Anne Marie Cummings | |
---|---|
Born | Anne Marie Cummings December 7, 1967 |
Education | Carnegie Mellon University Northwestern University British American Drama Academy |
Occupation(s) | Actress, writer, director, producer |
Website | Anne Marie Cummings – Official Website |
Anne Marie Cummings is the first woman to receive Emmy nominations in the categories of acting, writing, and directing in a digital dramatic television series. [1]
In 2015, Cummings moved to Los Angeles after spending 30 years in the theatre as a professional actress, playwright, director, and then artistic director of her own theatre company in Upstate New York. In its final year, Cummings moved her theatre company from a black box theatre into an independent movie theatre. It was during this time that she began to film her own plays in a simplistic, one-shot format. [2]
Cummings recognized she was merging her experiences from the theatre onto film, so she moved to Los Angeles to continue to explore her style within the one-shot format. This quickly advanced into highly choreographed, 360 one-shot camera work for three seasons of the television series she created, wrote, and directed about an older woman and a much younger man called, "Conversations in L.A.” “Conversations in L.A.” released on Amazon Prime, iTunes, and ConversationsinLA.com from 2017-2019. In October, 2019, FandangoNOW picked up the series and released it on their platform. [3]
Cummings grew up in Fort Lauderdale, Florida, and began acting on stage at the age of six. After performing in multiple professional plays, by the age of 16 she attended the conservatory drama program at Carnegie Mellon University. [4] During her summer years while at Carnegie, she continued to study acting at Northwestern University and the British American Drama Academy in Oxford, England (BADA). At BADA, she attended lectures with Simon Callow, Jeremy Irons, Peggy Ashcroft and John Gielgud. At Northwestern, she studied Anton Chekhov’s plays with the master of Chekhov - the late Earle R. Gister.
Following her dramatic education, Cummings performed in regional theatres around the United States. It began when Peter Sylvester cast her in the role of Irina in “The Three Sisters,” by Anton Chekhov, at Synchronicity Space in New York City. Subsequently, she worked at the Alley Theatre in Houston, Texas, with director Gregory Boyd (“A Flea in Her Ear,” by Georges Feydeau), and with directors and writers Anne Bogart and Tina Landau (“American Vaudeville”). She then performed the role of Constanza in “Amadeus,” by Peter Schaffer which was directed by Mark Ramont at the Capital City Playhouse in Austin, Texas. And she enjoyed taking on the character of Puck in “A Midsummer Night’s Dream,’ directed by Anne Ciccolella at the Austin Shakespeare Festival. [5]
Anne Marie traveled to Seattle and created her first theatre company, The Immediate Theatre. She teamed with theatre and opera director, Chuck Hudson, who directed her in the role of Gregor in an avant-garde production of “The Metamorphosis,” [6] by Franz Kafka, and as Marie in “Woyzeck,” by Georg Büchner. Cummings enjoyed experimenting in the theatre and collaborated with Benji Bittle who directed her in the role of Taylor (as a woman) from the play “K2,” by Patrick Meyers. For this production, a dance studio was turned into a mountain created by scaffolds, designed by Andrew Davidhazy, and Cummings (a method actress), trained for this role by summiting the 14,000 foot Mt. Rainier. [7]
Anne Marie also performed with established companies in the Seattle area: AHA! Theatre, Alice B. Theatre, the Seattle Shakespeare Company, the Seattle Children’s Theatre, the Seattle Opera, and the Seattle Repertory Theatre where she worked with Tony Award-Winning director, Doug Hughes. Hughes directed Cummings in the black box and mainstage productions of “Voir Dire,” by Joe Sutton, as well as a reading of the play at the New York Theatre Workshop in Manhattan. [8]
A year later, Mark Cuddy cast and directed Cummings as Rosaura in “Life is a Dream,” by Pedro Calderon de la Barca at the Sacramento Theatre Company which inspired Edward Payson Call to cast Anne Marie as Antigone, in the Jean Anouih version of “Antigone” at the Cleveland Playhouse and GeVa Theatre in Upstate New York. But it was at this point that Cummings moved back to New York City and shifted her focus from acting to playwriting and directing with performance readings of her plays “Helen of Purgatory,” “Touche!,” and “Extremes.” While Cummings directed most of the readings of her plays, she also worked with theatre directors Ludovica Villar-Hauser and Lucie Tiberghien [9] Performance readings of her work took place all across the city at the Culture Project, the Cherry Lane, Classic Stage Company, Vineyard Theatre, and SALAAM Theatre. The performance readings of her play “India Dreaming,” were directed by Leigh Fondakowski (“The Laramie Project”) and starred Indian movie stars, Madhur Jaffrey (“Vanya on 42nd Street”) followed by Lillete Dubey [10] (“Monsoon Wedding” and “The Best Exotic Marigold Hotel”). With further development, “India Dreaming” became “India Awaiting” and was performed Off-Broadway at the Samuel Beckett Theatre and starred Maulik Pancholy (“30 Rock” and “Weeds”), and directed by Tyler Marchant. Following the limited run of “India Awaiting,” Cummings moved to Ithaca, in Upstate New York, to focus more intensely on her writing and directing. [11] [12]
To make a living, Cummings worked as a columnist and journalist. As a columnist, she created the controversial piece, “Instant Message” (for Gannett publications). This column interviewed youth and was written in first person as monologues about teenagers' personal issues from eating disorders, family dysfunction, being bullied, relationships, school, and learning, and so on. Also for Gannett, she wrote food reviews called, “Ithaca Eats,” and for Tompkins Weekly, she wrote breaking news stories, each featuring her own photography.
