Andrew Winer (born June 1966) is an American novelist. Recipient of a National Endowment for the Arts Fellowship in Fiction and author of the novels The Marriage Artist (2010) and The Color Midnight Made (2003), he writes and speaks about literary, philosophical, and artistic matters. Presently he is completing his third novel and a book on the contemporary relevance of Friedrich Nietzsche’s central philosophical idea, the affirmation of life. Andrew Winer is also an artist. [1]
Winer studied painting at the University of California, Los Angeles, and at the California Institute of the Arts. [2] He had a number of solo and group shows in Los Angeles and New York City, and wrote criticism and reviews for Art Issues before beginning his literary career. [3] [4] In 2000, he received an MFA in Creative Writing at the University of California, Irvine, [2] and, two years later, published his first novel, The Color Midnight Made, an acclaimed national bestseller. [2] [5] [6] [7]
In 2004, he received a National Endowment for the Arts Fellowship for Fiction, [8] and a literary residency at Literar-Mechana [9] in Vienna, Austria, where he started research for his second novel, The Marriage Artist, published in 2010 by Henry Holt and Co., and republished in a hardcover edition by Picador in 2011. [10] [11] [12] [13]
Winer has conducted public conversations with writers such as Colm Toibin, [14] Adam Zagajewski, [15] Geoff Dyer, [16] Akwaeke Emezi, Jane Smiley, [17] Will Self, and Juan Felipe Herrera. He has given talks on artists such as Marsden Hartley and Martin Johnson Heade, and on writers such as Fernando Pessoa and Emil Cioran. His philosophical work is focused on Friedrich Nietzsche. With Nietzsche scholar Maudemarie Clark, he is writing a book on Nietzsche for Oxford University Press. [1]
An Associate Professor of Creative Writing at the University of California, Riverside, [18] Andrew Winer lives and works in Los Angeles, California, together with his wife, the novelist Charmaine Craig , and their two daughters. [2]
Bruce Nauman is an American artist. His practice spans a broad range of media including sculpture, photography, neon, video, drawing, printmaking, and performance. Nauman lives near Galisteo, New Mexico.
Emil Mihai Cioran was a Romanian philosopher, aphorist and essayist, who published works in both Romanian and French. His work has been noted for its pervasive philosophical pessimism, style, and aphorisms. His works frequently engaged with issues of suffering, decay, and nihilism. In 1937, Cioran moved to the Latin Quarter of Paris, which became his permanent residence, wherein he lived in seclusion with his partner, Simone Boué, until his death in 1995.
Robert L. Williams, often styled Robt. Williams, is an American painter, cartoonist, and founder of Juxtapoz Art & Culture Magazine. Williams was one of the group of artists who produced Zap Comix, along with other underground cartoonists, such as Robert Crumb, Rick Griffin, S. Clay Wilson, and Gilbert Shelton. His mix of California car culture, cinematic apocalypticism, and film noir helped to create a new genre of psychedelic imagery.
Grandma Prisbrey's Bottle Village, also known as Bottle Village, is an art environment, located in Simi Valley, California. It was created by Tressa "Grandma" Prisbrey (1896–1988) from the 1950s to the 1970s. Prisbey built a "village" of shrines, walkways, sculptures, and buildings from recycled items and discards from the local landfill.
Salomón Huerta is a painter based in Los Angeles, California. Huerta was born in Tijuana, Mexico, and grew up in the Boyle Heights neighborhood of Los Angeles. Huerta received a full scholarship to attend the Art Center College of Design in Pasadena and completed his MFA at UCLA in 1998.
Marcia Tucker was an American art historian, art critic and curator. In 1977 she founded the New Museum of Contemporary Art, a museum dedicated to innovative art and artistic practice in New York City, which she ran as the director until 1999.
Jack Zajac is a Californian West Coast artist who has been concerned with the “Romantic Surrealist tradition”.
Kenneth Price was an American artist who predominantly created ceramic sculpture. He studied at the Chouinard Art Institute and Otis Art Institute in Los Angeles, before receiving his BFA degree from the University of Southern California in 1956. He continued his studies at Chouinard Art Institute in 1957 and received an MFA degree from New York State College of Ceramics at Alfred University in 1959. Kenneth Price studied ceramics with Peter Voulkos at Otis and was awarded a Tamarind Fellowship.
