered on 17 May 1890 at the Teatro Costanzi in Rome. Since 1893, it has often been performed in a so-called Cav/Pag double-bill with Pagliacci by Ruggero Leoncavallo.
Alessandro Stradella is a romantic opera in three acts composed by Friedrich von Flotow to a German libretto by "Wilhelm Friedrich". Set in Venice and the countryside near Rome, it is loosely based on the colourful life of the 17th-century Italian composer and singer Alessandro Stradella. It was first performed in its full version on 30 December 1844 at the Stadttheater in Hamburg.
Don Bucefalo is an opera in three acts composed by Antonio Cagnoni to a libretto by Calisto Bassi. Bassi's libretto was based on the libretto by Giuseppe Palomba to Le cantatrici villane (1799) by Valentino Fioravanti. Don Bucefalo premiered on 28 June 1847 at the Milan Conservatory.
Media related to Amedeo Bassi at Wikimedia Commons
| International | |
|---|---|
| National | |
| People | |
