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The World Before the Flood is an oil-on-canvas painting by the English artist William Etty, first exhibited in 1828 and currently in the Southampton City Art Gallery. It depicts a scene from John Milton's Paradise Lost in which, among a series of visions of the future shown to Adam, he sees the world immediately before the Great Flood. The painting illustrates the stages of courtship as described by Milton; a group of men select wives from a group of dancing women, drag their chosen woman from the group, and settle down to married life. Behind the courting group, an oncoming storm looms, foreshadowing the destruction which the dancers and lovers are about to bring upon themselves.
The Combat: Woman Pleading for the Vanquished is a large oil painting on canvas by English artist William Etty, first exhibited in 1825 and now in the National Gallery of Scotland. Inspired by the Elgin Marbles and intended by the artist to provide a moral lesson on "the beauty of mercy", it shows a near-nude warrior whose sword has broken, forced to his knees in front of another near-nude soldier who prepares to inflict a killing blow. A woman, also near-nude, clutches the victorious warrior to beg him for mercy. Very unusually for a history painting of the period, The Combat does not depict a scene from history, literature or religion and is not based on an existing artwork, but is instead a scene from the artist's own imagination.
Britomart Redeems Faire Amoret is an oil painting on canvas by English artist William Etty, first exhibited in 1833 and now in Tate Britain. Intended to illustrate the virtues of honour and chastity, it depicts a scene from Edmund Spenser's The Faerie Queene in which the female warrior Britomart slays the evil magician Busirane and frees his captive, the beautiful Amoret. In Spenser's original poem Amoret has been tortured and mutilated by the time of her rescue, but Etty disliked the depiction of violence and portrayed her as unharmed.
Mammon, originally exhibited as Mammon. Dedicated to his Worshippers, is an 1885 oil painting by English artist George Frederic Watts, currently in Tate Britain. One of a number of paintings by Watts in this period on the theme of the corrupting influence of wealth, Mammon shows a scene from Edmund Spenser's The Faerie Queene in which Mammon, the embodiment of greed, crushes the weak through his indifference to their plight. This reflected Watts's belief that wealth was taking the place of religion in modern society, and that this worship of riches was leading to social deterioration. The painting was one of a group of works Watts donated to the South Kensington Museum in late 1886, and in 1897 it was one of 17 Watts paintings transferred to the newly created Tate Gallery. Although rarely exhibited outside the Tate Gallery, the popularity of reproductions made Mammon one of Watts's better known paintings.
References
- ↑ Sculptors 1986-2007 Orleans House Gallery ISBN 978-1-4276-2471-0
- ↑ "Katalog der Deutschen Nationalbibliothek".
- ↑ "Anne-Katrin Purkiss - National Portrait Gallery".
- ↑ "Anne-Katrin Purkiss | Artist | Royal Academy of Arts".
- ↑ "Royal Society Picture Library | Picture Library".
- ↑ "The Discovery Service".
- ↑ New Hall Art Collection, University of Cambridge https://art.newhall.cam.ac.uk/artist/anne-katrin-purkiss/
- ↑ "The Ingram Collection".
- ↑ "Tate Archive and Public Records Catalogue".
- ↑ "Search results for Victoria and Albert Museum".
- ↑ "Anne Purkiss - YCBA Collections Search Search Results".
- ↑ "FACES OF THE SOUTH DOWNS - Portraits in a Landscape by Anne-Katrin Purkiss - Issuu".
- ↑ "Anne-Katrin Purkiss - National Portrait Gallery".
