Anna Shternshis is an Al and Malka Green Professor of Yiddish studies and the director of the Anne Tanenbaum Centre for Jewish Studies at the University of Toronto. [1] Her research interests include Jewish culture in the Soviet Union; Jewish-Slavic cultural relations; Yiddish mass culture, theatre, and music. [2]
She received her M.A. degree from Russian State University for the Humanities [2] and Ph.D. degree in Modern Languages and Literatures from Oxford University in 2001. [1]
Shternshis is the author of two books, as well as over 20 articles and book chapters. She is the co-editor-in-chief of East European Jewish Affairs. [1]
Shternshis together with composer/performer and slavist Psoy Korolenko created and directed Yiddish Glory , a project to release the forgotten Yiddish songs written during the Holocaust in the Soviet Union. It was nominated and shortlisted for the 61st Annual Grammy Award in the world music category. [3] [4] [5] [6]
Yiddish is a West Germanic language historically spoken by Ashkenazi Jews. It originates from 9th century Central Europe, providing the nascent Ashkenazi community with a vernacular based on High German fused with many elements taken from Hebrew and to some extent Aramaic. Most varieties of Yiddish include elements of Slavic languages and the vocabulary contains traces of Romance languages. Yiddish is primarily written in the Hebrew alphabet.
Klezmer is an instrumental musical tradition of the Ashkenazi Jews of Central and Eastern Europe. The essential elements of the tradition include dance tunes, ritual melodies, and virtuosic improvisations played for listening; these would have been played at weddings and other social functions. The musical genre incorporated elements of many other musical genres including Ottoman music, Baroque music, German and Slavic folk dances, and religious Jewish music. As the music arrived in the United States, it lost some of its traditional ritual elements and adopted elements of American big band and popular music. Among the European-born klezmers who popularized the genre in the United States in the 1910s and 1920s were Dave Tarras and Naftule Brandwein; they were followed by American-born musicians such as Max Epstein, Sid Beckerman and Ray Musiker.
Jewish studies is an academic discipline centered on the study of Jews and Judaism. Jewish studies is interdisciplinary and combines aspects of history, Middle Eastern studies, Asian studies, Oriental studies, religious studies, archeology, sociology, languages, political science, area studies, women's studies, and ethnic studies. Jewish studies as a distinct field is mainly present at colleges and universities in North America.
The Herbert D. Katz Center for Advanced Judaic Studies at the University of Pennsylvania—commonly called the Katz Center—is a postdoctoral research center devoted to the study of Jewish history and civilization.
Henry "Hank" Sapoznik is an American author, record and radio producer and performer of traditional Yiddish and American music.
Sophie Milman is a Russian-born Canadian jazz vocalist.
The United Jewish People's Order is a secular socialist Jewish cultural, political and educational fraternal organization in Canada. The UJPO traces its history to the founding of the Jewish Labour League Mutual Benefit Society in 1926.
Daniel Rosenberg is a Canadian journalist and record producer.
Louis Harry Danto was a lyric tenor and cantor. He was acclaimed for his cantorial music, concert appearances and recordings of Italian, Russian, and French opera repertoire. Danto performed throughout North America, Europe and Israel, and recorded 24 solo albums.
Vira Lozinsky is an Israeli-Moldovan musician and Yiddish language singer.
Moisei Iakovlevich Beregovsky was a Soviet Jewish folklorist and ethnomusicologist from Ukraine, who published mainly in Russian and Yiddish. He has been called the "foremost ethnomusicologist of Eastern European Jewry". His research and life's work included the collection, transcription and analysis of the melodies, texts and culture of Yiddish folk song, wordless melodies (nigunim), East European Jewish instrumental music for both dancing and listening, Purim plays, and exploration of the relationship between East European Jewish and Ukrainian traditional music.
Der royter shtern was a Yiddish-language newspaper published from the Soviet city of Vitebsk between 1920 and 1923. It was the organ of the Jewish Section of the Communist Party Committee of the Vitebsk Governorate. The first issue was published on August 19, 1920. It was published as a daily newspaper for about a year, and then became a weekly. Between the 9th and 10th congresses of the Russian Communist Party (bolsheviks), 268 issues of Der royter shtern were published. It had a circulation of around 4,000.
Der shtern was a Yiddish language daily newspaper published from Kharkov, Ukrainian SSR between 1925 and 1941. It was an organ of the Central Committee of the Communist Party (bolsheviks) of Ukraine and the All-Ukrainian Council of Trade Unions. M. Levitan served as editor in chief of the newspaper.
"Papirosn" is a Yiddish song that was written in the 1920s. The song tells the story of a Jewish boy who sells cigarettes to survive on the streets. He depicts his tragic fate; having lost his parents, his younger sister has died on the bench, and eventually he loses his own hope.
Yiddish Glory: The Lost Songs of World War II is a 61st Annual Grammy Awards nominated album by Six Degrees Records which consists of Yiddish songs written during World War II and the Holocaust.
Jarrod Tanny is a Canadian-American professor of history and Charles and Hannah Block Distinguished Scholar in Jewish History at the University of North Carolina, Wilmington. After completing his education through a master's degree in Canada, he came to the United States (US) for a PhD in history at the University of California at Berkeley. He has made his academic career in the US.
Zinovy Shulman, was a Soviet Jewish singer (tenor) known for singing Yiddish art songs. He was the son of the cantor Borukh Leib Shulman (1870-1963) and was great-grandson of the writer Kalman Schulman (1819-1899). He was one of the most popular Yiddish singers in the Soviet Union alongside some of his contemporaries such as Mikhail Alexandrovich, Emil Gorovets, Anna Guzik, and Sidi Tal.
Nechama Lifshitz was a Yiddish language and later Hebrew language soprano and art song performer who came to be a key representative of Soviet Jewish culture in the 1950s and 1960s. Her seemingly innocent concerts were the heart and soul of Lipshitz’s contribution to keeping Jewish culture and identity alive in the Communist bloc.
Sofia Magid was a Soviet Jewish ethnographer and folklorist whose career lasted from the 1920s to the 1950s. Among the materials she collected were folksongs of Volhynian and Belarusian Jews and among the only prewar field recordings of European klezmer string ensembles, as well as the music of Russians and other ethnic groups of the USSR. Although she was largely unknown abroad during her lifetime, in recent years she has been seen alongside Moshe Beregovski and other Soviet Jewish ethnographers as an important scholar and collector of Jewish music.
Anna Guzik was a Soviet variety artist, Russian and Yiddish theatre actress, and recording artist. Like Zinovy Shulman, Nechama Lifshitz, Sidi Tal, and Emil Gorovets, she had a career performing Jewish music and plays on the Soviet stage which was marked by various periods of censorship and official support depending on the political climate.