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Anders Langlands | |
|---|---|
| Occupation | Visual effects supervisor |
| Years active | 2004–present |
Ander Langlands is a visual effects supervisor.
In 2016, he was nominated for Best Visual Effects at the 88th Academy Awards for his work on the film The Martian . His nomination was shared with Chris Lawrence, Richard Stammers, and Steven Warner. [1] In 2021, he was nominated at the 93rd Academy Awards for his work on the film Mulan . His nominated was shared with Sean Andrew Faden, Seth Maury and Steve Ingram. [2]
The Academy Award for Best Visual Effects is an Academy Award given for the best achievement in visual effects.
Chris Lawrence is a visual effects supervisor. Lawrence and his fellow visual effects artists received an Academy Award for Best Visual Effects for the 2013 film, Gravity. In 2016, Lawrence received his second Academy Award nomination for his work on the film, The Martian, at the 88th Academy Awards. In 2018, he received his third Academy Award nomination for his work on the film, Christopher Robin, at the 91st Academy Awards, and received his fourth nomination in 2021, at the 93rd Academy Awards for the 2020 Netflix film The Midnight Sky. He is the eldest son and heir apparent of Sir Henry Lawrence, 7th Baronet of Lucknow.
Russell William Earl is a visual effects supervisor. He has been nominated for five Academy Awards and two British Academy Film Awards, among other awards.
Nick Davis is an American visual effects supervisor who has worked in visual effects since the early 1990s. He was nominated at the 81st Academy Awards for The Dark Knight, which he shared with Chris Corbould, Paul Franklin and Tim Webber. Davis was also nominated at the 93rd Academy Awards for The One and Only Ivan, which he shared with Greg Fisher, Ben Jones and Santiago Colomo Martinez.
Paul Kavanagh is a British visual effects artist who was nominated at the 82nd Academy Awards in the category of Best Visual Effects for his work on Star Trek. His nomination was shared with Burt Dalton, Russell Earl and Roger Guyett. In 2016, he and his colleagues Chris Corbould, Roger Guyett and Neal Scanlan received the BAFTA-Award in the category of Best Special Visual Effects for their work on Star Wars: The Force Awakens. They were also nominated for an Academy Award, but lost to Ex Machina.
Richard Stammers is a British visual effects artist.
Charley Henley is a visual effects supervisor. He was nominated at the 85th Academy Awards for his work on the film Prometheus, in the category of Best Visual Effects. He shared his nomination with Martin Hill, Richard Stammers and Trevor Wood. He is the son of the actor Drewe Henley and actress Felicity Kendal.
Guillaume Rocheron is a French visual effects supervisor who was born in 1981 in Paris. He began his career in 2000 at the Paris-based BUF Compagnie, and after five years there he got invited to work for the Moving Picture Company. He won the Academy Award during the 85th Academy Awards for the film Life of Pi in the category of Best Visual Effects. He shared his win with Donald R. Elliott, Erik-Jan de Boer and Bill Westenhofer. In 2020, he received his second Academy Award nomination for Best Visual Effects, and second win, for the 2019 film, 1917, at the 92nd Academy Awards.
Cameron Waldbauer is a Canadian special effects supervisor.
Dan Oliver is an Australian special effects supervisor. He worked on various feature films, including X-Men Origins: Wolverine (2009), The Great Gatsby (2013), Mad Max: Fury Road (2015) and Gods of Egypt (2016)
Jason Smith is an American visual effects supervisor, who graduated from BYU's Computer Science Animation program. Best known for his work on various blockbuster feature film projects such as Star Wars: Episode III – Revenge of the Sith (2005), Harry Potter and the Goblet of Fire (2005), The Avengers (2012), and The Revenant (2015).
Steven Warner is a visual effects supervisor. He is best known for his work on blockbuster feature film projects such as Saving Private Ryan (1998), Gladiator (2000), Defiance (2008), and The Martian (2015).
Andrew Jackson is an English Australian visual effects supervisor. He has worked on various feature films, including 300 (2006), Knowing (2009), Mad Max: Fury Road (2015), Dunkirk (2017), The King (2019), Tenet (2020), and Oppenheimer (2023).
Tom Wood is an English visual effects supervisor.
Sara Bennett is a British visual effects artist best known for her work on Harry Potter and the Chamber of Secrets (2002), Harry Potter and the Prisoner of Azkaban (2004), Harry Potter and the Goblet of Fire (2005), Doctor Who (2005), Merlin (2008), Jonathan Strange & Mr Norrell (2009), Skellig (2009), The Martian (2015) and Ex Machina (2015).
Andrew Whitehurst is a British visual effects artist. Best known for his works in Troy (2004), Charlie and the Chocolate Factory (2005), Harry Potter and the Order of the Phoenix (2007) and Ex Machina (2015).
Paul Norris is a British visual effects supervisor best known for his work on Harry Potter and the Prisoner of Azkaban (2004), Harry Potter and the Goblet of Fire (2005), Avengers: Age of Ultron (2015), and Ex Machina (2015).
Dominic Tuohy is an English special effects artist. He won an Academy Award for Best Visual Effects for his work on 1917, and has been nominated for three more for the films Solo: A Star Wars Story and Star Wars: The Rise of Skywalker and The Batman.
Steve Ingram is an American special effects artist. He was nominated for an Academy Award in the category Best Visual Effects for the film Mulan.
Seth Maury is an American visual effects artist. He was nominated for an Academy Award in the category Best Visual Effects for the film Mulan.
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