The Frick Art Reference Library is the research arm of The Frick Collection. Its reference services have temporarily relocated to the Breuer building at 945 Madison Avenue, called Frick Madison, during the renovation of the Frick's historic buildings at 10 East 71st Street in New York City. The library was founded in 1920 and it offers public access to materials on the study of art and art history in the Western tradition from the fourth to the mid-twentieth century. It is open to visitors 16 years of age or older and serves the greater art and art history research community through its membership in the New York Art Resources Consortium.
According to Zuni mythology, Ahayu'da are the twin gods of war. They are also physical representations endowed with certain spiritual powers.
Parke-Bernet Galleries was an American auction house, active from 1937 to 1964, when Sotheby's purchased it. The company was founded by a group of employees of the American Art Association, including Otto Bernet, Hiram H. Parke, Leslie A. Hyam, Lewis Marion and Mary Vandergrift. By 1964, the company was the largest auction house in America, with 115 employees and total sales of $11 million. That year, Sotheby's purchased a controlling interest of 75% in the gallery for $1.5 million.
Hagop Kevorkian was an Armenian-American archeologist, connoisseur of art, and collector. Originally from Kayseri, and a graduate of the American Robert College in Istanbul, he settled in New York City in the late 19th century, and was responsible for drawing greater attention to Near Eastern and Islamic artifacts in the United States.
Cortlandt Field Bishop was an American pioneer aviator, balloonist, autoist, book collector, and traveler.
The New York Art Resources Consortium (NYARC) consists of the research libraries of three leading art museums in New York City: The Brooklyn Museum, The Frick Collection, and The Museum of Modern Art. With funding from The Andrew W. Mellon Foundation, NYARC was formed in 2006 to facilitate collaboration that results in enhanced resources for research communities. Called a groundbreaking partnership, NYARC also provides a framework for collaboration among art research libraries.
Edith Halpert or Edith Gregor Halpert was a pioneering New York City dealer of American modern art and American folk art. She brought recognition and market success to many avant-garde American artists. Her establishment, the Downtown Gallery, was the first commercial art space in Greenwich Village. When it was founded in 1926, it was the only New York gallery dedicated exclusively to contemporary American art by living artists. Over her forty-year career, Halpert showcased such modern art luminaries as Elie Nadelman, Max Weber, Marguerite and William Zorach, Stuart Davis, Peggy Bacon, Charles Sheeler, Marsden Hartley, Yasuo Kuniyoshi, Ben Shahn, Jack Levine, William Steig, Jacob Lawrence, Walter Meigs, Arthur Dove, John Marin, Georgia O'Keeffe, and many others. Halpert later expanded her business to include American folk art, and certain nineteenth-century American painters, including Raphaelle Peale, William Michael Harnett, and John Frederick Peto, whom she considered to be precursors to American modernism.
Joseph Brummer was a Hungarian-born art dealer and collector who exhibited both antique artifacts from different cultures, early European art, and the works of modern painters and sculptors in his galleries in Paris and New York. In 1906 he and his two brothers opened their first gallery in Paris, the Brummer Gallery. At the start of World War I, they closed the gallery and moved to New York City. Joseph alone opened his next gallery in 1921 in Manhattan.
Thomas Benedict Clarke was an art collector from New York City.
The Metropolitan New York Library Council (METRO) is a non-profit organization that specializes in providing research, programming, and organizational tools for libraries, archives, and museums in the New York metropolitan area. The council was founded in 1964 under the Education Law of the State of New York.
Emil Fuchs was an Austrian–American sculptor, medallist, painter, and author who worked in Vienna, London and New York. He painted portraits of Queen Victoria and Edward VII and was fashionable among London high society in the early 20th century.
Thomas Ellis Kirby (1846–1924) was an auctioneer at American Art Galleries. He was known as the "grand old man of the auction room".
John Orne Johnson Frost, who signed his work as J. O. J. Frost, was an early 20th-century American folk artist. He began painting at the age of 70, without receiving any formal training. Frost considered himself a historian, not an artist, and his paintings portrayed daily life in the fishing village of Marblehead, Massachusetts, during the mid-19th century, as well as the town's colonial history.
Ryohei Ishikawa is a Japanese banker, the former chairman of Chubu Bank and the Teisan Group. He is a philatelist specialising in the stamps and postal history of the United States, Hawaii, and Hong Kong.
Mary Jane (Sexton) Morgan (1823–1885), initially a schoolteacher, became a fine art collector after her marriage to Charles Morgan. She was the second wife to the man who earned a fortune in the iron, railroad, and steamship industries. She also grew and collected orchids.
Peregrine Michael Hungerford Pollen was an English auctioneer who headed Parke-Bernet in the 1960s after it was purchased by Sotheby's. He was known for expanding the auction house in North America, and bringing a dramatic flair to auctions.
980 Madison Avenue is a building located at Madison Avenue and East 76th Street on the Upper East Side of Manhattan in New York City. It served as the headquarters of Parke-Bernet Galleries from its opening on November 10, 1949 to its sale in 1987. In 2006, TheNew York Times wrote that the building had functioned as "the Grand Central Terminal of the art world." The building is part of the Upper East Side Historic District.
James Horace Harding was an American banker, financier and art collector.
Anderson Galleries began as an auctioner of books, prints, and occassionally art called Anderson Auction Company. It was founded by John Anderson, Jr. in 1900 and later renamed Anderson Galleries. In 1917, the gallery began selling antiques and art at their new location on Park Avenue and 59th Street. In the 1920s, Mitchell Kennerley, who ran the business, sold the works of Marsden Hartley, photographs of Alfred Stieglitz, and the works of Georgia O'Keeffe, John Marin, and Charles Demuth.
