The American Renaissance period in American literature ran from about 1830 to around the Civil War. [1] A central term in American studies, the American Renaissance was for a while considered synonymous with American Romanticism [2] and was closely associated with Transcendentalism. [3]
Scholar F. O. Matthiessen originated the phrase "American Renaissance" in his 1941 book American Renaissance: Art and Expression in the Age of Emerson and Whitman. The thematic center of the American Renaissance was what Matthiessen called the "devotion" of all five of his writers to "the possibilities of democracy". He presented the American Renaissance texts as "literature for our democracy” and challenged the nation to repossess them. [4]
Often considered a movement centered in New England, the American Renaissance was inspired in part by a new focus on humanism as a way to move from Calvinism. [5] Literary nationalists at this time were calling for a movement that would develop a unique American literary style to distinguish American literature from British literature. [1] Walter Channing in a November 1815 issue of the North American Review called for American authors to form "a literature of our own," which was amplified by John Neal and other literary critics. [6] [7] Following this call, there was a wave of literary nationalism in America for much of the 1820s that saw writers such as Washington Irving, William Cullen Bryant, and James Fenimore Cooper rise to importance in American literature. This move toward expressing nationalism through literature is considered central to the emergence of the American Renaissance. [6]
There are many criticisms associated with the American Renaissance, and some critics question if it ever actually took place. One of the most prominent criticisms is that authors during this period are seen as simply taking styles and ideas from past movements and culture and reforming them into new, contemporary works. [8]
Some critics say that authors fail to address major political issues during this period, such as slavery, even as they had large influence on the writing of the time. [6] There is also criticism that women authors and women's issues were generally left out of discussion and publication. [8]
The notion of an American Renaissance has been criticized for overemphasizing a small number of European American male writers and artifacts of high culture. [9] William E. Cain noted the "extreme white male formation" of Matthiessen's list of authors and stated that by "devoting hundreds of pages of analysis and celebration to five white male authors, Matthiessen unwittingly prefigured in his book what later readers would dispute and labor to correct." [10]
Some critics argue that literature written by women during this period was not as popular as first thought, and that it took a distant second place in popularity to works written by men. Matthiessen and other scholars are even known to exclude women and minority authors, especially African Americans. [6] Critics also argue that there is no separate style or genre, such as sentimental-domestic fiction, distinguished by gender. [8] However, other critics point out that the most read authors of the time were women, such as Harriet Beecher Stowe and Fanny Fern, [11] and criticize Matthiessen for not including women in the original canon. [11]
The demographic exclusivity of the American Renaissance began eroding among scholars toward the end of the twentieth century. They have included Emily Dickinson in the canon; she started writing poetry in the late 1850s. Harriet Beecher Stowe’s Uncle Tom’s Cabin (1852) rose to a prominent reputation in the late 1970s. African-American literature, including slave narratives by such masters as Frederick Douglass, and early novels by William Wells Brown, has gained increasing recognition. [12]
Most often associated with the American Renaissance movement are Ralph Waldo Emerson's Representative Men and Self-Reliance , Nathaniel Hawthorne's The Scarlet Letter and The House of Seven Gables , Herman Melville's Moby-Dick , Henry David Thoreau's Walden , and Walt Whitman's Leaves of Grass . Most of the main writers associated with the American Renaissance were actually rather unknown during this time and had small followings. [6]
Other authors were later added to this list and found to have contributed to this movement. These include: Edgar Allan Poe, Harriet Beecher Stowe, Emily Dickinson, Frederick Douglass, William Wells Brown, Henry Wadsworth Longfellow, and John Greenleaf Whittier among others. [1]
Uncle Tom is the title character of Harriet Beecher Stowe's 1852 novel Uncle Tom's Cabin. The character was seen by many readers as a ground-breaking humanistic portrayal of a slave, one who uses nonresistance and gives his life to protect others who have escaped from slavery. However, the character also came to be seen as inexplicably kind to white slaveholders, especially based on his portrayal in pro-compassion dramatizations. This led to the use of Uncle Tom – sometimes shortened to just a Tom – as a derogatory epithet for an exceedingly subservient person or house negro, particularly one aware of their own lower-class racial status.
Uncle Tom's Cabin; or, Life Among the Lowly is an anti-slavery novel by American author Harriet Beecher Stowe. Published in two volumes in 1852, the novel had a profound effect on attitudes toward African Americans and slavery in the U.S., and is said to have "helped lay the groundwork for the [American] Civil War".
Delia Salter Bacon was an American writer of plays and short stories and Shakespeare scholar. She is best known for her work on the authorship of Shakespeare's plays, which she attributed to social reformers including Francis Bacon, Sir Walter Raleigh and others.
Harriet Elisabeth Beecher Stowe was an American author and abolitionist. She came from the religious Beecher family and became best known for her novel Uncle Tom's Cabin (1852), which depicts the harsh conditions experienced by enslaved African Americans. The book reached an audience of millions as a novel and play, and became influential in the United States and in Great Britain, energizing anti-slavery forces in the American North, while provoking widespread anger in the South. Stowe wrote 30 books, including novels, three travel memoirs, and collections of articles and letters. She was influential both for her writings and for her public stances and debates on social issues of the day.
Dred: A Tale of the Great Dismal Swamp is the second popular novel from American author Harriet Beecher Stowe. It was first published in two volumes by Phillips, Sampson and Company in 1856. Although it enjoyed better initial sales than her previous, and more famous, novel Uncle Tom's Cabin, it was ultimately less popular. Dred was of a more documentary nature than Uncle Tom's Cabin and thus lacked a character like Uncle Tom to evoke strong emotion from readers.
