Abate Andrea Belvedere (born 1646) was an Italian painter of the Baroque period.
It is believed that the painter was born not in 1646, as De Dominici reported, but around 1652, based on the discovery, by Prota Giurleo, of the act of death from which it appears that he died in Naples on 27 June 1732 at the age "of 80 years".
The pictorial activity of Andrea Belvedere took place for twenty years, from about 1674 to 1694, the year in which he, evidently preceded by his notoriety, moved to Spain, called by King Charles II. His work at Spanish court continued until 1700, but on his return to Naples, Belvedere abandoned painting to devote himself completely to theatrical activity. [1]
Later Belvedere departed from the style of Paolo Porpora, that is, from works with Caravaggio-like period of still lives and flowers, apparently rejecting their mere "decorative" value. He appears to have been influenced by Giuseppe Recco and never rhetorical "Baroque" exuberance of Giovan Battista Ruoppolo, deriving from them an exalting sense of light and vitality.
Belvedere was described as the only great painter of still life at a time when in Naples this genre was rapidly declining. His originality of his art attracted a considerable number of younger artists.
When he moved to Spain in 1692, he was employed by Charles II of Spain; and in conjunction with Luca Giordano (who painted the figures), he helped decorate the Escorial. Napier describes Belvedere as imitator, yet also a competitor of the Flemish still-life painter Abraham Brueghel. [2] Among his pupils or followers were Gasparo Lopez, Baldassare de Caro, Tommaso Realfonso, and Nicola Casissa.
Among the works we should mention above all:
CarloDolci was an Italian painter of the Baroque period, active mainly in Florence, known for highly finished religious pictures, often repeated in many versions.
Luca Giordano was an Italian late-Baroque painter and printmaker in etching. Fluent and decorative, he worked successfully in Naples, Rome, Florence, and Venice, before spending a decade in Spain.
Aniello Falcone was an Italian Baroque painter, active in Naples and noted for his painted depictions of battle scenes. Some sources refer to him as Ancillo Falcone.
Belisario Corenzio was a Greek-Italian painter, active in Venice and Naples. He is one of few Greek painters that did not belong to the Cretan Renaissance like his contemporaries of the time. He escaped the maniera greca completely. He adopted the Venetian style. Other similar Greek painters were Marco Basaiti, Ioannis Permeniates, Antonio Vassilacchi and El Greco. He was sometimes referred to as Il Greco. His teacher was prominent Venetian painter Tintoretto. In 1590, at age 32 Corenzio settled in Naples. Corenzio was influenced by Cavalier d'Arpino. He continued to flourish in the region. His apprentices included: Luigi Rodriguez, Andrea di Leone, Onofrio De Lione and Massimo Stanzione. Corenzio painted many frescos that survived today. Some of his works are in the Church of San Severino and Certosa di San Martino. His style resembles Caravaggio. An Italian legend in Naples exists involving Corenzio, Spanish painter Jusepe de Ribera, and Battistello Caracciolo. They were referred to as the Cabal of Naples. The three painters were rumored to have poisoned their competition for painting contracts. The rumors lack documented evidence. The three painters were very popular in Naples. Corenzio frescoed the Crypt that holds the remains of Matthew the Apostle at Salerno Cathedral and it depicts scenes from the Gospel of Matthew. Corenzio was one of the most celebrated fresco painters in Naples during his time. His drawings can be found all over the world namely at the Metropolitan Museum, Museo di Capodimonte and Louvre. More recently, his life and work was studied by the Greek art historian Panayotis K. Ioannou in a comprehensive monograph.
Giovanni Battista Caracciolo (1578–1635) was an Italian artist and important Neapolitan follower of Caravaggio. He was a member of the murderous Cabal of Naples, with Belisario Corenzio and Giambattista Caracciolo, who were rumoured to have poisoned and disappeared their competition for painting contracts.
Mattia Preti was an Italian Baroque artist who worked in Italy and Malta. He was appointed a Member of the Order of Saint John.
Giuseppe Recco was an Italian painter in the Baroque style. He specialized in a variety of still lifes.
Giovan Battista Ruoppolo (1629–1693) was a Neapolitan painter of still-lifes.
Bernardo Cavallino (1616–1656) was an Italian painter and draughtsman. He is regarded as one of the most original painters active in Naples during the first half of the 17th century.
Agostino Beltrano was an Italian painter active in the Baroque period in his native city of Naples. He was a pupil of Massimo Stanzione, the uncle of his wife, and is known to have been active in 1646. He is said to have murdered his 36-year-old wife and painter, Aniella di Beltrano, in a fit of jealousy. He died in Naples.
Andrea di Leone (1610–1685) was an Italian painter of the Baroque period, active in his native city of Naples.
Tommaso Realfonso was an Italian painter of the 18th century, specializing studies of still-life paintings of flower and fruit pieces. He also painted vedute or landscapes.
Gasparo Lopez was an Italian painter of the Baroque period.
Giacomo Nani was an Italian painter, mainly of still-life paintings and of porcelain.
Museum Correale is a museum in Sorrento in the south of Italy.
Nicola Vaccaro was an Italian painter, theatre director and opera librettist in Naples. He was known for his religious and allegorical paintings who created easel paintings as frescos. He was a specialist figure painter who regularly collaborated with specialist still life painters on decorative Baroque still lifes and garland paintings. Vaccaro attempted to adapt the stylistic features of 17th-century Neapolitan tradition to the new Classicist and Baroque trends towards increasing Arcadian tendencies. He proposed his own specific form of Academism, aimed at revitalizing the figurative culture in Naples.
Carlo Teodoro Duclère was an Italian landscape painter; associated with the School of Posillipo.
Baldassarre De Caro was an Italian painter of still lifes, mainly of hunted game, but also of flowers. The mood of his paintings is often morbid.
Giacomo Recco was an Italian Baroque painter who specialized in flowers. His brother, Giovanni Battista Recco, was also an artist.
Aniello Ascione was an Italian painter of still lifes. He is regarded as an important representative of the Flemish style of Baroque still life painting and a follower of the Flemish painter Abraham Brueghel who worked in Naples in the final quarter of the 17th century.
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