Frequency | Monthly |
---|---|
Founder | Anne Else and Sandra Coney |
First issue | July 1972 |
Final issue | 1997 |
Country | New Zealand |
Based in | Auckland |
Broadsheet was a monthly New Zealand feminist magazine produced in Auckland from 1972 to 1997. [1] The magazine played a significant part in New Zealand women's activism. [1] It was to become one of the world's longest-lived feminist magazines. [2]
It was co-founded by Anne Else, Sandra Coney, Rosemary Ronald, and Kitty Wishart. [3] [4] The magazine was "New Zealand's first feminist magazine focusing on women's issues and information sharing on a national and international level". [5]
The first issue was released in July 1972, and "consisted of twelve foolscap pages – stapled"; 200 copies were produced, which sold out. Before the second issue was published they had 50 paid subscribers. [5]
Māori issues sometimes received considerable coverage in the magazine, which provoked "fierce exchanges in the letters pages". [1]
On 19 September 1992, the magazine and New Women's Press (NWP) celebrated a joint anniversary (Broadsheet's twentieth and NWP's tenth), with a Suffrage Day event in Auckland, attended by more than 200 women. The event was part of the Listener Women's Book Festival. Speakers included Pat Rosier, Sandra Coney, Wendy Harrex, Stephanie Johnson and Sheridan Keith. [6]
The magazine is now an important source for the social history of the period, and the entire back catalogue of Broadsheet is available on the University of Auckland website. [7]
Sandra Rose Te Hakamatua Lee-Vercoe is a former New Zealand politician and diplomat. She served as deputy leader of the Alliance party and was later High Commissioner to Niue.
Donna Lynn Awatere Huata is a former member of the New Zealand Parliament for the ACT New Zealand Party and activist for Māori causes.
Susan Jane Kedgley is a New Zealand politician, food campaigner and author. Before entering politics Kedgley worked for the United Nations in New York for 8 years and for a decade as a television reporter, director and producer in New Zealand.
Phillida Bunkle is a former New Zealand politician. She represented the Alliance in Parliament from 1996 to 2002, when she retired. Bunkle was for many years a lecturer at Victoria University.
Auckland Girls' Grammar School (AGGS) is a New Zealand secondary school for girls located in Newton, in the Auckland central business district. Established in 1878 as Auckland Girls' High School, it is one of the oldest secondary institutions in the country. The school closed its site temporarily in 1888 due to financial difficulties and classes for girls were held at Auckland Grammar School until the girls' school moved to new premises in Howe Street in 1909 and the name of the school changed to Auckland Girls' Grammar School. The school received the Goodman Fielder awards for School and Secondary School of the year in 2000.
Sandra Lorraine Coney is a New Zealand local-body politician, writer, feminist, historian, and women's health campaigner.
Renée Gertrude Taylor, known professionally as Renée, was a New Zealand feminist writer, playwright, novelist and short story writer. She started writing plays in her 50s, with her first play, Setting the Table, written in 1981, and with her most well-known works being the trilogy of plays beginning with Wednesday to Come (1984). Renée described herself as a "lesbian feminist with socialist working-class ideals", and her plays feature strong female characters who are often working class.
Women in New Zealand are women who live in or are from New Zealand. Notably New Zealand was the first self-governing country in the world where women were entitled to vote. In recent times New Zealand has had many women in top leadership and government roles, including three female Prime Ministers, most recently Jacinda Ardern.
Patricia Jean Rosier was a New Zealand writer, editor and feminist activist. Born and educated in Auckland into a working-class family, after marriage and raising two children she came out as a lesbian in the 1980s and went on to play a leading role in the second wave of New Zealand's Women's Movement, including editing Broadsheet for six years. In her later years she lived with Prue Hyman in Paekākāriki, north of Wellington.
This is a timeline of the feminist art movement in New Zealand. It lists important figures, collectives, publications, exhibitions and moments that have contributed to discussion and development of the movement. For the indigenous Māori population, the emergence of the feminist art movement broadly coincided with the emergence of Māori Renaissance.
Gillian Mary Hanly is a New Zealand artist. She is best known for documenting protests and social movements in New Zealand's recent history.
The women's liberation movement in Oceania was a feminist movement that started in the late 1960s and continued through the early 1980s. Influenced by the movement which sought to make personal issues political and bring discussion of sexism into the political discourse in the United States and elsewhere, women in Australia and New Zealand began forming WLM groups in 1969 and 1970. Few organisations formed in the Pacific Islands, but both Fiji and Guam had women affiliated with the movement.
Heather Avis McPherson was a feminist poet, publisher and editor who played a key role in supporting women artists and writers in New Zealand. In 1976, she founded the Spiral Collective group and Spiral, a women's arts and literary journal that later published monographs. Her poetry book A Figurehead: A Face (1982) was the first book of poetry published in New Zealand by an openly lesbian woman. She published three further collections during her lifetime, and an additional two collections were published posthumously by fellow Spiral members.
Sisters for Homophile Equality (SHE) was the first national lesbian organisation in New Zealand. They published The Circle, the first national lesbian magazine. Through this they were able to circulate overseas magazines and introduce New Zealanders to international ideas on lesbian feminism.
Anne Else is a New Zealand writer, researcher and editor.
Sisters Overseas Service (SOS) was a New Zealand organisation that helped women travel to Australia to obtain abortions in the 1970s and early 1980s. It was founded in response to the restrictions imposed by the Contraception, Sterlisation, and Abortion Act 1977. SOS arranged for women from all parts of New Zealand to travel to Australian abortion clinics as well as helping to fund women's travel. By 1979 the law was interpreted more liberally reducing the need for the services of SOS.
Helen Kathleen Courtney was a New Zealand cartoonist and illustrator, known for her work on Broadsheet.
The Dunedin Collective for Woman (DCW) was a feminist group active in Dunedin, New Zealand in the 1970s. Set up as an umbrella organisation for special interest groups and projects, its four foundational aims were equal pay, quality childcare, women's control of their own bodies, and an end to sex stereotyping.
The New Zealand Women's Political Party was a feminist political party in New Zealand that is now defunct. It was founded in 1982, with the goal of standing candidates in every electorate and advocating for women's issues.
New Women's Press (NWP) was an independent book publisher founded in Auckland, New Zealand in 1982. New Women's Press's mandate was to publish books "by, for, and about women." Wendy Harrex ran New Women's Press for 11 years. Over that time, NWP published over 70 titles of non-fiction, fiction and poetry, as well as an annual diary, Herstory, that highlighted groups of New Zealand women. The Haeata Collective of Māori women artists was originally founded to produce a Herstory edition for NWP. NWP also published the first anthology of New Zealand women's fiction, which was edited by Cathie Dunsford.