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"An Invitation to Lubberland" was a broadside ballad first printed in 1685. Many believe [ who? ] that it inspired the hobo ballad which formed the basis of the song Big Rock Candy Mountain recorded in 1928 by Harry McClintock. Lubberland is the Swedish name for Cockaigne, land of plenty in medieval myth.
Sung to the tune of Billy and Molly or The Journey-man Shoemaker by Daniel Cooper.
There is a Ship we understand,
now riding in the River,
'Tis newly come from Lubberland,
the like I think was never:
You that a Lazy life do love,
i'de have you now go over,
They say the Land is not above
two thousand Leagues from Dover.
...
The Rivers run with Claret fine,
the Brooks with rich Canary,
The Ponds with other sorts of Wine,
to make your hearts full merry:
Nay, more then this, you may behold
the Fountains flows with Brandy,
The Rocks are right Refined Gold,
the Hills are Sugar-Candy. [1]— Stanzas 1 and 6
Woodrow Wilson "Woody" Guthrie was an American singer-songwriter, who is considered to be one of the most significant figures in American folk music. His music, including songs such as "This Land Is Your Land", has inspired several generations both politically and musically.
"Big Rock Candy Mountain", first recorded by Harry McClintock in 1928, is a country folk song about a hobo's idea of paradise, a modern version of the medieval concept of Cockaigne. It is a place where "hens lay soft boiled eggs" and there are "cigarette trees." McClintock claimed to have written the song in 1895, based on tales from his youth hoboing through the United States, but some believe that at least aspects of the song have existed for far longer. It is catalogued as Roud Folk Song Index No. 6696.
Willy Wonka & the Chocolate Factory is a 1971 American musical fantasy film directed by Mel Stuart and starring Gene Wilder as Willy Wonka. It is an adaptation of the 1964 novel Charlie and the Chocolate Factory by Roald Dahl. The film tells the story of a poor child named Charlie Bucket who, after finding a Golden Ticket in a chocolate bar, visits Willy Wonka's chocolate factory along with four other children from around the world.
"Scarborough Fair" is a traditional English ballad. The song lists a number of impossible tasks given to a former lover who lives in Scarborough, North Yorkshire. The melody is in Dorian mode and is very typical of the middle English period. It was recorded by a number of musicians in the twentieth century, including the version by the 1960s folk rock duo Simon & Garfunkel.
Cockaigne or Cockayne is a land of plenty in medieval myth, an imaginary place of extreme luxury and ease where physical comforts and pleasures are always immediately at hand and where the harshness of medieval peasant life does not exist. Specifically, in poems like The Land of Cockaigne, it is a land of contraries, where all the restrictions of society are defied, sexual liberty is open, and food is plentiful. Writing about Cockaigne was commonplace in Goliard verse. It represented both wish fulfillment and resentment at the strictures of asceticism and dearth.
"The Ballad of Chevy Chase" is an English ballad, catalogued as Child Ballad 162. There are two extant ballads under this title, both of which narrate the same story. As ballads existed within oral tradition before being written down, other versions of this once popular song also may have existed. Moreover, other ballads used its tune without necessarily having any connection to "The Ballad of Chevy Chase".
"The Daemon Lover", also known as "James Harris", "James Herries", or "The House Carpenter" is a popular Scottish ballad dating to around 1685. Roud records the title as A warning for married women and identifies the woman in the song as "Mrs. Jane Reynolds born near Plimouth who having plighted her troth to a Seaman, was afterwards married to a Carpenter, and at last carried away by a Spirit."
"Candy Girl" is the title of a hit single recorded in 1963 by the Four Seasons. Written by Larry Santos, it is the first original Four Seasons single not composed by either Bob Gaudio or Bob Crewe. The writer, Larry Santos, would become a chart artist in his own right with 1976's "We Can't Hide It Anymore". A stereo version was released in 1975, on The Four Seasons Story album.
Fairytale is the second album from British singer-songwriter Donovan. It was first released in the UK on 22 October 1965 through Pye Records. The US version of Fairytale was released by Hickory Records in November 1965 with a slightly different set of songs. Peter Eden, Geoff Stephens and Terry Kennedy produced the original album.
"The Elfin Knight" is a traditional Scottish folk ballad of which there are many versions, all dealing with supernatural occurrences, and the commission to perform impossible tasks. The ballad has been collected in different parts of England, Scotland, Ireland, the US, and Canada. As is the case with most traditional folk songs, there have been countless completely different versions recorded of the same ballad. The first broadside version was printed before 1674, and the roots of the song may be considerably older.
"The Broomfield Hill", "The Broomfield Wager" "The Merry Broomfield", "The Green Broomfield", "A Wager, a Wager", or "The West Country Wager" (Child 43, Roud 34) is a traditional English folk ballad.
Robin Hood and the Tanner is Child ballad 126. It is a late seventeenth-century English broadside ballad and one of several ballads about the medieval folk hero Robin Hood that form part of the Child ballad collection, which is one of the most comprehensive collections of traditional English ballads but has now been subsumed and surpassed by the Roud Folk Song Index.
"Riddles Wisely Expounded" is a traditional English song, dating at least to 1450. It is Child Ballad 1 and Roud 161, and exists in several variants. The first known tune was attached to it in 1719. The title "Riddles Wisely Expounded" was given by Francis James Child and seems derived from the seventeenth century broadside version "A Noble Riddle Wisely Expounded".
"Robin Hood and the Beggar" is a story in the Robin Hood canon which has survived as, among other forms, a late seventeenth-century English broadside ballad, and is a pair out of several ballads about the medieval folk hero that form part of the Child ballad collection, which is one of the most comprehensive collections of traditional English ballads. These two ballads share the same basic plot device in which the English folk hero Robin Hood meets a beggar.
The Reverend Fred Pratt Green CBE was a British Methodist minister and hymnodist.
"I Want Candy" is a song written and originally recorded by the Strangeloves in 1965 that reached No. 11 in the U.S. Billboard Hot 100 chart. It is a famous example of a song that uses the Bo Diddley beat.
Sammy Davis, Jr. Now is a 1972 album by Sammy Davis, Jr.. The album features the number one hit "The Candy Man", a Grammy-nominated song. The rest of the album is made up of standards, big ballads and soul tracks.
Duke Riley is an American artist. Riley earned a BFA in painting from the Rhode Island School of Design, and a MFA in Sculpture from the Pratt Institute. He lives in Brooklyn, New York. He is noted for a body of work incorporating the seafarer's craft with nautical history, as well as the host of a legendary series of illegal clambakes on the Brooklyn waterfront for the New York artistic community. Riley told the Village Voice that he has "always been interested in the space where water meets land in the urban landscape."
Robin Hood and Little John is Child ballad 125. It is a story in the Robin Hood canon which has survived as, among other forms, a late seventeenth-century English broadside ballad, and is one of several ballads about the medieval folk hero that form part of the Child ballad collection, which is one of the most comprehensive collections of traditional English ballads.
Transportation ballads are a genre of broadside ballad some of which became an important part of the folk song traditions of Britain and Ireland. They concern the transportation of convicted criminals firstly to the American colonies and then to penal colonies in Australia. Transportation ballads were published as broadsides,. Many have passed into the folk tradition and have been collected subsequently from traditional singers.