Devika Rani, usually known as Devika Rani, was an Indian actress who was active in Hindi films during the 1930s and 1940s. She was the first recipient of the Dadasaheb Phalke Award, and was also awarded the Padma Shri. Widely acknowledged as the First Lady of Indian cinema, Devika Rani had a successful film career that spanned 10 years.
Kismet (transl. Fate) is a 1943 Indian drama film, directed by Gyan Mukherjee, written by Mukherjee with Aghajani Kashmeri, and produced by Bombay Talkies, during the Second World War, while it was in a succession battle between Devika Rani and Sashadhar Mukherjee after owner Himanshu Rai's death. The film was the first big hit in the history of Bombay cinema, and the first blockbuster in Indian cinema.
Basant (transl. Spring) is a 1942 pre-partition Indian romantic musical film directed by Amiya Chakrabarty, produced by Bombay Talkies and starring Mumtaz Shanti and Madhubala along with Ulhas. It revolves around Uma (Shanti), who is left to dance on stage for money when her husband (Ulhas) abandons her.
Amiya Chakravarty was an Indian film director, screenwriter and producer, who was leading film director in Hindi cinema of the 1940s and 1950s. He is noted for films like Daag (1952), Patita (1953), and Seema (1955) for which he won the 4th Filmfare Award for Best Story. Chakravarty is also credited along with Devika Rani for discovering Dilip Kumar, whom he gave his first break in 1944 film Jwar Bhata .Chakravarty also produced and directed Daag in 1952 for which Dilip Kumar won his first ever Filmfare Award for Best Actor.
Watan (transl. Homeland) is a 1938 Hindustani costume drama film directed by Mehboob Khan. Produced by Sagar Films, the film had story by Mehboob Khan and Wajahat Mirza. The cinematographer, as for most Sagar films, was Faredoon Irani. Following the successful music of Manmohan (1936), Sagar Movietone retained Anil Biswas as the in-house music director, scoring music for Watan along with other releases of the time from the studio. The cast of the film included Kumar, Bibbo, Maya Banerjee, Yakub Lala, Sitara Devi and Kayam Ali.
Veer Kunal also called Son Of Ashoka is a 1945 Hindi historical fiction film directed by Kishore Sahu. Besides directing the film Sahu also produced it and wrote the story and screenplay. The cinematographer was Chandu. Produced under the Ramnik Productions banner, it had music by Khan Mastana. The starcast consisted of Kishore Sahu, Shobhna Samarth, Durga Khote, Mubarak and Maya Banerji.
Thokar also called The Kick is 1939 Hindi/Urdu film directed by A. R. Kardar. Produced by Chandulal Shah for his production banner Ranjit Movietone, it had music by Gyan Dutt. The story writer was M. Sadiq, with cinematography by Gordhanbhi Patel. The cast included Kumar, Ishwarlal, Madhuri, Yakub, Noor Mohammed Charlie, Ram Marathe, Waheedan Bai and Dixit.
Jeevan Prabhat is a 1937 Hindi film social drama, produced by Bombay Talkies and directed by Franz Osten. The music director was Saraswati Devi with lyrics and dialogues by J. S. Casshyap. The screenplay was by Niranjan Pal. The film's "star value" was Devika Rani, with Kishore Sahu making his debut as an actor in the film. The cast included another debutant, Renuka Devi, with Mumtaz Ali, Maya Devi and M. Nazir.
Izzat (transl. Honour) is a 1937 Hindi film social drama, directed by Franz Osten. The film was produced by Himanshu Rai for Bombay Talkies. The credit roll of Izzat attributes the story to Dr. G. Nundy, adapted for screen by J. Nundy. The screenplay was by Niranjan Pal, who handled the story section of Bombay Talkies. J. S. Casshyap wrote the songs and dialogues and was assisted in dialogue direction by S. I. Hassan. The music was composed by Saraswati Devi, with actor Mumtaz Ali doubling as the choreographer. The film starred Ashok Kumar with Devika Rani in the lead, while the rest of the cast included Mumtaz Ali, Madhurika, Kamtaprasad, Chandraprabha, and P. F. Pithawala.
Bhabhi (Sister-in-Law) is a 1938 social family drama Hindi film directed by Franz Osten. The film was based on a Bengali novel written by Sharadindu Bandyopadhyay called "Bisher Dhoan". Bandyopadhyay was a famous Bengali novelist and short story writer also known for the fictional detective he created, Byomkesh Bakshi. The cinematographers were Wirsching and Pareenja. Dialogues and lyrics by J. S. Casshyap. V. H. Desai, the comedian, got his "big break" in Bhabhi when he joined Bombay Talkies. He became popular as the nervous father of the heroine Renuka Devi. S. N. Tripathi started his acting with a small role in the film. The film had the new found Renuka Devi in the lead.
Vachan is a 1938 costume drama Hindi film directed by Franz Osten. The regular Bombay Talkies writer, Niranjan Pal, walked out of the Bombay Talkies production team after an altercation with Himanshu Rai in 1936. Saradindu Bandyopadhyay, a famous writer known also for creating Byomkesh Bakshi, replaced Pal in the story department, writing for films like Nirmala and Vachan in 1938 and Durga in 1939. The screenplay was by Agha Jani Kashmiri, with dialogues and lyrics by J. S. Kashyap. The music was composed by Saraswati Devi aided by J. S. Kashyap. The film starred Devika Rani and Ashok Kumar, a popular pair from Bombay Talkies who worked in seven films together. Devika Rani remained the bigger star with Kumar's name being "over-shadowed" in the credit rolls, as well as the publicity of the film.
