Related Research Articles
Thomas Gainsborough was an English portrait and landscape painter, draughtsman, and printmaker. Along with his rival Sir Joshua Reynolds, he is considered one of the most important British artists of the second half of the 18th century. He painted quickly, and the works of his maturity are characterised by a light palette and easy strokes. Despite being a prolific portrait painter, Gainsborough gained greater satisfaction from his landscapes. He is credited as the originator of the 18th-century British landscape school. Gainsborough was a founding member of the Royal Academy.
Joseph Mallord William Turner, known in his time as William Turner, was an English Romantic painter, printmaker and watercolourist. He is known for his expressive colouring, imaginative landscapes and turbulent, often violent marine paintings. He left behind more than 550 oil paintings, 2,000 watercolours, and 30,000 works on paper. He was championed by the leading English art critic John Ruskin from 1840, and is today regarded as having elevated landscape painting to an eminence rivalling history painting.
John Constable was an English landscape painter in the Romantic tradition. Born in Suffolk, he is known principally for revolutionising the genre of landscape painting with his pictures of Dedham Vale, the area surrounding his home – now known as "Constable Country" – which he invested with an intensity of affection. "I should paint my own places best", he wrote to his friend John Fisher in 1821, "painting is but another word for feeling".
Alphonse Legros was a French, later British, painter, etcher, sculptor, and medallist. He moved to London in 1863 and later was naturalized as British. He was important as a teacher in the British etching revival.
George Stubbs was an English painter, best known for his paintings of horses. Self-trained, Stubbs learnt his skills independently from other great artists of the 18th century such as Reynolds and Gainsborough. Stubbs' output includes history paintings, but his greatest skill was in painting animals, perhaps influenced by his love and study of anatomy. His series of paintings on the theme of a lion attacking a horse are early and significant examples of the Romantic movement that emerged in the late 18th century. He enjoyed royal patronage. His painting Whistlejacket hangs in the National Gallery, London.
The Art of the United Kingdom refers to all forms of visual art in or associated with the United Kingdom since the formation of the Kingdom of Great Britain in 1707 and encompasses English art, Scottish art, Welsh art and Irish art, and forms part of Western art history. During the 18th century, Britain began to reclaim the leading place England had previously played in European art during the Middle Ages, being especially strong in portraiture and landscape art.
Sir Alan Bowness CBE was a British art historian, art critic, and museum director. He was the director of the Tate Gallery between 1980 and 1988.
Anne Redpath (1895–1965) was a Scottish artist whose vivid domestic still lifes are among her best-known works.
Sir Cedric Lockwood Morris, 9th Baronet was a British artist, art teacher and plantsman. He was born in Swansea in South Wales, but worked mainly in East Anglia. As an artist he is best known for his portraits, flower paintings and landscapes.
Annie Louisa Swynnerton, ARA was a British painter best known for her portrait and symbolist works. She studied at Manchester School of Art and at the Académie Julian, before basing herself in the artistic community in Rome with her husband, the monumental sculptor Joseph Swynnerton. Swynnerton was influenced by George Frederic Watts and Sir Edward Burne-Jones. John Singer Sargent appreciated her work and helped her to become the first elected woman member at the Royal Academy of Arts in 1922. Swynnerton painted portraits of Henry James and Millicent Fawcett. Her main public collection of works are in Manchester Art Gallery, but individual works are also held in a few other English cities, as well as can also be seen in Glasgow, Dublin, Paris, and two in Melbourne, Australia. Annie was a close friend of leading suffragists of the day, notably the Pankhurst family.
Jon Edgar is a British sculptor of the Frink School. Improvisation is an important part of his reductive working process and developed from the additive working process of Alan Thornhill. Final works are often autobiographical, perhaps referencing anxieties or pre-occupations at the time. His body of work includes many clay portrait sketches of eminent sitters.
Ronald Rae is a sculptor and graphic artist born in Ayr, Scotland, in 1946. His large-scale granite sculptures are entirely hand-carved, and over the course of 58 years, he has carved 58 monoliths, many of which are in public and private collections throughout the UK, with one placed in the USA. Rae's sculpture exhibitions include Regent's Park, London (1999–2002), the Yorkshire Sculpture Park, Wakefield (2002-04), and Holyrood Park, Edinburgh (2006-08). Rae is a Fellow of the Royal Society of Sculptors.
