Established | 1968 |
---|---|
Location | Anchorage, Alaska |
Coordinates | 61°12′58″N149°53′04″W / 61.2161°N 149.8845°W Coordinates: 61°12′58″N149°53′04″W / 61.2161°N 149.8845°W |
Architect | Mitchell/Giurgola Architects |
The Anchorage Museum is a large art, history, ethnography, ecology and science museum located in a modern building in the heart of Anchorage, Alaska. [1] It is dedicated to studying and exploring the land, peoples, art and history of Alaska.
The museum displays material from its permanent collection, along with regular visiting exhibitions.
The museum opened in 1968 in a 10,000-square-foot (930 m2) building with an exhibition of 60 borrowed Alaska paintings, a collection of 2500 historic and ethnographic objects, and a staff of two. It was designed by Mitchell/Giurgola Architects. The museum has grown steadily and expanded three times since then, most recently in 2010, to its current size of 170,000 square feet (16,000 m2) with a collection of 25,000 objects and 500,000 historic photographs, and a staff of more than 50. First accredited in 1973, the museum has maintained its accreditation since. In 1992, the museum became the home for the Alaska office of the Smithsonian's NMNH Arctic Studies Center, which supports the museum's mission through research, education, and exhibitions.
The Anchorage Museum is "a world-class museum located in the heart of Alaska's largest city". It welcomes over 180,000 annual visitors from Alaska and from around the world and serves as a cultural center for the community. The museum is repeatedly ranked among Alaska's top ten visitor attractions. Each year it presents 16–20 changing exhibitions complemented by education programs and activities. In 2006, 20,993 students and 47,836 adults participated in education programs.
Permanent exhibits include an Alaska history gallery, Alaska art galleries, the Imaginarium Discovery Center science galleries and the Smithsonian Arctic Studies Center, which features Alaska Native artifacts on long-term loan from the Smithsonian Institution.
The museum's library/archives are in frequent demand by publishers, scholars, and other researchers for its information and images. Titles held in the library are accessible to students, scholars and the public via interlibrary loan on the web.
The Smithsonian Institution's Arctic Studies Center conducts public programs and collaborative research programs to increase understanding of northern peoples, cultures and environments. It develops exhibitions and offers professional museum training workshops frequented by museum and cultural center personnel from across the state.
The museum serves its statewide mission by organizing and presenting programs and exhibitions in Anchorage, as well as by traveling exhibitions throughout the state. Examples include exhibits shared with museums in Unalaska, Bethel, Homer, Ketchikan, Kenai, Fairbanks, Kodiak, Eek and Juneau.
The museum provides professional recommendations on collections, exhibitions, education, archival organization and conservation to other Alaska museums, cultural centers and the public.
The Anchorage Museum has over 40,000 square feet (3,700 m2) devoted to its permanent collection with a focus on Alaska history, Art of the North and Ethnography. [2]
This gallery is devoted to Alaska's rich history from the native fauna through the time of the first early migrations to the present. The Alaska Gallery exhibits more than 1,000 objects and is one of the most complete presentations of Alaskan history and ethnology. Full-scale and miniature dioramas give insight into the lifestyles of Alaska's Native peoples, exploration and settlement by the Russians, the gold rush era, World War II and statehood in 1959. [3]
The permanent art collection represents the vast range of art from Alaska and the circumpolar North. Seven galleries on the museum's ground floor are devoted to this collection. Exhibits include landscape paintings, drawings from early European expeditions to Alaska, works by contemporary artists, and an entire gallery of paintings by Sydney Laurence, perhaps Alaska's best known artist.
Exhibitions include juried shows, interpretive exhibitions and traveling exhibitions from other museums. The museum provides a substantial range of exhibits and programs that acquaint Alaskans with the art, culture, history and science of other peoples and places. In recent years, the museum has presented "Wrapped in Pride: Ghanaian Kente and African American Identity", "Tibet: Mountains and Valleys, Castles and Tents", "Woven Treasure: The Coverlets of Norway", and several exhibitions of Korean and Japanese ceramics. The museum also seeks to ensure that its Alaska-focused programming and exhibitions represent the diversity of immigrant heritages in Alaska and the Far North. Public programs include lectures, classes, workshops, films, public and school tours, and special events.