Nartaki (Dancer) is a 1940 film directed by Debaki Bose for New Theatres Ltd, Calcutta. A bilingual made in Hindi and in Bengali, it had story and screenplay written by Bose, with cinematography by Yusuf Mulji. Music was composed by Pankaj Mullick. The cast had actress Leela Desai playing the title role of Nartaki. Najam also called Najam-Ul-Hasain or Najmul Hussain had left Bombay Talkies following his affair and elopement with Devika Rani, had now joined New Theatres Ltd, where he was cast in films like Anath Ashram (1937), Dushman (1939), Kapal Kundala (1939), and Nartaki. The rest of the main cast included Jagdish Sethi, Wasti and Pankaj Mullick in the Hindi version.
Abhagin is a 1938 Hindi film directed by Prafulla Roy for New Theatres Ltd., Calcutta. A bilingual, it was made in Bengali language as Abhigyan. The film was based on a story by Upendranath Ganguly, with dialogues by A. H. Shore. R. C. Boral provided the music composition with lyrics for the Hindi version by Munshi Arzu, and by Ajoy Bhattacharya for the Bengali. The screenplay was by Phani Majumdar for whom it was his first independent film as a scriptwriter. Bimal Roy, who was to make a name for himself as a prominent Bengali and Hindi director, was the cinematographer for the film. The cast included Molina Devi, Prithviraj Kapoor, Vijay Kumar, Nemo and Bikram Kapoor.
Bibbo was a music composer, singer and actress who worked in both Indian and Pakistani films. She acted in Indian cinema from 1931 to 1947 before moving to Pakistan, following Partition of India in 1947. She started her acting career with Ajanta Cinetone Ltd. in 1933, working with directors like M. D. Bhavnani and A. P. Kapoor. She was one of the top leading ladies of the 1930s along with actresses like Devika Rani, Durga Khote, Sulochana, Mehtab, Shanta Apte, Sabita Devi, Leela Desai and Naseem Banu. She was referred to as "one of the most important female stars of the 1930s and 1940s". Her fame had her featured in the lyrics of a popular song from the film Gharib Ke Lal (1939) sung by Mirza Musharraf and Kamla Karnataki, with music by Sagheer Asif and lyrics by Rafi Kashmiri. "Tujhe Bibbo Kahoon Ke Sulochana", where Sulochana referred to another popular actress of the time. This was the first time a song featuring famous actors was used in the lyrics of a film song.
Chaturbhuj Doshi (1894–1969) was a Hindi and Gujarati writer-director of Indian cinema. He was one of the top Gujarati screenplay writers, who helped script stories for the Punatar productions. He is stated to be one of the leading figures who launched the Gujarati film industry with work on notable films like Gunsundari (1948) and Nanand Bhojai (1948). Doshi, was “well known” for his family socials and had become “a celebrity in his own right”. He made a name for himself as a journalist initially and was referred to as the "famous journalist" and publicist by Baburao Patel, editor of Filmindia.
Sabita Devi (1914–1965) was a Hindi film actress in Indian cinema. She is stated to be one of the "prominent" leading ladies of the "pioneering era" of Indian cinema along with Mehtab, Bibbo, Durga Khote, Gohar, Devika Rani and Seeta Devi. A Jewish by birth, she changed her name to find acceptability in Hindi cinema like the other Anglo-Indian and Jewish actresses of her time, Sulochana, Seeta Devi, Madhuri, and Manorama. After initially working with British Dominion Films Ltd., Calcutta, she shifted to Bombay and performed mainly in films produced by Sagar Movietone with her co-star in most films being Motilal. Some of the popular films with Motilal were Dr. Madhurika (1935) and Kulvadhu (1937) directed by Sarvottam Badami. Their first film together was Shaher Ka Jadoo (1934), which was also Motilal's debut film, and then Lagna Bandhan (1936) both directed by Kaliprasad Ghosh. She acted in Silver King (1935) with Motilal. It was an action film directed by C. M. Luhar, which became a "huge success".
Hansa Wadkar (1923–1971) was a Marathi and Hindi film and stage actress of Indian cinema. She started her acting career at the age of thirteen years, as a heroine in the bilingual film Vijaychi Lagne (1936). Wadkar went on to make a name for herself working in the reputable film companies like Bombay Talkies, Prabhat Film Company and National Studios. Her career defining role was in Vishnupant Damle's Sant Sakhu (1941) where she enacted the role of the female saint Sakhu. Her other memorable roles were in the Tamasha genre films like Lokshahir Ram Joshi (1947), termed as the "Classic Marathi Tamasha musical". Sangtye Aika (1959) was another of Marathi cinema's "best known Tamasha film" along with Ram Joshi. She thus acted in two of Marathi cinema's biggest hits Lokshahir Ramjoshi and Sangtye Aika. The title "Sangtye Aika" was used by Wadkar for her autobiography compiled in 1971. The autobiography was initially serialised in the Marathi magazine Manoos helped by journalist Arun Sadhu.
Munawar Sultana was an Indian cinema actress, who acted in Hindi films. She is cited as one of the "popular" actresses of the late 1940s to early 1950s period, along with Noor Jehan, Swarnalata and Ragini. Her specialty was playing a selfless woman, enduring the rough treatment meted by her husband and family, but who eventually "brought her erring husband back home".
Love in Goa is a 1983 Indian Hindi film, directed by Harsh Kohli. The film stars Ashok Kumar, Om Prakash, Mayur Verma and Anuradha Patel in the leading roles. The musical score of the film was done by Bappi Lahiri & Alfred Rose.