Peter Randall-Page RA is a British artist and sculptor, known for his stone sculpture work, inspired by geometric patterns from nature. In his words "geometry is the theme on which nature plays his infinite variations, fundamental mathematical principle become a kind of pattern book from which nature constructs the most complex and sophisticated structures".
Anthony John Plowden Eyton is a British artist and member of the Royal Academy of Arts.
Henry Charles Fehr FRBS was a British monumental and architectural sculptor active in the late nineteenth and early twentieth centuries. He produced several notable public sculptures, war memorials and works for civic buildings. These included architectural sculptures for Middlesex Guildhall, for Wakefield County Hall and for Cardiff City Hall. Throughout the 1920s, Fehr created a number of war memorials, often featuring detailed bronze statuary, for British towns and cities. Notable examples of Fehr's war memorials include those at Leeds, Colchester, Keighley and at Burton upon Trent.
John Hitchens is an English painter. His work is influenced by the landscape of the South Downs and his main subject area is the countryside of West Sussex, England. He also spent extended periods working in North Wales and North West Scotland. Hitchens' paintings are primarily concerned with expressing patterns and textures of the landscape. During the past decades his work has evolved into an abstract style using a range of earth colours.
Preparing for a Fancy Dress Ball, also known as The Misses Williams-Wynn, is a 173 by 150 cm oil on canvas by English artist William Etty, first exhibited in 1835 and currently in the York Art Gallery. Although Etty was then known almost exclusively for history paintings featuring nude figures, he was commissioned in 1833 by Welsh Conservative politician Charles Watkin Williams-Wynn to paint a portrait of two of his daughters. Preparing for a Fancy Dress Ball shows Williams-Wynn's daughters, Charlotte and Mary, in lavish Italian-style costume: Charlotte, the eldest, is shown standing, helping the seated Mary decorate her hair with a ribbon and a rose. Etty put a good deal of effort into the piece and took much longer than usual to finish it.
Britomart Redeems Faire Amoret is an oil painting on canvas by English artist William Etty, first exhibited in 1833 and now in Tate Britain. Intended to illustrate the virtues of honour and chastity, it depicts a scene from Edmund Spenser's The Faerie Queene in which the female warrior Britomart slays the evil magician Busirane and frees his captive, the beautiful Amoret. In Spenser's original poem Amoret has been tortured and mutilated by the time of her rescue, but Etty disliked the depiction of violence and portrayed her as unharmed.
Portrait of Mrs Mary Graham or The Honourable Mrs Graham is a 1777 oil on canvas painting by the British artist Thomas Gainsborough, produced shortly after Mary's marriage to Thomas Graham, the future Lord Lynedoch on 26 December 1774. It was one of the first works to enter the collection of the Scottish National Gallery in Edinburgh after its bequest in 1859 by the heirs of Thomas Graham.
Portrait of Anne, Countess of Chesterfield is a large oil-on-canvas painting by the English portrait and landscape artist Thomas Gainsborough, completed between 1777 and 1778. It shows Anne Stanhope, wife of Philip Stanhope, 5th Earl of Chesterfield, sitting in a blue and while satin dress, sitting in a garden, and is one of the best known of Gainsborough's many portraits of English aristocrats.
References
- ↑ Sculptors 1986-2007 Orleans House Gallery ISBN 978-1-4276-2471-0
- ↑ "Katalog der Deutschen Nationalbibliothek".
- ↑ "Anne-Katrin Purkiss - National Portrait Gallery".
- ↑ "Anne-Katrin Purkiss | Artist | Royal Academy of Arts".
- ↑ "Royal Society Picture Library | Picture Library".
- ↑ "The Discovery Service".
- ↑ New Hall Art Collection, University of Cambridge https://art.newhall.cam.ac.uk/artist/anne-katrin-purkiss/
- ↑ "The Ingram Collection".
- ↑ "Tate Archive and Public Records Catalogue".
- ↑ "Search results for Victoria and Albert Museum".
- ↑ "Anne Purkiss - YCBA Collections Search Search Results".
- ↑ "FACES OF THE SOUTH DOWNS - Portraits in a Landscape by Anne-Katrin Purkiss - Issuu".
- ↑ "Anne-Katrin Purkiss - National Portrait Gallery".
