Jules Hardouin-Mansart was a French Baroque architect and builder whose major work included the Place des Victoires (1684–1690); Place Vendôme (1690); the domed chapel of Les Invalides (1690), and the Grand Trianon of the Palace of Versailles. His monumental work was designed to glorify the reign of Louis XIV of France.
Baroque architecture is a highly decorative and theatrical style which appeared in Italy in the early 17th century and gradually spread across Europe. It was originally introduced by the Catholic Church, particularly by the Jesuits, as a means to combat the Reformation and the Protestant church with a new architecture that inspired surprise and awe. It reached its peak in the High Baroque (1625–1675), when it was used in churches and palaces in Italy, Spain, Portugal, France, Bavaria and Austria. In the Late Baroque period (1675–1750), it reached as far as Russia and the Spanish and Portuguese colonies in Latin America. About 1730, an even more elaborately decorative variant called Rococo appeared and flourished in Central Europe.
Palazzo Labia is a baroque palace in Venice, Italy. Built in the 17th–18th century, it is one of the last great palazzi of Venice. Little known outside of Italy, it is most notable for the remarkable frescoed ballroom painted 1746–47 by Giovanni Battista Tiepolo, with decorative works in trompe-l'œil by Gerolamo Mengozzi-Colonna.
The Basilica of San Domenico is one of the major churches in Bologna, Italy. The remains of Saint Dominic, founder of the Order of Preachers (Dominicans), are buried inside the exquisite shrine Arca di San Domenico, made by Nicola Pisano and his workshop, Arnolfo di Cambio and with later additions by Niccolò dell'Arca and the young Michelangelo.
Matthias Steinl was an Austrian painter, architect and designer, and one of the country's best known Baroque sculptors. Together with Johann Bernhard Fischer von Erlach (1656–1723) and his rival Johann Lukas von Hildebrandt (1668–1765), Steinl may be considered one of the most influential architects to introduce the High Baroque style to Austria.
San Giorgio Maggiore is a 16th-century Benedictine church on the island of the same name in Venice, northern Italy, designed by Andrea Palladio, and built between 1566 and 1610. The church is a basilica in the classical Renaissance style and its brilliant white marble gleams above the blue water of the lagoon opposite the Piazzetta di San Marco and forms the focal point of the view from every part of the Riva degli Schiavoni.
Josse de Corte (1627–1679) was a Baroque Flemish sculptor, born in Ypres, but mainly active in Venice after 1657.
San Francesco della Vigna is a Roman Catholic church in the Sestiere of Castello in Venice, northern Italy.
Andrea Tirali was an Italian architect working in Venice and the Veneto. He was responsible for the intricate design of the pavement in the Piazza San Marco in Venice.
Santa Maria dei Carmini, also called Santa Maria del Carmelo and commonly known simply as the Carmini, is a large Roman Catholic church in the sestiere, or neighbourhood, of Dorsoduro in Venice, northern Italy. It nestles against the former Scuola Grande di Santa Maria del Carmelo, also known as the Scuola dei Carmini. This charitable confraternity was officially founded in 1597, and arose from a lay women's charitable association, the Pinzocchere dei Carmini. The members of this lay group were associated as tertiaries to the neighbouring Carmelite monastery. They were responsible for stitching the scapulars for the Carmelites.
San Geremia is a church in Venice, northern Italy, located in the sestiere of Cannaregio. The apse of the church faces the Grand Canal (Venice), between the Palazzo Labia and the Palazzo Flangini. The edifice is popular as the seat of the cult of Saint Lucy of Syracuse, whose remains are housed inside.
The Church of San Marco in San Girolamo is a baroque parish church in Vicenza, northern Italy, built in the 18th century by the Discalced Carmelites. It houses various artworks by artists of the early 18th century from Veneto. The sacristy preserves its original furniture of the same period.
Santa Maria di Nazareth is a Roman Catholic Carmelite church in Venice, northern Italy. It is also called Church of the Scalzi being the seat in the city of the Discalced Carmelites religious order. Located in the sestiere of Cannaregio, near Venezia Santa Lucia railway station, it was built in the mid-17th century to the designs of Baldassarre Longhena and completed in the last decades of that century.
Arcangelo Guglielmelli was an Italian architect and painter, active in his native Naples, Italy, in a late-Baroque style. He was involved in the building and reconstruction of churches, many of which had been damaged by the earthquakes of 1688 and 1694.
The Grand Canal in Venice from Palazzo Flangini to Campo San Marcuola is a painting by Canaletto in the J. Paul Getty Museum in Los Angeles, California. Painted around 1738, it may have been commissioned by the English merchant and art collector Joseph Smith (1682–1770).
Isola di San Clemente is a small island in the Venetian Lagoon in Italy. For centuries it housed a monastic settlement, and more recently an asylum. It is now the site of a luxury hotel.
The Church of San Clemente is a church built in 1131 and located on San Clemente Island, in the Venetian Lagoon. The name is dedicated to Pope Clement I, who died as a martyr according to legend and who is patron of seamen.
Alessandro Tremignón was an Italian architect from Padua.
The Palazzo Contarini-Sceriman, also called Palazzo Seriman ai Gesuiti is a 14th-century palace in the Sestiere of Cannaregio of Venice, Italy. It is located near the church of the Gesuiti.
San Pietro in Oliveto is a Roman Catholic church located at the end of via del Castello in central Brescia, region of Lombardy, Italy.
