 |
Andy Rinehart | |
|---|---|
| Born | 1960 (age 63–64) Norwalk, Connecticut, U.S. |
| Origin | United States |
| Genres | Jazz fusion, crossover music |
| Occupation(s) | Musician, entertainer, composer, artist |
| Instrument(s) | Accordion, guitar, multi-instrumentalist |
| Website | www |
Andy Rinehart (born 1960) is an American balladeer, composer and multi instrumentalist. [1]
Rinehart was born in 1960 in Norwalk, Connecticut. Rinehart started his studies of the guitar at an early age, and at the age of 10 he was recruited by a substitute teacher at his elementary school to sing backing vocals for two pieces performed by Judy Collins on a television show. Afterwards, he learned the piano, and played in several rock bands during high school. He subsequently studied music and theatre at Bard College at Simon's Rock, a progressive college which introduced him to his first non-western music forms and instruments. His formal musical education continued when he enrolled in the classical conservatory of the State University of New York where he researched the relationship between rhythm, culture and perception. He graduated in 1992 with his thesis, Rhythm In Culture, given a special merit award. While at the university he formed his own group, Zulife, and backed regular CBGB’s headliners Being Don And Nothingness. He has analogised the purpose of his songs as similar to that of ‘minstrels in medieval Europe, or the griots of West Africa’. [2]
His interests grew from singer-songwriters such as Joni Mitchell to encompass progressive and hard rock groups including Genesis and Led Zeppelin. By the early 1980s he was attuned to what he termed ‘more dramatic’ music, including Talking Heads and Laurie Anderson, as well as Celtic folk from the Chieftains and traditional music from eastern Europe, Africa and India. He subsequently attended the California Institute of the Arts to study African and Indian music full-time. After a year spent hitchhiking in 1982 he returned to California to undergo a luthier apprenticeship, enabling him to work as a journeyman instrument repairer. He also began to build his own instruments, one of which, a mbira, was later employed by Robert Fripp. Having returned to Connecticut in 1984 Rinehart became a studio engineer and played in a number of rock bands. [1]
Rinehart got a strong interest in a variety of cultures from growing up in a home filled with diverse musical sounds ranging from classical to pop music. His first album, Walking Home (1988), released on his own record label, received several strong reviews in performers’ magazines including Guitar Player and Music Technology. With the album Jason’s Chord (1993) we saw him combine with other established musicians including guitarist David Torn (a Windham Hill Records recording artist known from Everyman Band), bass player Mick Karn (known from Japan) and former Bruce Springsteen / Van Morrison live drummer Kurt Wortmann. [3] [4]
Blues is a music genre and musical form that originated amongst African-Americans in the Deep South of the United States around the 1860s. Blues has incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African-American culture. The blues form is ubiquitous in jazz, rhythm and blues, and rock and roll, and is characterized by the call-and-response pattern, the blues scale, and specific chord progressions, of which the twelve-bar blues is the most common. Blue notes, usually thirds, fifths or sevenths flattened in pitch, are also an essential part of the sound. Blues shuffles or walking bass reinforce the trance-like rhythm and form a repetitive effect known as the groove.
Funk is a music genre that originated in African-American communities in the mid-1960s when musicians created a rhythmic, danceable new form of music through a mixture of various music genres that were popular among African-Americans in the mid-20th century. It deemphasizes melody and chord progressions and focuses on a strong rhythmic groove of a bassline played by an electric bassist and a drum part played by a percussionist, often at slower tempos than other popular music. Funk typically consists of a complex percussive groove with rhythm instruments playing interlocking grooves that create a "hypnotic" and "danceable" feel. It uses the same richly colored extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, and dominant seventh chords with altered ninths and thirteenths.
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries, with its roots in blues, ragtime, European harmony and African rhythmic rituals. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation.
Music is the arrangement of sound to create some combination of form, harmony, melody, rhythm, or otherwise expressive content. Music is generally agreed to be a cultural universal that is present in all human societies. Definitions of music vary widely in substance and approach. While scholars agree that music is defined by a small number of specific elements, there is no consensus as to what these necessary elements are. Music is often characterized as a highly versatile medium for expressing human creativity. Diverse activities are involved in the creation of music, and are often divided into categories of composition, improvisation, and performance. Music may be performed using a wide variety of musical instruments, including the human voice. It can also be composed, sequenced, or otherwise produced to be indirectly played mechanically or electronically, such as via a music box, barrel organ, or digital audio workstation software on a computer.
Rhythm and blues, frequently abbreviated as R&B or R'n'B, is a genre of popular music that originated within the African-American community in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly to African Americans, at a time when "rocking, jazz based music ... [with a] heavy, insistent beat" was becoming more popular. In the commercial rhythm and blues music typical of the 1950s through the 1970s, the bands usually consisted of a piano, one or two guitars, bass, drums, one or more saxophones, and sometimes background vocalists. R&B lyrical themes often encapsulate the African-American history and experience of pain and the quest for freedom and joy, as well as triumphs and failures in terms of societal racism, oppression, relationships, economics, and aspirations.
