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Charles Olson was a second generation modernist American poet who was a link between earlier modernist figures such as Ezra Pound and William Carlos Williams and the third generation modernist New American poets. The latter includes the New York School, the Black Mountain School, and some of the artists and poets associated with the Beat generation and the San Francisco Renaissance.
The Language poets are an avant-garde group or tendency in United States poetry that emerged in the late 1960s and early 1970s. The poets included: Bernadette Mayer, Leslie Scalapino, Stephen Rodefer, Bruce Andrews, Charles Bernstein, Ron Silliman, Barrett Watten, Lyn Hejinian, Tom Mandel, Bob Perelman, Rae Armantrout, Alan Davies, Carla Harryman, Clark Coolidge, Hannah Weiner, Susan Howe, James Sherry, and Tina Darragh.
The Black Mountain poets, sometimes called projectivist poets, were a group of mid-20th-century American avant-garde or postmodern poets centered on Black Mountain College in North Carolina.
The British Poetry Revival is the general name now given to a loose movement in the United Kingdom that took place in the late 1960s and 1970s. The term was a neologism first used in 1964, postulating a New British Poetry to match the anthology The New American Poetry (1960) edited by Donald Allen.
The New American Poetry 1945–1960 is a poetry anthology edited by Donald Allen and published in 1960. It aimed to pick out the "third generation" of American modernist poets, and included quite a number of poems fresh from the little magazines of the late 1950s. In the longer term it attained a classic status, with critical approval and continuing sales. It was reprinted in 1999. As of 2024, Edward Field and Gary Snyder are the only contributors still living.
The Faber Book of Modern Verse was a poetry anthology, edited in its first edition by Michael Roberts, and published in 1936 by Faber and Faber. There was a second edition (1951) edited by Anne Ridler, and a third edition (1965) edited by Donald Hall. The selection was of poems in English printed after 1910, which meant that work by Gerard Manley Hopkins could be included. A later edition was edited by Peter Porter.
Postmodern American Poetry is a poetry anthology edited by Paul Hoover and published by W. W. Norton & Company in 1994. A substantially revised second edition in 2012 removed some poets and added many others, incorporating additional American poetry movements which came to prominence in the 21st century.
From the Other Side of the Century: A New American Poetry, 1960–1990 is a poetry anthology published in 1994. It was edited by American poet and publisher Douglas Messerli – under his own imprint Sun & Moon Press – and includes poets from both the U.S. and Canada.
Nationality words link to articles with information on the nation's poetry or literature.
Nationality words link to articles with information on the nation's poetry or literature.
Donald Merriam Allen was an American editor, publisher and translator of American literature. He is best known for his project The New American Poetry 1945-1960 (1960), one of the anthologies of contemporary American writing he released.
William Corbett was an American poet, essayist, editor, educator, and publisher.
Nationality words link to articles with information on the nation's poetry or literature.
Nationality words link to articles with information on the nation's poetry or literature.
Ronald William Loewinsohn was an American poet and novelist who was associated with the poetry of the San Francisco Renaissance since his inclusion in Donald Allen's 1960 poetry anthology, The New American Poetry 1945–1960. He was Professor Emeritus of English at the University of California, Berkeley.
The Jargon Society is an independent press founded by the American poet Jonathan Williams. Jargon is one of the oldest and most prestigious small presses in the United States and has published seminal works of the American literary avant-garde, including books by Charles Olson, Louis Zukofsky, Paul Metcalf, James Broughton, and Williams himself, as well as sui generis books of folk art such as White Trash Cooking.
Paladin Poetry was a series of paperback books published by Grafton Books under its Paladin imprint, intended to bring modernist and radical poetry before a wider audience. Its founding anthology The New British Poetry 1968-88 attempted to revive the fortunes of the modernist tradition, to correct the gender imbalance of previous anthologies and to bring a new generation of ‘Black British’ poets to prominence. The series was originally edited by writer John Muckle, then Grafton’s editorial copywriter (1985–88), and later by the London writer Iain Sinclair. Many of the Paladin Poetry books were paperback originals. The entire poetry series was pulped within months of the publication of its last titles. However, it did affect poetry readers and had a considerable influence on the output of other poetry publishers, such as Bloodaxe, Penguin, Carcanet and Salt.
The Poet Laureate Consultant in Poetry to the Library of Congress, commonly referred to as the United States Poet Laureate, serves as the official poet of the United States. During their term, the poet laureate seeks to raise the national consciousness to a greater appreciation of the reading and writing of poetry. The position was modeled on the Poet Laureate of the United Kingdom. Begun in 1937, and formerly known as the Consultant in Poetry to the Library of Congress, the present title was devised and authorized by an Act of Congress in 1985. Appointed by the Librarian of Congress, the poet laureate's office is administered by the Center for the Book. For children's poets, the Poetry Foundation awards the Young People's Poet Laureate.
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