Angela Grossmann (born 1955) is a Canadian artist, known for her oil paintings and mixed media collages. [1] Her works range from simplistic drawings to rendering of the human body by layering torn and manipulated photos of body parts. [2]
Grossman was born in London, England. She graduated from Emily Carr College (now University) of Art + Design in 1985. That year her artwork was included in the Vancouver Art Gallery's exhibition of "Young Romantic" painters with Attila Richard Lukacs and Vicky Marshall. [3] She earned an MFA at Concordia University.
Grossman taught at Ottawa University, and then returned to Vancouver in 1997 to paint and to teach at Emily Carr. She has exhibited widely across Canada, the United States and Europe and her work is in many public and private collections.
Grossmann's art often portrays subjects of displacement and social margins through the use of collaged and transferred discarded materials. [4] In an early series titled Affaires d'Enfants (1987), Grossman created paintings on the insides of old suitcase. In 1991, her exhibition (Sign)ifying the END of the (Second) 2nd World War, included photographs, found in second-hand shops, of European children. Correction(s) (1999) consisted of mug shots of prisoners in the British Columbia Penitentiary and the records of their crime and daily habits while incarcerated during the 1940s. My Vocation (1999), presented the human figure graphically sketched and enlarged, using letters, photographs, addresses, envelopes, postage and cancellation marks. Alpha Girls (2004), Campbell, Deborah. [5] Paper Dolls (2006) and Swagger (2007) portrayed themes of social status, fashion and identity in teen girls and boys. [6]
In June 2006, she was included in a list of 100 artists who have most influenced students at eleven leading British art schools, including the Royal Academy, Slade and Royal College of Art. In 2006, she joined forces with Douglas Coupland, Graham Gillmore, Attila Richard Lukacs and Derek Root to create a large sculptural installation entitled "Vancouver School". Grossmann collaborates with this group on a regular basis for special projects.
In April 2012, Grossman mounted an exhibition titled, The Future is Female, an introspective look on the essence of being female. Her collages are edited photographs, keeping the heads of the figure untouched, but manipulating the limbs and torso for artistic effect. [7] In combination with monochrome oil on vellum or mylar paintings of candid female subjects, she creates visually complex collages.
In 2015 her portraits of women, entitled "Models of Resistance", were exhibited at the Marion Scott Gallery. [8] [9]
Grossman is a co-founder of the Portfolio Prize Foundation, an organization which financially supports emerging artists. [10]
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Emily Carr was a Canadian artist and writer who was inspired by the Indigenous peoples of the Pacific Northwest Coast. One of the first painters in Canada to adopt a Modernist and Post-Impressionist style, Carr did not receive widespread recognition for her 1929 work, The Indian Church, which is now her best known, until she changed her subject matter from Aboriginal themes to landscapes — forest scenes in particular, evoking primeval grandeur in British Columbia. As a writer Carr was one of the earliest chroniclers of life in her surroundings. The Canadian Encyclopedia describes her as a Canadian icon.
Attila Richard Lukács is a Canadian artist.
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Jin-Me Yoon is a South Korean-born internationally active Canadian artist, who immigrated to Canada at the age of eight. She is a contemporary visual artist, utilizing performance, photography and video to explore themes of identity as it relates to citizenship, culture, ethnicity, gender, history, nationhood and sexuality.
Vikky Alexander is a Canadian contemporary artist based in Vancouver, British Columbia. She has exhibited internationally since 1981 as a practitioner in the field of photo-conceptualism, and as an installation artist who uses photography, drawing, and collage. Her themes include the appropriated image, and the deceptions of nature and space. Her artworks include mirrors, photographic landscape murals, postcards, video and photography.
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Aganetha Dyck is a Canadian sculptor residing in Winnipeg, Manitoba. Dyck is best known for her work with live honeybees, that build honeycomb on objects that she introduces to honeybee hives. In 2007 Dyck was awarded both Manitoba's Arts Award of Distinction and Canada's Governor General's Award in Visual and Media Arts.
Lillian Irene Hoffar Reid was a Canadian painter. She was in the first graduating class, June 1929, at the Vancouver School of Decorative and Applied Art. She taught at the Vancouver School of Art from 1933 to 1937.
Ann Kipling L.L.D is a Canadian artist who creates impressionistic portraits and landscapes on paper from direct observation. Kipling's distinctive style of overlapping, temporally suggestive linework is formed through her working process, which involves drawing her subject over time, recording subtle shifts in movement in the sitter or landscape during that period. Her work is characterized by a flat sense of space, where lines are used to frame a vibrating and gestural idea of her subject, rather than a direct representation of form. While not directly connected to any art movement in particular, connections can be made to Chinese landscape painters and the watercolours of Paul Cézanne. Using colour minimally, her primary media is etching, drawing, watercolours, pen, pencil, pastels and pencil crayons. She lives and works in Falkland, BC, a location which serves as a focus for her recent landscapes.
Tania Willard is an Indigenous Canadian multidisciplinary artist, graphic designer, and curator, known for mixing traditional Indigenous arts practices with contemporary ideas. Willard is from the Secwepemc nation, of the British Columbia interior, Canada.
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Morgan Wood is a curator and artist who is Stony Mountain Cree. Her family is from the Michel Callihou Band in Alberta and her great-grandmother was Victoria Callihou. Wood received a Bachelor of Indian Art from the First Nations University of Canada, at the University of Regina in Regina, Saskatchewan.
Arabella Campbell is a Canadian artist based in Vancouver, British Columbia. She graduated with a Bachelor of Arts from the University of British Columbia in 1996, and a Bachelor of Fine Arts from Emily Carr University of Art and Design in 2002. She attended the San Francisco Art Institute from 1998 to 2000. She has exhibited locally, nationally, and internationally. She works out of a warehouse studio in False Creek Flats, Vancouver.
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Allison Hrabluik is a visual artist based in Vancouver, British Columbia, Canada. Her practice primarily involves video, experimental film and animation. Her practice is informed by literature, narrative, and storytelling and she often utilizes traditional mediums such as collage, sculpture, and print media.
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