Anne Else MNZM (born 1945) is a New Zealand writer and editor. [1]
Else was born and grew up in Auckland. She studied English at the University of Auckland, graduating with a master's degree. She initially lectured at the university before moving overseas. [1]
Else was a co-founder of the New Zealand feminist magazine Broadsheet, which was published from 1972 to 1992. [2] Much of her work is concerned with feminist social commentary, analysis and history. She has written articles, reviews and commentary for New Zealand magazines and journals, including Broadsheet, New Zealand Listener, Landfall, Women’s Studies Journal, and has also been published in scholarly journals overseas. [1]
In the 2004 New Year Honours, Else was appointed a Member of the New Zealand Order of Merit, for services to literature. In 2006 she completed a PhD at Victoria University of Wellington. Her thesis was an autobiography titled ‘On shifting ground: Self-narrative, feminist theory and writing practice’. [3] A section of her memoir won the 2009 Pamela Tomlinson prize for creative writing. The full memoir, telling her life story told through her experiences of food, was published in 2013 as The Colour of Food. [1]
As author:
As editor:
Dame Marilyn Joy Waring is a New Zealand public policy scholar, international development consultant, former politician, environmentalist, feminist and a principal founder of feminist economics.
The Ockham New Zealand Book Awards are literary awards presented annually in New Zealand. The awards began in 1996 as the merger of two literary awards events: the New Zealand Book Awards, which ran from 1976 to 1995, and the Goodman Fielder Wattie Book Awards, which ran from 1968 to 1995.
Susan Jane Kedgley is a New Zealand politician, food campaigner and author. Before entering politics Kedgley worked for the United Nations in New York for 8 years and for a decade as a television reporter, director and producer in New Zealand.
Rita Angus, a New Zealand painter, has a reputation - along with Colin McCahon and Toss Woollaston - as one of the leading figures in twentieth-century New Zealand art. She worked primarily in oil and water colour, and became well known for her portraits and landscapes.
Women's suffrage in New Zealand was an important political issue in the late nineteenth century. In early colonial New Zealand, as in European societies, women were excluded from any involvement in politics. Public opinion began to change in the latter half of the nineteenth century and after years of effort by women's suffrage campaigners, led by Kate Sheppard, New Zealand became the first nation in the world in which all women had the right to vote in parliamentary elections.
Renée Gertrude Taylor, known mononymously as Renée, is a New Zealand feminist writer and playwright. Renée is of Māori, Irish, English, and Scottish ancestry, and has described herself as a "lesbian feminist with socialist working-class ideals". She wrote her first play, Setting the Table, in 1981. Many of her plays have been published, with extracts included in Intimate Acts, a collection of lesbian plays published by Brito and Lair, New York.
Wilhelmina Sherriff Bain was a New Zealand teacher, librarian, feminist, peace activist and writer.
Broadsheet was a monthly New Zealand feminist magazine produced in Auckland from 1972 to 1997. The magazine played a significant part in New Zealand women's activism. It was to become one of the world's longest-lived feminist magazines.
Jacqueline Mary Fahey is a New Zealand painter and writer.
Patricia Jean Rosier was a New Zealand writer, editor and feminist activist. Born and educated in Auckland into a working-class family, after marriage and raising two children she came out as a lesbian in the 1980s and went on to play a leading role in the second wave of New Zealand's Women's Movement, including editing Broadsheet for six years. In her later years she lived with Prue Hyman in Paekākāriki, north of Wellington.
Allie Eagle was a New Zealand artist whose work in the 1970s was key to the development of feminist art practice in New Zealand. She was the subject of the 2004 documentary Allie Eagle and Me. She identified herself as "a lesbian separatist and radical feminist."
This is a timeline of the feminist art movement in New Zealand. It lists important figures, collectives, publications, exhibitions and moments that have contributed to discussion and development of the movement. For the indigenous Māori population, the emergence of the feminist art movement broadly coincided with the emergence of Māori Renaissance.
The women's liberation movement in Oceania was a feminist movement that started in the late 1960s and continued through the early 1980s. Influenced by the movement which sought to make personal issues political and bring discussion of sexism into the political discourse in the United States and elsewhere, women in Australia and New Zealand began forming WLM groups in 1969 and 1970. Few organisations formed in the Pacific Islands, but both Fiji and Guam had women affiliated with the movement.
Sisters for Homophile Equality (SHE) was the first national lesbian organisation in New Zealand. They published The Circle, the first national lesbian magazine. Through this they were able to circulate overseas magazines and introduce New Zealanders to international ideas on lesbian feminism.
Sisters Overseas Service (SOS) was a New Zealand organisation that helped women travel to Australia to obtain abortions in the 1970s and early 1980s. It was founded in response to the restrictions imposed by the Contraception, Sterlisation, and Abortion Act 1977. SOS arranged for women from all parts of New Zealand to travel to Australian abortion clinics as well as helping to fund women's travel. By 1979 the law was interpreted more liberally reducing the need for the services of SOS.
Helen Kathleen Courtney was a New Zealand cartoonist and illustrator, known for her work on Broadsheet.
Violet Targuse was an early female playwright in New Zealand. She has been described as "probably New Zealand's most successful and least acclaimed one-act playwright," and "the most successful writer in the early years" of the New Zealand branch of the British Drama League. Active during the 1930s when her plays were widely performed by Women's Institute drama groups, they focused on women, especially the experiences and concerns of rural women in New Zealand. Set in locations such as a freezing works, a sheep station, a shack on a railway siding, and a coastal lighthouse, her plays were seen as essentially New Zealand in setting, character, and expression..
The Bert Roth Award for Labour History, named for the late historian Bert Roth, is presented annually by the Labour History Project to the work that best depicts the history of work and resistance in New Zealand. It was created in May 2013 in recognition of Roth's contribution to labour movement archives and history.
The New Zealand Women's Political Party was a feminist political party in New Zealand that is now defunct. It was founded in 1981, with the goal of standing candidates in every electorate and advocating for women's issues. The 1984 snap general election, held with only a month's notice, was unexpected for the party.
New Women's Press (NWP) was an independent book publisher founded in Auckland, New Zealand in 1982. New Women's Press's mandate was to publish books "by, for, and about women." Wendy Harrex ran New Women's Press for 11 years. Over that time, NWP published over 70 titles of non-fiction, fiction and poetry, as well as an annual diary, Herstory, that highlighted groups of New Zealand women. The Haeata Collective of Māori women artists was originally founded to produce a Herstory edition for NWP. NWP also published the first anthology of New Zealand women's fiction, which was edited by Cathie Dunsford.
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