American Bandmasters Association

Last updated
The American Bandmasters Association
AbbreviationABA
FormationJuly 5, 1929
Founder Edwin Franko Goldman
Type Learned society
Legal statusSociety
PurposeEducational
Region served
Worldwide
Membership
music education professionals
Official language
English
President
Michael J. Colburn
Main organ
General Assembly
Website www.americanbandmasters.org

The American Bandmasters Association (ABA) was formed in 1929 by Edwin Franko Goldman to promote concert band music. [1] Goldman sought to raise esteem for concert bands among musicians and audiences. The reputations of concert bands suffered in comparison to symphony orchestras due to factors including "the concert band’s concert venue, often out-of-doors, the difficulty of conductors to obtain a quality music education, a limited repertoire that with the exception of marches was largely borrowed from the libraries of the orchestra, and a lack of camaraderie among the leading bandmasters/conductors of the period. [2] "

The ABA's current Constitution states that the organization shall:

Membership is extended to the leaders of the wind band movement and is considered to be the highest honor given within the wind studies realm. The current president is Michael J. Colburn. Previous presidents include Goldman, Karl King, Charles O'Neill, Herbert L. Clarke, Henry Fillmore, and William D. Revelli. John Philip Sousa was the first honorary life president. Membership is extended through invitation to conductors/teachers/directors considered to be exemplary professionals within the field. Associate Membership is available through invitation to "firms, organizations, and individuals engaged in the music industry or related field" who are closely affiliated with the ABA. [3]

The association has contributed to the wind and percussion band community through the spheres of literature, performance, and pedagogy. The ABA is responsible for the commissioning of many of the wind band's most revered works, including Lincolnshire Posy by Percy Grainger, Pageant by Vincent Persichetti, Strange Humors by John Mackey, and Endurance by Timothy Mahr.

A list of the current and historical officers and membership can be found in the publication Lest We Forget , which is updated regularly.

The ABA sponsors the Sousa/Ostwald Award, which rewards compositions for bands. The organization also produces the Journal of Band Research. [1]

Related Research Articles

<span class="mw-page-title-main">Concert band</span> Performing ensemble

A concert band, also called a wind band, wind ensemble, wind symphony, wind orchestra, symphonic band, the symphonic winds, or symphonic wind ensemble, is a performing ensemble consisting of members of the woodwind, brass, and percussion families of instruments, and occasionally including the harp, double bass, or bass guitar. On rare occasions, additional, non-traditional instruments may be added to such ensembles such as piano, synthesizer, or electric guitar.

<span class="mw-page-title-main">Edwin Franko Goldman</span>

Edwin Franko Goldman was an American composer and conductor. One of the most significant American band composers of the early 20th century, Goldman composed over 150 works, but is best known for his marches. He founded the renowned Goldman Band of New York City and the American Bandmasters Association. Goldman's works are characterized by their pleasant and catchy tunes, as well as their fine trios and solos. He also encouraged audiences to whistle/hum along to his marches. He wrote singing and whistling into the score of "On the Mall".

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William Francis McBeth was an American composer, whose wind band works are highly respected. His primary musical influences included Clifton Williams, Bernard Rogers, and Howard Hanson. The popularity of his works in the United States during the last half of the twentieth century led to many invitations and appearances as a guest conductor, where he often conducted the premiere performances of some of his compositions, the majority of which were commissioned. His conducting activities took him to forty-eight states, three Canadian provinces, Japan, and Australia; and for a number of years he was principal conductor of the Arkansas Symphony Orchestra in the capital of Little Rock. At one time, his "Double Pyramid Balance System" was a widely used pedagogical tool in the concert band world.

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David Rex Holsinger is an American composer and conductor writing primarily for concert band. Holsinger is a graduate of Hardin-Central High School in Hardin, Missouri, Central Methodist University, the University of Central Missouri, and the University of Kansas.

<span class="mw-page-title-main">George S. Howard</span>

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<span class="mw-page-title-main">Albert Austin Harding</span> American academic (1880–1958)

Albert Austin Harding was the first Director of Bands at the University of Illinois and the first band director at an American university to hold a position of full professorship. The Harding Band Building, the first dedicated building for a University Band Department, was named for him.

<span class="mw-page-title-main">Timothy Rhea</span> American conductor

Dr. Timothy Brett Rhea is director of bands and music activities at Texas A&M University. As director of bands, he leads the university band program, serves as conductor of the Texas A&M Wind Symphony, and coordinates the Fightin' Texas Aggie Band marching band. As director of music activities, he administratively oversees the activities of the jazz, orchestra, and choral programs. Rhea also served as the 79th president of the American Bandmasters Association from 2016-2017.

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Frank Bencriscutto, nicknamed "Dr. Ben," was an American conductor and composer of concert band music. Bencriscutto was Director of Bands and Professor of Music at the University of Minnesota for thirty-two years.

"On the Mall" is a famous march composed by American bandmaster Edwin Franko Goldman (1878–1956). It vies with Goldman's "Chimes of Liberty" as his two most popular compositions. "On the Mall" still in 2013, as indicated by Jack Kopstein, remains a featured march and continues to be performed and recorded by bands throughout America and around the world.

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References

  1. 1 2 Raoul F. Camus. "American Bandmasters Association." In Grove Music Online. Oxford Music Online, http://www.oxfordmusiconline.com/subscriber/article/grove/music/A2083794 (accessed February 13, 2012).
  2. Scott, Jennifer, Thomas Fraschillo, and William J. Moody, "A Brief History", 2006.
  3. "Associate Members" Archived 2011-09-28 at the Wayback Machine , undated