Paolo Porpora

Last updated
Paolo Porpora, Tortoise and Crab, Musee des Beaux-Arts de Nancy, 1656 Tortue et crabe P Porpora Nancy 3018.jpg
Paolo Porpora, Tortoise and Crab, Musée des Beaux-Arts de Nancy, 1656
Paolo Porpora, Reptiles, Museo di Capodimonte, Naples Tartapittura.jpg
Paolo Porpora, Reptiles, Museo di Capodimonte, Naples

Paolo Porpora (1617–1673) was an Italian painter of the late-Baroque, who was active mainly in Naples and specialized in floral still lifes. He is documented as a pupil of Giacomo Recco, the father of Giuseppe Recco, and said to have worked under Aniello Falcone. He joined the Roman Accademia di San Luca from 1656 to 1658. He appears to have been influenced in Rome by Netherlandish still-life painters. Among his pupils were Giovan Battista Ruoppolo and the Neapolitan Onofrio Loth (died 1717). [1]

Italy republic in Southern Europe

Italy, officially the Italian Republic, is a European country consisting of a peninsula delimited by the Italian Alps and surrounded by several islands. Located in the middle of the Mediterranean sea and traversed along its length by the Apennines, Italy has a largely temperate seasonal climate. The country covers an area of 301,340 km2 (116,350 sq mi) and shares open land borders with France, Slovenia, Austria, Switzerland and the enclaved microstates of Vatican City and San Marino. Italy has a territorial exclave in Switzerland (Campione) and a maritime exclave in the Tunisian sea (Lampedusa). With around 60 million inhabitants, Italy is the fourth-most populous member state of the European Union.

Baroque cultural movement, starting around 1600

The Baroque is a highly ornate and often extravagant style of architecture, music, dance, painting, sculpture and other arts that flourished in Europe from the early 17th until the mid-18th century. It followed the Renaissance style and preceded the Rococo and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain and Portugal, then to Austria and southern Germany. By the 1730s, it had evolved into an even more flamboyant style, called rocaille or Rococo, which appeared in France and central Europe until the mid to late 18th century.

Naples Comune in Campania, Italy

Naples is a major city in southern Italy. It is the capital of the Campania region, and the third-largest municipality in Italy after Rome and Milan. The city is called Napoli in Italian, and Napule in Neapolitan. The name comes from Ancient Greek Νεάπολις, meaning "new city", via the Latin Neapolis.

Sources

Related Research Articles

Morto da Feltre Italian painter

Morto da Feltre was an Italian painter of the Venetian school who worked at the close of the 15th century and beginning of the 16th.

Livio Agresti Italian painter

Livio Agresti (1508–1580), also called Ritius or Ricciutello, was an Italian painter of the late Renaissance or Mannerist period, active both in his native city of Forlì and in Rome, where he died. He was one of the members of the "Forlì painting school".

Francesco Solimena Italian painter

Francesco Solimena was a prolific Italian painter of the Baroque era, one of an established family of painters and draughtsmen.

Giuseppe Recco was an Italian painter in the Baroque style. He specialized in a variety of still-lifes.

Antonio Calza (1658–1725) was an Italian painter of the Baroque period.

Bartolomeo Nazari Italian painter

Bartolomeo Nazari was an Italian painter of the late-Baroque, mainly active in Venice as a portraitist.

Pietro Bianchi (painter) Italian painter of the Baroque period

Pietro Bianchi was an Italian painter of the Baroque period, active in Genoa and Rome.

Francesco da Cotignola Italian painter

Francesco da Cotignola, also called Zaganelli, was an Italian painter of the Renaissance period, active mainly in Parma and Ravenna.

Andrea Belvedere Italian painter

Abate Andrea Belvedere was an Italian painter of the Baroque period.

Bartolommeo Salvestrini was an Italian painter of the Baroque period, active mostly in Florence. He was a pupil of Matteo Rosselli and Giovanni Bilivert in Florence. He painted a Martyrdom of St Ursula for church of Santa Orsula in Florence, as well a paintings for the church of Santa Teresa. He died of the plague in 1630. A drawing at Art Institute of Chicago is attributed to the painter

Marzio di Colantonio Italian painter

Marzio di Colantonio or di Colantonio Ganassini or di Cola Antonio was an Italian painter, as a painter of still-lifes and landscapes, and fresco decorations of grotteschi and battle scenes with small figures. His still-life paintings contain hunted game.

Bernardino Lanzani was an Italian painter of the Renaissance, active mainly in Pavia and Bobbio.

Francesco Comande was an Italian painter of a Renaissance style, born and active in Messina, Sicily.

Francesco Comi, also known as il Muto da Verona or il Fornaretto, was an Italian painter of the Baroque Period. He was a pupil of Giovanni Gioseffo dal Sole. He was deaf and was active mainly in Verona.

Antonio de Lanchares (1586/1590-1630/1640) was a Spanish painter, active during the Baroque period, mainly in Madrid and surrounding towns.

Tommaso Lancisi (1603–1682) was an Italian painter, active in a Baroque style. He was born and active in Borgo San Sepolcro. He was a pupil of Raffaello Scaminozzi. He had two brothers who were also painters: Vincenzio and Matteo.

Bartolommeo Morelli also called il Pianoro, was an Italian painter of the baroque period, active mainly in quadratura and frescoes. He was a pupil of Francesco Albani in Bologna. His main work in Bologna were frescoes in the chapel of the Pepoli Family in San Bartolommeo di Porta. Malvasia refers to him as Bartolommeo Pianoro, who was also active in Genova at the same time as Andrea Sghizzi, another pupil of Albani.

Ciro da Conegliano was an Italian painter, pupil of Paolo Veronese, and active in Verona.

Bernardino Zaganelli painter from Italy

Bernardino Zaganelli, also Bernardino di Bosio Zaganelli and Bernardino da Cotignola, was an Italian painter, of the Renaissance period.

Carlo Natali, also known as il Guardolino, was an Italian painter of the Baroque period, active in Cremona and Bologna