American literature is literature written or produced in the United States of America and in the colonies that preceded it. The American literary tradition thus is part of the broader tradition of English-language literature, but also includes literature of other traditions produced in the United States and in other immigrant languages. Furthermore, a rich tradition of oral storytelling exists amongst Native American tribes.
This article contains information about the literary events and publications of 1852.
Francis Otto Matthiessen was an educator, scholar and literary critic influential in the fields of American literature and American studies. His best known work, American Renaissance: Art and Expression in the Age of Emerson and Whitman, celebrated the achievements of several 19th-century American authors and had a profound impact on a generation of scholars. It also established American Renaissance as the common term to refer to American literature of the mid-nineteenth century. Matthiessen was known for his support of liberal causes and progressive politics. His contributions to the Harvard University community have been memorialized in several ways, including an endowed visiting professorship.
Annie Adams Fields was an American writer. Among her writings are collections of poetry and essays as well as several memoirs and biographies of her literary acquaintances. She was also interested in philanthropic work, in which she found her greatest pleasure. Her later years were spent as a companion to author Sarah Orne Jewett.
African American literature is the body of literature produced in the United States by writers of African descent. It begins with the works of such late 18th-century writers as Phillis Wheatley. Before the high point of enslaved people narratives, African-American literature was dominated by autobiographical spiritual narratives. The genre known as slave narratives in the 19th century were accounts by people who had generally escaped from slavery, about their journeys to freedom and ways they claimed their lives. The Harlem Renaissance of the 1920s was a great period of flowering in literature and the arts, influenced both by writers who came North in the Great Migration and those who were immigrants from Jamaica and other Caribbean islands. African American writers have been recognized by the highest awards, including the Nobel Prize given to Toni Morrison in 1993. Among the themes and issues explored in this literature are the role of African Americans within the larger American society, African-American culture, racism, slavery, and social equality. African-American writing has tended to incorporate oral forms, such as spirituals, sermons, gospel music, blues, or rap.
A Key to Uncle Tom's Cabin is a book by American author Harriet Beecher Stowe. It was published to document the veracity of the depiction of slavery in Stowe's anti-slavery novel Uncle Tom's Cabin (1852). First published in 1853 by Jewett, Proctor & Worthington, the book also provides insights into Stowe's own views on slavery.
Richard Warrington Baldwin Lewis was an American literary scholar and critic. He gained a wider reputation when he won a 1976 Pulitzer Prize for Biography or Autobiography, the first National Book Critics Circle Award for nonfiction, and a Bancroft Prize for his biography of Edith Wharton. The New York Times called the book "a beautifully wrought, rounded portrait of the whole woman, including the part of her that remained in shade during her life" and said that the "expansive, elegant biography ... can stand as literature, if nothing else."
"O Captain! My Captain!" is an extended metaphor poem written by Walt Whitman in 1865 about the death of U.S. president Abraham Lincoln. Well received upon publication, the poem was Whitman's first to be anthologized and the most popular during his lifetime. Together with "When Lilacs Last in the Dooryard Bloom'd", "Hush'd Be the Camps To-day", and "This Dust was Once the Man", it is one of four poems written by Whitman about the death of Lincoln.
Literature of the 19th century refers to world literature produced during the 19th century. The range of years is, for the purpose of this article, literature written from (roughly) 1799 to 1900. Many of the developments in literature in this period parallel changes in the visual arts and other aspects of 19th-century culture.
Nationality words link to articles with information on the nation's poetry or literature.
Christopher Benfey is an American literary critic and Emily Dickinson scholar. He is the Mellon Professor of English at Mount Holyoke College.
Nationality words link to articles with information on the nation's poetry or literature.
David S. Reynolds is an American literary critic, biographer, and historian who has written about American literature and culture. He is the author or editor of fifteen books, on the Civil War era—including figures such as Walt Whitman, Abraham Lincoln, Herman Melville, Nathaniel Hawthorne, Edgar Allan Poe, Ralph Waldo Emerson, Henry David Thoreau, Emily Dickinson, Harriet Beecher Stowe, George Lippard, and John Brown. Reynolds has been awarded the Bancroft Prize, the Lincoln Prize, the Christian Gauss Award, the Ambassador Book Award, the Gustavus Myers Book Award, the John Hope Franklin Prize, and was a finalist for the National Book Critics Circle Award. He is a regular reviewer for The New York Times Book Review.
Patriotic Gore: Studies in the Literature of the American Civil War is a 1962 book of historical and literary criticism written by Edmund Wilson. It consists of 16 chapters about the works and lives of almost 30 writers, including Ambrose Bierce, George Washington Cable, Mary Boykin Chesnut, Kate Chopin, John William De Forest , Charlotte Forten, Ulysses Grant, Francis Grierson, Nathaniel Hawthorne, Hinton Rowan Helper, Oliver Wendell Holmes, Jr., Henry James, Sidney Lanier, Abraham Lincoln, John S. Mosby, Frederick Law Olmsted, Thomas Nelson Page, Harriet Beecher Stowe, Albion W. Tourgée John Townsend Trowbridge, Mark Twain, and Walt Whitman. In addition to De Forest, Wilson pays particular attention to Cable, Grant, Grierson, Holmes, and Stowe, choices considered "catholic and unexpected" at the time of its publication.
American Renaissance is the period from 1876 to 1917 characterized by renewed national self-confidence and a feeling that the United States was the heir to Greek democracy, Roman law, and Renaissance humanism.