The museum is operated by the Anchorage Museum Association, a private non-profit organization under a long-term contract with the Municipality of Anchorage. Its annual budget comes from earned income, fundraising and grants, and from the municipality. The municipality owns the museum facility and collections. The Anchorage Museum Foundation, a 501(c)(3) functionally integrated supporting organization, manages the permanent endowment and oversees the expansion project.
There are about 50 FTE staff members and they are organized into the following departments: Administration, Information Technology, Building Operations, Collections, Library and Resource Center, Curatorial, Development, Exhibitions, Design, Learning and Engagement, Marketing & Public Relations, Community Outreach, Visitor Services, and Arctic Studies. The onsite personnel for the Smithsonian's Arctic Studies Center include an archeologist and an anthropologist. The museum relies on a robust volunteer program. Over 300 volunteers work as docents and in education, collections, exhibits and library/archives.
The museum's 170,000 square feet (16,000 m2) include galleries for interpretive exhibitions of its permanent collection and galleries for changing exhibitions. A large atrium, two classrooms and a 230-seat auditorium host a wide variety of programs, classes and special events. Back-of-house includes exhibit prep workshops, collections storage, and workspace, including a conservation laboratory.
The new wing features the Smithsonian Institution's Arctic Studies Center, through which 600 Alaskan Native artifacts have returned to Alaska from the National Museum of Natural History and the National Museum of the American Indian for a long-term installation. There also are new galleries for changing exhibitions, an expanded library/archives, and improved visitor services, including Muse restaurant and a gift shop.
The new extension to the museum was planned by David Chipperfield Architects Ltd., London. It created a new entrance and appearance for the whole museum by implementing a highly unique façade and building set-up. The façade was custom designed and supplied by Overgaard Ltd., Hong Kong to Architectural Wall Systems of West Des Moines, Iowa, a speciality glazing contractor. The scope of materials for this one-of-a-kind façade includes approx. 5900 m2 of custom insulated fritted glass. This glazing type and pattern has never before been used and was specially developed for the project by both Architectural Wall Systems and Overgaard Ltd. To meet the extreme environmental conditions the insulated glass units are 24 mm thick. The outside sheet is tempered 6 mm low-iron sheer with a silver mirror frit. The inside sheet is 6 mm low-iron clear sheet. The frit is silver reflective on one side and metallic on the other. All glass units were pre-assembled prior to shipping to allow for easy installation.
The Smithsonian Institution, or simply the Smithsonian, is a group of museums and education and research centers, the largest such complex in the world, created by the U.S. government "for the increase and diffusion of knowledge". Founded on August 10, 1846, it operates as a trust instrumentality and is not formally a part of any of the three branches of the federal government. The institution is named after its founding donor, British scientist James Smithson. It was originally organized as the United States National Museum, but that name ceased to exist administratively in 1967.
The Freer Gallery of Art is an art museum of the Smithsonian Institution in Washington, D.C. focusing on Asian art. The Freer and the Arthur M. Sackler Gallery together form the National Museum of Asian Art in the United States. The Freer and Sackler galleries house the largest Asian art research library in the country and contain art from East Asia, South Asia, Southeast Asia, the Islamic world, the ancient Near East, and ancient Egypt, as well as a significant collection of American art.
The Smithsonian American Art Museum is a museum in Washington, D.C., part of the Smithsonian Institution. Together with its branch museum, the Renwick Gallery, SAAM holds one of the world's largest and most inclusive collections of art, from the colonial period to the present, made in the United States. The museum has more than 7,000 artists represented in the collection. Most exhibitions take place in the museum's main building, the old Patent Office Building, while craft-focused exhibitions are shown in the Renwick Gallery.
