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Cahiers du Cinéma is a French film magazine co-founded in 1951 by André Bazin, Jacques Doniol-Valcroze, and Joseph-Marie Lo Duca. It developed from the earlier magazine Revue du Cinéma involving members of two Paris film clubs—Objectif 49 and Ciné-Club du Quartier Latin.
François Roland Truffaut was a French film director, screenwriter, producer, actor, and film critic. He is widely regarded as one of the founders of the French New Wave. After a career of more than 25 years, he remains an icon of the French film industry, having worked on over 25 films.
Jean-Luc Godard is a French-Swiss film director, screenwriter, and film critic. He rose to prominence as a pioneer of the 1960s French New Wave film movement, and is arguably the most influential French filmmaker of the post-war era. According to AllMovie, his work "revolutionized the motion picture form" through its experimentation with narrative, continuity, sound, and camerawork.
Anna Karina was a Danish-French film avant garde actress, director, writer, and singer. She was French New Wave director Jean-Luc Godard's collaborator in the 1960s, performing in several of his films, including The Little Soldier, A Woman Is a Woman, My Life to Live, Bande à part, Pierrot le Fou and Alphaville. For her performance in A Woman Is a Woman, Karina won the Silver Bear Award for Best Actress at the Berlin Film Festival.
Jacques Daniel Michel Piccoli was a French actor, producer and film director with a career spanning 70 years. He was lauded as one of the greatest French character actors of his generation who played a wide variety of roles and worked with many acclaimed directors, being awarded with a Best Actor Award at the Cannes Film Festival and a Silver Bear for Best Actor at the Berlin Film Festival.
French New Wave is a French art film movement that emerged in the late 1950s. The movement was characterized by its rejection of traditional filmmaking conventions in favor of experimentation and a spirit of iconoclasm. New Wave filmmakers explored new approaches to editing, visual style, and narrative, as well as engagement with the social and political upheavals of the era, often making use of irony or exploring existential themes. The New Wave is often considered one of the most influential movements in the history of cinema.
Jacques Rivette was a French film director and film critic most commonly associated with the French New Wave and the film magazine Cahiers du Cinéma. He made twenty-nine films, including L'amour fou (1969), Out 1 (1971), Celine and Julie Go Boating (1974), and La Belle Noiseuse (1991). His work is noted for its improvisation, loose narratives, and lengthy running times.
Jean-Pierre Melville was a French filmmaker and actor. Among his films are Le Silence de la mer (1949), Le Doulos (1962), Le Samouraï (1967), Army of Shadows (1969) and Le Cercle Rouge (1970).
Anne Wiazemsky was a French actress and novelist. She made her cinema debut at the age of 18, playing Marie, the lead character in Robert Bresson's Au Hasard Balthazar (1966), and went on to appear in several of Jean-Luc Godard's films, among them La Chinoise (1967), Week End (1967), and One Plus One (1968).
La Chinoise, ou plutôt à la Chinoise: un film en train de se faire, commonly referred to simply as La Chinoise, is a 1967 French political film directed by Jean-Luc Godard about a group of young Maoist activists in Paris.
Mireille Darc was a French model and actress. She appeared as a lead character in Jean-Luc Godard's 1967 film Weekend. Darc was a Knight of the Legion of Honour and Commander of the National Order of Merit. Alain Delon was her longtime co-star and companion.
Serge Godard is a French politician. He represented the French department of Puy-de-Dôme in the French Senate from September 1998 to September 2001 and again from March 2010 to September 2011.
Anne-Marie Miéville is a Swiss video and filmmaker whom Sight & Sound has called a "hugely important multimedia artist."
Luc Moullet is a French film critic and filmmaker, and a member of the Nouvelle Vague or French New Wave. Moullet's films are known for their humor, anti-authoritarian leanings and rigorously primitive aesthetic, which is heavily influenced by his love of American B-movies.
Number Two, by Jean-Luc Godard and Anne-Marie Miéville, is a 1975 experimental film about a young family in a social housing complex in France. The film's distinct style involves presenting two images on screen simultaneously, leading to multiple interpretations of the story and to comments on the film-making and editing process.
Hail Mary is a 1985 French erotic drama film written and directed by Jean-Luc Godard. The film is a modern retelling of the story of a virgin birth. It was entered into the 35th Berlin International Film Festival. All screenings in its initial theatrical distribution were accompanied by the short film The Book of Mary by Godard's longtime companion and collaborator Anne-Marie Miéville.
Histoire(s) du cinéma is an 8-part video project begun by Jean-Luc Godard in the late 1980s and completed in 1998. The longest, at 266 minutes, and one of the most complex of Godard's films, Histoire(s) du cinéma is an examination of the history of the concept of cinema and how it relates to the 20th century; in this sense, it can also be considered a critique of the 20th century and how it perceives itself. The project is widely considered Godard's magnum opus.
Agnès Godard is a French cinematographer. She is most famous for her long-running collaboration with filmmaker Claire Denis. For her work, she has won a César Award.
Jean Douchet was a French film director, historian, film critic and teacher who began his career in the early 1950s at Gazette du Cinéma and Cahiers du cinema with members of the future French New Wave.
Anne Abeillé is a French linguist specialising in French grammar and syntactic theory, in particular constraint-based grammar, as well as natural language processing. She led the creation of the French Treebank, the first syntactically-annotated corpus of French.
