The American Institute of Applied Music was a music school based in New York City. The institute was incorporated in 1900 as an amalgamation of the following educational institutions:
Kate Sara Chittenden founded both the Metropolitan College of Music and the Synthetic Piano School. She served as dean and head of the piano department at the founding Metropolitan College in 1892 and continued in both capacities at the American Institute until 1933.
The school aimed for systematic thoroughness. The average enrollment was about 350 per year. Grove's Dictionary of Music and Musicians, published in 1920, stated that more than 1,000 teachers had received certificates. The institute was located at 212 West 59th Street.[2]
New York's thirty-eighth University Convocation assembled on June 25, 1900, in Albany and, among other things, granted a provisional charter to the American Institute of Applied Music, authorizing the issuing of $15,000 capital stock.[4] The University of the State of New York represents colleges, academies and other institutions subject to the visitation of the Board of Regents.
Former faculty & administration
Governance:
Edgar Oscar Silver (1860–1909), president
John B. Calvert, D.D., president
Dean:
Kate Sara Chittenden (1856–1949) was the founding dean and head of the piano department from 1892 to 1933. During her lifetime, she taught more than 3,000 students.[5]
Faculty:
Modest Altschuler (1873–1963), Russian-American cellist, conductor, and composer
Harry Rowe Shelley (1858–1947), organist and composer who taught harmony and counterpoint
William Fairchild Sherman
Raymond Huntington Woodman (1861–1943), organist and composer; 1889–98, head of the organ department of Metropolitan College of Music; 1909–41, head of the theory department of the American Institute of Applied Music
Alumni
Harry H. Sukman (1912–1984), composer and arranger for the TV western series, The High Chaparral
George King Raudenbush (1899–1956), violinist, orchestra conductor, and composer
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