Animal furniture

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Animal furniture refers both to furniture used by animals and to furniture made from animals.

Contents

Furniture for animals

Cat bed Burmakatzen-haufen.JPG
Cat bed

Known as "pet furniture", furniture designed for use by animals became a popular trend in the early 21st century. Typical pieces include pet beds, doghouses, hammocks, dog coolers, cat trees, parrot tents and extravagant play equipment. [1]

In 2008, James Stephenson and Jason R. Rich cited high-end furniture for cats and dogs as one of the best categories of products to buy and sell for big profits. [2] Home-crafted furniture for pets has also become popular. [3]

Furniture made from animals

1877 Wheeler Bear Skin Chair 1877 Wheeler Bear Skin Chair.jpg
1877 Wheeler Bear Skin Chair

Animal furniture also refers to furniture made from animals. Such furniture became popular during the Victorian era. In 1896, William G. Fitzgerald wrote an article titled "Animal Furniture" in The Strand Magazine . The article included a photographic gallery of unusual pieces from the era, including a liquor stand made from an elephant's foot, a door stop made from an ostrich foot, a candelabra made from a monkey, lamps made from a black swan, an emu, monkeys, and a black bear, a chair made from a baby giraffe (with neck and head rising from the back, a porter's chair made out of a baby elephant, and a "tiger chair" with the seat covered in the animal's skin, the tail coiled around the edge, and "the head and paws ... arranged so as to give the impression that the terrible animal is about to spring." [4] In a 1907 book on big game hunting in Ceylon, Harry Storey described his practices of making furniture out of elephant parts:

"Of trophies to be secured from our elephants the feet rank first . . . They make fine footstools, liquor stands, or, if cut long in the leg, umbrella stands. [5]

In his book, "Empire and the Animal Body," John Miller wrote that the animal furniture made from exotic animals from throughout the British Empire became "hyperbolically domesticated metropolitan accessories that testify to imperial power through their extraordinary, and sometimes comic, ingenuity. [6]

Victorian furniture made from animals is sometimes referred to as "Wardian furniture," derived from the name of the noted taxidermist, Rowland Ward. One author noted:

"As a result of the work of Rowland Ward, there was a craze in the Victorian era for furniture and other decorative items made from the parts of animals. His were so popular that he got the unofficial naming rights: 'Wardian furniture' was the name generally given to any such object ..." [7]

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<span class="mw-page-title-main">Berlin wool work</span> Embroidery technique using worsted yarns

Berlin wool work is a style of embroidery similar to today's needlepoint that was particularly popular in Europe and America from 1804 to 1875. It is typically executed with wool yarn on canvas, worked in a single stitch such as cross stitch or tent stitch, although Beeton's book of Needlework (1870) describes 15 different stitches for use in Berlin work. It was traditionally stitched in many colours and hues, producing intricate three-dimensional looks by careful shading. Silk or beads were frequently used as highlights. The design of such embroidery was made possible by the great progress made in dyeing, initially with new mordants and chemical dyes, followed in 1856, especially by the discovery of aniline dyes, which produced bright colors.

<span class="mw-page-title-main">Taxidermy</span> Stuffing and mounting dead animals for display

Taxidermy is the art of preserving an animal's body by mounting or stuffing, for the purpose of display or study. Animals are often, but not always, portrayed in a lifelike state. The word taxidermy describes the process of preserving the animal, but the word is also used to describe the end product, which are called taxidermy mounts or referred to simply as "taxidermy".

"The Monkey's Paw" is a horror short story by English author W. W. Jacobs. It first appeared in Harper's Monthly in 1902, and was reprinted in his third collection of short stories, The Lady of the Barge also in 1902. In the story, three wishes are granted to the owner of The Monkey's Paw, but the wishes come with an enormous price for interfering with fate.

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<span class="mw-page-title-main">Rowland Ward</span>

James Rowland Ward (1848–1912) was a British taxidermist and founder of the firm Rowland Ward Limited of Piccadilly, London. The company specialised in and was renowned for its taxidermy work on birds and big-game trophies, but it did other types of work as well. In creating many practical items from antlers, feathers, feet, skins, and tusks, the Rowland Ward company made fashionable items from animal parts, such as zebra-hoof inkwells, antler furniture, and elephant-feet umbrella stands.

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Frank Howard Buck was an American hunter, animal collector, and author, as well as a film actor, director, and producer. Beginning in the 1910s he made many expeditions into Asia for the purpose of hunting and collecting exotic animals, bringing over 100,000 live specimens back to the United States and elsewhere for zoos and circuses and earning a reputation as an adventurer. He co-authored seven books chronicling or based on his expeditions, beginning with 1930's Bring 'Em Back Alive, which became a bestseller. Between 1932 and 1943 he starred in seven adventure films based on his exploits, most of which featured staged "fights to the death" with various wild beasts. He was also briefly a director of the San Diego Zoo, displayed wild animals at the 1933–34 Century of Progress exhibition and 1939 New York World's Fair, toured with Ringling Bros. and Barnum & Bailey Circus, and co-authored an autobiography, 1941's All in a Lifetime. The Frank Buck Zoo in Buck's hometown of Gainesville, Texas, is named after him.

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<span class="mw-page-title-main">Dimitrie Ghica-Comănești</span>

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A cellarette or cellaret is a small furniture cabinet, available in various sizes, shapes, and designs which is used to store bottles of alcoholic beverages such as wine or whiskey. They usually come with some type of security such as a lock to protect the contents. Such wooden containers for alcoholic beverages appeared in Europe as early as the fifteenth century. They first appeared in America in the early eighteenth century and were popular through the nineteenth century. They were usually made of a decorative wood and sometimes had special designs so as to conceal them from the casual observer. They were found in pubs, taverns, and homes of the wealthy.

<span class="mw-page-title-main">Hyde Park pet cemetery</span> Disused animal burial ground in London

The Hyde Park pet cemetery is a disused burial ground for animals in Hyde Park, London. It was established in 1880 or 1881 in the garden of Victoria Lodge, home of one of the park keepers. The cemetery became popular after the burial of a dog belonging to Sarah Fairbrother, wife of Prince George, Duke of Cambridge. Some 1,000 burials were carried out before the cemetery was generally closed in 1903; sporadic burials were carried out thereafter until 1976. Most of the animals are dogs, though some cats, monkeys and birds were also buried. The site is owned by the charity The Royal Parks and not open to the public except as part of occasional tours.

References

  1. Dan Rice (1999). The Dog Handbook . Barron's Educational Series. p.  28. ISBN   0764111523.
  2. James Stephenson and Jason R. Rich (2008). 202 Things You Can Buy and Sell for Big Profits. Entrepreneur Press. p. 220. ISBN   978-1599181844.
  3. Elizabeth Quinn, P.A.W.S. (2003). Pads for Pets: Fabulous Projects for Your Furry, Feathered, and Phibious Friends. Chronicle Books. ISBN   0811832279.
  4. William G. Fitzgerald (1896). ""Animal" Furniture". The Strand Magazine. pp. 273–280.
  5. Harry Storey (1907). Hunting & Shooting in Ceylon. p. 109. ISBN   9788120611634.
  6. John Miller (2012). Empire and the Animal Body. Anthem Press. pp. 49–50. ISBN   978-0857285348.
  7. Dave Madden (2011). The Authentic Animal: Inside the Odd and Obsessive World of Taxidermy. Macmillan. p. 202. ISBN   978-1429987622.