The National Museum of African Art is the Smithsonian Institution's African art museum, located on the National Mall of the United States capital. Its collections include 9,000 works of traditional and contemporary African art from both Sub-Saharan and North Africa, 300,000 photographs, and 50,000 library volumes. It was the first institution dedicated to African art in the United States and remains the largest collection. The Washington Post called the museum a mainstay in the international art world and the main venue for contemporary African art in the United States.
The California African American Museum (CAAM) is a museum located in Exposition Park, Los Angeles, California, United States. The museum focuses on enrichment and education on the cultural heritage and history of African Americans with a focus on California and western United States. Admission is free to all visitors. Their mission statement is "to research, collect, preserve, and interpret for public enrichment the history, art and culture of African Americans with an emphasis on California and the western United States."
The Evansville Museum of Arts, History & Science is a general-interest museum located on the Ohio riverfront in downtown Evansville, Indiana, United States. Founded in 1904, it is one of Southern Indiana's most established and significant cultural institutions, with comprehensive collections in art, history, anthropology and science. It has a permanent collection of over 30,000 objects including fine arts, decorative arts, historic documents and photographs, and anthropologic and natural history artifacts. Also on the museum's campus is the Evansville Museum Transportation Center, featuring Southern Indiana transportation artifacts from the late 19th through the mid-20th centuries. The museum is accredited by the American Alliance of Museums.
The William R. and Clarice V. Spurlock Museum, better known as the Spurlock Museum, is an ethnographic museum at the University of Illinois at Urbana-Champaign. The Spurlock Museum's permanent collection includes portions of collections from other museums and units on the Urbana-Champaign campus such as cultural artifacts from the Museum of Natural History and Department of Anthropology as well as historic clothing from the Bevier Collection of the College of Agricultural, Consumer and Environmental Sciences. The museum also holds objects donated by other institutions and private individuals. With approximately 51,000 objects in its artifact collection, the Spurlock Museum at the University of Illinois at Urbana-Champaign collects, preserves, documents, exhibits, and studies objects of cultural heritage. The museum's main galleries, highlighting the ancient Mediterranean, modern Africa, ancient Egypt, Mesopotamia, East Asia, Oceania, Europe, and the Americas, celebrate the diversity of cultures through time and across the globe.
Alvin Eli Amason is a Sugpiaq Alaskan painter and sculptor. He was raised in Kodiak and is of Alutiiq ancestry. He received his Master of Fine Arts from Arizona State University and taught for several years at Navajo Community College. For seventeen years, he taught at the University of Alaska Fairbanks and was the head of the Alaska Native Art studies program there. After retiring, he was asked to join the Department of Art at the University of Alaska, Anchorage and develop an Alaska Native Art curriculum.
The Yeshiva University Museum is a teaching museum and the cultural arm of Yeshiva University. Along with the American Jewish Historical Society, the American Sephardi Federation, the Leo Baeck Institute, New York and the YIVO Institute for Jewish Research, it is a member organization of the Center for Jewish History, a Smithsonian Institution affiliate located in New York’s Chelsea neighborhood.
The Autry Museum of the American West is a museum in Los Angeles, California, dedicated to exploring an inclusive history of the American West. Founded in 1988, the museum presents a wide range of exhibitions and public programs, including lectures, film, theater, festivals, family events, and music, and performs scholarship, research, and educational outreach. It has two sites and attracts about 150,000 visitors annually.
The New Jersey State Museum is located at 205 West State Street in Trenton, New Jersey. It serves a broad region between New York City and Philadelphia. The museum's collections include natural history specimens, archaeological and ethnographic artifacts, and cultural history and fine art objects. Exhibitions, educational activities, research programs, and lectures are also offered. The museum, a division of the New Jersey Department of State, includes a 140-seat planetarium and a 384-seat auditorium.
