Gustav Klimt was an Austrian symbolist painter and one of the most prominent members of the Vienna Secession movement. Klimt is noted for his paintings, murals, sketches, and other objets d'art. Klimt's primary subject was the female body, and his works are marked by a frank eroticism. Amongst his figurative works, which include allegories and portraits, he painted landscapes. Among the artists of the Vienna Secession, Klimt was the most influenced by Japanese art and its methods.
Republic of Austria v. Altmann, 541 U.S. 677 (2004), was a case in which the Supreme Court of the United States held that the Foreign Sovereign Immunities Act, or FSIA, applies retroactively to acts prior to its enactment in 1976.
The Neue Galerie New York is a museum of early twentieth-century German and Austrian art and design located in the William Starr Miller House at 86th Street and Fifth Avenue in New York City. Established in 2001, it is one of the most recent additions to New York City's famed Museum Mile, which runs from 83rd to 105th streets on Fifth Avenue in the Upper East Side of Manhattan.
Maria Altmann was an Austrian-American Jewish refugee from Austria, who fled her home country after it was annexed to the Nazi’s Third Reich. She is noted for her ultimately successful legal campaign to reclaim from the Government of Austria five family-owned paintings by the artist Gustav Klimt that were stolen by the Nazis during World War II.
The Kiss is an oil-on-canvas painting with added gold leaf, silver and platinum by the Austrian Symbolist painter Gustav Klimt. It was painted at some point in 1907 and 1908, during the height of what scholars call his "Golden Period". It was exhibited in 1908 under the title Liebespaar as stated in the catalogue of the exhibition. The painting depicts a couple embracing each other, their bodies entwined in elaborate robes decorated in a style influenced by the contemporary Art Nouveau style and the organic forms of the earlier Arts and Crafts movement.
Hubertus Czernin was an Austrian investigative journalist.
Portrait of Adele Bloch-Bauer I is an oil painting on canvas, with gold leaf, by Gustav Klimt, completed between 1903 and 1907. The portrait was commissioned by the sitter's husband, Ferdinand Bloch-Bauer, a Viennese and Jewish banker and sugar producer. The painting was stolen by the Nazis in 1941 and displayed at the Österreichische Galerie Belvedere. The portrait is the final and most fully representative work of Klimt's golden phase. It was the first of two depictions of Adele by Klimt—the second was completed in 1912; these were two of several works by the artist that the family owned.
Adele Bloch-Bauer was a Viennese socialite, salon hostess, and patron of the arts from Austria-Hungary, married to sugar industrialist Ferdinand Bloch-Bauer. A Jewish woman, she is most well known for being the subject of two of artist Gustav Klimt's paintings: Portrait of Adele Bloch-Bauer I and Portrait of Adele Bloch-Bauer II, and the fate of the paintings during and after the Nazi Holocaust. She has been called "the Austrian Mona Lisa."
Eric Randol Schoenberg is an American lawyer and genealogist, based in Los Angeles, California, specializing in legal cases related to the recovery of looted or stolen artworks, particularly those by the Nazi regime during the Holocaust.
Portrait of Adele Bloch-Bauer II is a 1912 painting by Gustav Klimt. The work is a portrait of Adele Bloch-Bauer (1881–1925), a Vienna socialite who was a patron and close friend of Klimt.
The Rape of Europa: The Fate of Europe's Treasures in the Third Reich and the Second World War is a 1994 book by Lynn H. Nicholas and a 2006 documentary film. The book explores the Nazi plunder of looted art treasures from occupied countries and the consequences. It covers a range of associated activities: Nazi appropriation and storage, patriotic concealment and smuggling during World War II, discoveries by the Allies, and the extraordinary tasks of preserving, tracking, and returning by the American Monuments officers and their colleagues. Nicholas was awarded the Légion d'Honneur by France.
Emilie Louise Flöge was an Austrian fashion designer and businesswoman. She was the life companion of the painter Gustav Klimt.
Judith and the Head of Holofernes is an oil painting by Gustav Klimt, painted in 1901. It depicts the biblical figure Judith holding the head of Holofernes after beheading him. The beheading and its aftermath have been commonly portrayed in art since the Renaissance, and Klimt himself would paint a second work depicting the subject in 1909.
Woman in Gold is a 2015 biographical drama film directed by Simon Curtis and written by Alexi Kaye Campbell. The film stars Helen Mirren, Ryan Reynolds, Daniel Brühl, Katie Holmes, Tatiana Maslany, Max Irons, Charles Dance, Elizabeth McGovern, and Jonathan Pryce.
Bernhard Altmann was an Austrian textile manufacturer whose business was stolen and whose family's art collection was looted by Nazis because of their Jewish origins. He introduced cashmere wool to North America on a mass scale in 1947.
Stealing Klimt is a 2007 documentary film about Maria Altmann's attempt to recover five Gustav Klimt paintings stolen from her family by the Nazis in 1938, from Austria.
The Accidental Caregiver: How I Met, Loved, and Lost Legendary Holocaust Refugee Maria Altmann is a 2012 memoir by Gregor Collins, recounting the three years he was a caregiver for Maria Altmann, as well as a stageplay, which premiered in New York City in 2015.
Ferdinand Bloch-Bauer was an Austrian banker and sugar business magnate who owned one of the most extensive art collections in Europe, most of which was looted by the Nazis during the Anschluss. Husband of salon hostess Adele Bloch-Bauer and uncle of Jewish refugee Maria Altmann, he commissioned Gustav Klimt to paint Adele Bloch-Bauer I and Adele Bloch-Bauer II, the former being the centerpiece of the 2015 movie Woman in Gold with Helen Mirren.
Stephen Lash is founder of Christie's North America and the Chairman Emeritus of Christie's New York. He has been involved with virtually every major historic and record-setting art auction at Christie's since its North American debut in 1977.