Andrew Berardini is an American writer known for his work as a visual art critic and curator in Los Angeles. Described as "the most elegant of all art critic cowboys", Berardini works primarily between genres, which he describes as "quasi-essayistic prose poems on art and other vaguely lusty subjects."
Ed Moses was an American artist based in Los Angeles and a central figure of postwar West Coast art.
Giuseppe Panza di Biumo was a collector of modern art. He lived in Milan and Varese, Italy.
Petra Cortright is an American artist working in video, painting, and digital media.
The terms California Impressionism and California Plein-Air Painting describe the large movement of 20th century artists who worked out of doors, directly from nature in California, United States. Their work became popular in the San Francisco Bay Area and Southern California in the first three decades after the turn of the 20th century. Considered to be a regional variation on American Impressionism, the California Impressionists are a subset of the California Plein-Air School.
Peter Plagens is an American artist, art critic, and novelist based in New York City. He is most widely known for his longstanding contributions to Artforum and Newsweek, and for what critics have called a remarkably consistent, five-decade-long body of abstract formalist painting. Plagens has written three books on art, Bruce Nauman: The True Artist (2014), Moonlight Blues: An Artist's Art Criticism (1986) and Sunshine Muse: Modern Art on the West Coast, 1945-70 (1974), and two novels, The Art Critic (2008) and Time for Robo (1999). He has been awarded major fellowships for both his painting and his writing. Plagens's work has been featured in surveys at the Museum of Modern Art, Los Angeles County Museum of Art (LACMA), Whitney Museum, and PS1, and in solo exhibitions at the Hirshhorn Museum and Las Vegas Art Museum. In 2004, the USC Fisher Gallery organized and held a 30-year traveling retrospective of his work. Critics have contrasted the purely visual dialogue his art creates—often generating more questions than answers—with the directness of his writing; they also contend that the visibility of his bylines as a critic has sometimes overshadowed his artmaking—unduly. Los Angeles Times critic David Pagel described Plagens's painting as a "fusion of high-flying refinement and everyday awkwardness" with an intellectual savvy, disdain for snobbery and ungainliness he likened to Willem de Kooning's work. Reviewing Plagens's 2018 exhibition, New York Times critic Roberta Smith called the show an "eye-teasing sandwich of contrasting formalist strategies," the hard-won result of a decade of focused experimentation.
Pacific Standard Time: Art in L.A., 1945–1980 was a scholarly initiative funded by the J. Paul Getty Trust to historicize the contributions to contemporary art history of artists, curators, critics, and others based in Los Angeles. Planned for nearly a decade, PST, as it was called, granted nearly 60 organizations throughout Southern California a total of $10 million to produce exhibitions that explored the years between 1945 and 1980. Underscoring the significance of this project, art critic Roberta Smith wrote in The New York Times:
Before [PST], we knew a lot [about the history of contemporary art], and that lot tended to greatly favor New York. A few Los Angeles artists were highly visible and unanimously revered, namely Ed Ruscha and other denizens of the Ferus Gallery, that supercool locus of the Los Angeles art scene in the 1960s, plus Bruce Nauman and Chris Burden, but that was about it. After, we know a whole lot more, and the balance is much more even. One of the many messages delivered by this profusion of what will eventually be nearly 70 museum exhibitions is that New York did not act alone in the postwar era. And neither did those fabulous Ferus boys.
Edith Baumann is an abstract artist based in Santa Monica, California. Her paintings are minimalist and include geometric repetition and patterns, often presented in intense colors.
Ilene Segalove is an American conceptual artist working with appropriated images, photography and video. Her work can be understood as a precursor to The Pictures Generation.
Brian Bress is an American video artist living and working in Los Angeles.
Brenna Youngblood is an American artist based in Los Angeles who is known for creating photographic collages, sculpture, and paintings. Her work explores issues of African-American identity and representation.
Ala Story, born Emilie Anna Maria Heyszl von Heyszenau, was a gallerist and curator, as well as the director of the American British Art Center in New York and the Santa Barbara Museum of Art (1952–57). She was the daughter of an Austrian colonel and cavalry commandant, W. von Heyszenau, and traced her lineage on her mother's side back to a 12th-century minnesanger, Hoffman van der Aue.