The Dennos Museum Center is a fine art museum and cultural center located in Traverse City, Michigan on the campus of Northwestern Michigan College (NMC). Most notable for its permanent collection of Inuit art, the Dennos Museum opened in 1991 and features rotating exhibitions of Modern and Contemporary art.
The Pratt Museum is a regional natural history museum located in Homer, Alaska, with exhibits exploring life around Kachemak Bay in South Central Alaska. The museum's mission is to preserve "the stories of the Kachemak Bay region", through "collections, exhibits, and programs in culture, science, and art". Indoor exhibits include early homesteading, Native Alaskan traditions, local contemporary art, and an exploration of the marine and terrestrial life around Kachemak Bay. Outdoor exhibits feature a historic cabin, botanical gardens and a nature trail.
The Museum of Contemporary Art of Georgia is a contemporary art museum located in Atlanta, Georgia. The museum collects and archives contemporary works by Georgia artists. MOCA GA uses its exhibition schedule to increase its permanent collection. The Education/Resource Center houses the museum's historical archive collection.
William Wyvill Fitzhugh IV is an American archaeologist and anthropologist who directs the Smithsonian’s Arctic Studies Center and is a Senior Scientist at the National Museum of Natural History. He has conducted archaeological research throughout the circumpolar region investigating cultural responses to climate and environmental change and European contact. He has published numerous books and more than 150 journal articles, and has produced large international exhibitions and popular films. Of particular note are the many exhibition catalogues he has had edited, which make syntheses of scholarly research on these subjects available to visitors to public exhibitions.
Smithsonian Affiliations is a division of the Smithsonian Institution that establishes long-term partnerships with non-Smithsonian museums and educational and cultural organizations, in order to share collections, exhibitions and educational strategies and conduct joint research.
The Yupiit Piciryarait Cultural Center (YPCC), also known as Yupiit Piciryarait Cultural Center and Museum, formerly known as the Yup'ik Museum, Library, and Multipurpose Cultural Center, is a non-profit cultural center of the Yup'ik culture centrally located in Bethel, Alaska near the University of Alaska Fairbanks' Kuskokwim Campus and city offices. The center is a unique facility that combines a museum, a library, and multi-purpose cultural activity center including performing arts space, for cultural gatherings, feasts, celebrations, meetings and classes. and that celebrates the Yup'ik culture and serves as a regional cultural center for Southwest Alaska. The name of Yupiit Piciryarait means "Yup'iks' customs" in Yup'ik language and derived from piciryaraq meaning "manner; custom; habit; tradition; way of life" Construction of this cultural facility was completed in 1995, funded through a State appropriation of federal funds. Total cost for construction was $6.15 million. The center was jointly sponsored by the Association of Village Council Presidents (AVCP) and the University of Alaska Fairbanks (UAF) and at the present the center operated by the UAF's Kuskokwim Campus, AVCP and City of Bethel. The building houses three community resources: the Consortium Library, the Yup'ik Museum, and the Multi-purpose room or auditorium. The mission of the center is promote, preserve and develop the traditions of the Yup'ik through traditional and non-traditional art forms of the Alaska Native art, including arts and crafts, performance arts, education, and Yup'ik language. The center also supports local artists and entrepreneurs.
Kesler Edward "Kes" Woodward is an American artist, art historian and curator. Known for his colorful paintings of northern landscapes, he was awarded the first Alaska Governor's Award for Lifetime Achievement in the Arts in 2004. Woodward has also written extensively on the Art of the circumpolar North and has curated exhibitions which have toured Alaska, California, Oregon, Washington, and Georgia.
James Pepper Henry is a Native American museum director and vice-chairman of the Kaw Nation. He is the executive director of the First Americans Museum in Oklahoma City, Oklahoma, which opened on 18 September 2021.
Abraham Anghik Ruben is a sculptor of partly Alaskan Native ancestry. Ruben was born south of the hamlet of Paulatuk in the Inuvik Region east of the Mackenzie River Delta in the Northwest Territories, Canada in 1951.