In music performances, rhythm guitar is a technique and role that performs a combination of two functions: to provide all or part of the rhythmic pulse in conjunction with other instruments from the rhythm section ; and to provide all or part of the harmony, i.e. the chords from a song's chord progression, where a chord is a group of notes played together. Therefore, the basic technique of rhythm guitar is to hold down a series of chords with the fretting hand while strumming or fingerpicking rhythmically with the other hand. More developed rhythm techniques include arpeggios, damping, riffs, chord solos, and complex strums.
Mbira are a family of musical instruments, traditional to the Shona people of Zimbabwe. They consist of a wooden board with attached staggered metal tines, played by holding the instrument in the hands and plucking the tines with the thumbs, the right forefinger, and sometimes the left forefinger. Musicologists classify it as a lamellaphone, part of the plucked idiophone family of musical instruments. In Eastern and Southern Africa, there are many kinds of mbira, often accompanied by the hosho, a percussion instrument. It is often an important instrument played at religious ceremonies, weddings, and other social gatherings. The "Art of crafting and playing Mbira/Sansi, the finger-plucking traditional musical instrument in Malawi and Zimbabwe" was added to the UNESCO Representative List of the Intangible Cultural Heritage of Humanity in 2020.
A bassist is a musician who plays a bass instrument such as a double bass, bass guitar, synthbass, keyboard bass or a low brass instrument such as a tuba or trombone. Different musical genres tend to be associated with one or more of these instruments. Since the 1960s, the electric bass has been the standard bass instrument for funk, R&B, soul, rock, reggae, jazz fusion, heavy metal, country and pop. The double bass is the standard bass instrument for classical music, bluegrass, rockabilly, and most genres of jazz. Low brass instruments such as the tuba or sousaphone are the standard bass instrument in Dixieland and New Orleans-style jazz bands.
Given the vastness of the African continent, its music is diverse, with regions and nations having many distinct musical traditions. African music includes the genres makwaya, highlife, mbube, township music, jùjú, fuji, jaiva, afrobeat, afrofusion, mbalax, Congolese rumba, soukous, ndombolo, makossa, kizomba, taarab and others. African music also uses a large variety of instruments from all across the continent. The music and dance of the African diaspora, formed to varying degrees on African musical traditions, include American music like Dixieland jazz, blues, jazz, and many Caribbean genres, such as calypso and soca. Latin American music genres such as cumbia, salsa music, son cubano, rumba, conga, bomba, samba and zouk were founded on the music of enslaved Africans, and have in turn influenced African popular music.
Japan were an English new wave band formed in 1974 in Catford, South London by David Sylvian, Steve Jansen (drums) and Mick Karn, joined the following year by Richard Barbieri (keyboards) and Rob Dean. Initially a glam rock-inspired band, Japan developed their sound and androgynous look to incorporate art rock, electronic music and foreign influences.
The lead vocalist in popular music is typically the member of a group or band whose voice is the most prominent melody in a performance where multiple voices may be heard. The lead singer sets their voice against the accompaniment parts of the ensemble as the dominant sound. In vocal group performances, notably in soul and gospel music, and early rock and roll, the lead singer takes the main vocal melody, with a chorus or harmony vocals provided by other band members as backing vocalists. Lead vocalists typically incorporate some movement or gestures into their performance, and some may participate in dance routines during the show, particularly in pop music. Some lead vocalists also play an instrument during the show, either in an accompaniment role, or playing a lead instrument/instrumental solo role when they are not singing.
Dalís Car were a musical group formed in 1984 by Peter Murphy (vocalist), Mick Karn and Paul Vincent Lawford.
Andonis Michaelides, better known as Mick Karn, was an English-Cypriot musician and songwriter who rose to fame as the bassist for the art rock/new wave band Japan. His distinctive fretless bass guitar sound and melodic playing style were a trademark of the band's sound.
A rhythm section is a group of musicians within a music ensemble or band that provides the underlying rhythm, harmony and pulse of the accompaniment, providing a rhythmic and harmonic reference and "beat" for the rest of the band. The rhythm section is often contrasted with the roles of other musicians in the band, such as the lead guitarist or lead vocals whose primary job is to carry the melody.
Steve Jansen is an English musician, composer and record producer.
Tin Drum is the fifth and final studio album by English band Japan, released in November 1981 by Virgin Records. It peaked at No. 12 on the UK charts, and featured the top 5 single "Ghosts". It has received acclaim as the band's best and most original work.
The Omnichord is an electronic musical instrument introduced in 1981 by the Suzuki Musical Instrument Corporation. It allows users to play distinctive harp-like arpeggios produced through an electronic strum plate, simulating the experience of playing a stringed instrument. Originally conceived as an electronic Autoharp, the Omnichord found popularity due to its portability, its unique timbre, and its value as a kitsch object.
David M. Torn is an American guitarist, composer, and producer. He is known for combining electronic and acoustic instruments and for his use of looping.
Afro rock is a style of rock music with African influences. Afro rock is a dynamic interplay between Western rock music and African musical elements such as rhythm, melodies and instrumentation. Afro rock bands and artists in the late 1960s and early 1970s included Osibisa, Assagai and Lafayette Afro Rock Band.
Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with a consonant, pleasing-sounding thirds, sixths, and fifths.
| International | |
|---|---|
| National | |