Amina Goodwin

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Amina Goodwin circa 1900. Amina Goodwin 001.jpg
Amina Goodwin circa 1900.

Amina Goodwin (1867 – 1942) was an English pianist, composer, and music educator who founded the London Trio.

Contents

Early life and training

The daughter of John Lawrence Goodwin, a Manchester organist and violinist, she began performing at the age of six, [1] but received mixed reception as to her 'child prodigy' status at least until the age of fourteen. [2] [3]

She studied at the Leipzig Conservatory for four years from the age of eleven, followed by the Paris Conservatory under Élie-Miriam Delaborde for two years. On the guarantee of Camille Saint-Saëns, she became a pupil of Franz Liszt and of Clara Schumann. [1]

Teaching and writing

On her return to England, she performed at the Crystal Palace Saturday concerts and toured Europe as a piano soloist. She had established herself as a piano teacher in London by 1898. [4]

Her compositions for piano included an intermezzo, toccata, gavotte and study. [1]

She wrote the instructional Practical Hints on the Technique and Touch of Piano Playing [5] as well as several articles on technique in the Etude magazine [6] and contributions to Cobbett’s Cyclopedia. [7]

London Trio

In 1889 she formed the London Trio with William Whitehouse and a Mr Werner, [8] who was later replaced on violin by Achille Simonetti [9] and then Louis Pécskai. [10] It was credited with being the first classical trio in England, and was a staple of the London music scene for many years. [11]

Personal life

She married an American husband, W. Ingram-Adams, but continued performing as 'Madame Amina Goodwin.' [1]

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References

  1. 1 2 3 4 "Piano". Musical Courier. 16 Feb 1898. pp. 6–7.
  2. "Promenade Concerts". The Musical Standard. 5 Sep 1874. p. 144.
  3. "Music in North Germany". The Monthly Musical Record. 1 July 1876. p. 108.
  4. Elson, Arthur (2020-09-28). Woman's Work in Music. Library of Alexandria. ISBN   978-1-4655-8406-9.
  5. Goodwin, Amina (1904). Practical Hints on the Technique & Touch of Pianoforte Playing. Augener & Company.
  6. Dennis, Pamela Richardson (2011-01-01). An Index to Articles Published in The Etude Magazine, 1883-1957, Par t 1. A-R Editions, Inc. p. 521. ISBN   978-0-89579-711-7.
  7. Seddon, Laura (2016-04-15). British Women Composers and Instrumental Chamber Music in the Early Twentieth Century. Routledge. p. 179. ISBN   978-1-317-17134-8.
  8. "The London Trio". The Violin Times. Vol. 14. Nov 1906. p. 170.
  9. Seddon, Laura (2016-04-15). British Women Composers and Instrumental Chamber Music in the Early Twentieth Century. Routledge. p. 120. ISBN   978-1-317-17134-8.
  10. Buckingham, James Silk; Sterling, John; Maurice, Frederick Denison; Stebbing, Henry; Dilke, Charles Wentworth; Hervey, Thomas Kibble; Dixon, William Hepworth; MacColl, Norman; Rendall, Vernon Horace; Murry, John Middleton (9 Jan 1915). "Musical Gossip". The Athenæum. No. 4550. p. 37.
  11. Cobbett, Walter Willson (1929). Cobbett's Cyclopedic Survey of Chamber Music. Oxford University Press. p. 103.