Yet during this time, Cummings continued writing plays. She wrote “Sinkhole” and had more performance readings of her play “Extremes” (a reading was held at Primary Stages in the Big Apple which starred Michael Cullen from the film “Dead Man Walking” and Jessica Blank from the award-winning play “The Exonerated”). She also made major revisions to “Helen of Purgatory” which then became the play “Purgatory Row” (with a performance reading starring Steppenwolf theatre actress, Kate Buddeke). Around this time, she created her second theatre company, The Readers’ Theatre of Ithaca, which started in a book store and moved into a black box theatre with performance readings of modern plays such as “Oleanna,” by David Mamet, “The Mercy Seat,” by Neil LaBute, and “Detroit,” by Lisa D’Amour. [13] [14] [15]
However, it was when Anne Marie moved The Readers’ Theatre of Ithaca into Cinemapolis (the only independent movie theatre in Ithaca) that she began dabbling with theatre on film, as she called it. She wrote her play, “Soul Mates,” and filmed it in one shot at a diner. She then wrote and filmed a short called, “Easy Prey,” with each scene being filmed in one shot. For The Readers’ Theatre of Ithaca, Cummings began to film trailers for the modern plays she directed which continued to be performed on a small stage built into one of the movie theatres. But it was after one year at Cinemapolis that Cummings decided to expand and move to Los Angeles, CA, so that she could merge all of her experiences from the theatre as an actress, writer, director, artistic director, and producer, into her one-shot vision for television and film. [16] [17]
After Season One, the Huffington Post wrote, “Anne Marie Cummings is a force and Hollywood has taken note. As Creator, Cummings dares to go there. As Writer, Cummings is brilliant. As Actress, Cummings draws the audience in with each raw, real and authentic performance. As Director, Cummings commands nothing but the best from the entire cast.” [27] TV Grapevine wrote, "Anne Marie is the epitome of a strong powerful woman. Not only is she a triple threat (acting, directing and writing), but she is someone who stays humble and down to earth." [28] USA Today wrote, "Anne Marie is living proof that it's never too late to chase the dream, whatever that may be." USA Today also wrote, "The finished product is...a study in the art of art." [2] Emmy Magazine said of the show, "...beautifully choreographed." [29] In an interview with AXS TV, Lou Diamond Phillips said of Anne Marie Cummings’ writing, "It reminded me a bit of Mamet. It reminded me a bit of Tarantino. There's just some great conversational musicality to it...incredibly well-structured and compelling from line to line." In the same interview, Lou Diamond Phillips said, "At this point in my career, after 40 years as a professional and 30 years in Hollywood, there are not many things where I can say, 'I've never done anything quite like that.'" [30] Hollywood Alert wrote that Anne Marie Cummings, "...is the first woman to receive Emmy nominations for Digital Series Acting, Writing, and Directing." [1] Carlos Sottomayor Magazine wrote the series is, "A funny and witty series." [31] In an article by Stareable, it was written that, "Cummings’ theatre background is clear in their format." [32] After Season Three, Grit Daily wrote, "Conversations in L.A. is worth discussing." [33] “Anne Marie Cummings is phenomenal! If you’ve never heard about her - - now’s your chance! She is the first woman to receive Emmy nominations in the digital drama categories of Acting, Writing, and Directing, and all for the three seasons of her Amazon Prime digital drama series about an older woman who falls in love with a much younger man called CONVERSATIONS IN L.A.” – The Frank Magazine, UK [34] [35]
Title | Playwright | Role | Director | Venue |
---|---|---|---|---|
Voire Dire | Joe Sutton | Faith, Lead | Doug Hughes | Seattle Repertory Theatre, Seattle, Washington |
New York Theatre Workshop, New York City, NY | ||||
In a Forest, Dark and Deep | Neil LaBute | Betty, Lead | Cynthia Henderson | The Readers' Theatre, Ithaca, NY |
The Mercy Seat | Neil LaBute | Abby, Lead | Bryan Van Campen | The Readers' Theatre, Ithaca, NY |
Antigone | Jean Anouih | Antigone, Lead | Edward Payson Call | GeVa Theatre, Rochester, NY |
Cleveland Playhouse, Cleveland, OH | ||||
Smash | Jeffrey Hatcher | Agatha, Lead | Victor Pappas | Intiman Theatre, Seattle, Washington (reading) |
Life is a Dream | Pedro Calderon de La Barca | Rosaura, Lead | Mark Cuddy | Sacramento Theatre, Sacramento, CA |
India Dreaming | Anne Marie Cummings | Janet, Lead | Leigh Fondakowski | Culture Project, New York City, NY |
Cherry Lane Theatre, New York City, NY | ||||
The Three Sisters | Anton Chekhov | Irina, Lead | Peter Sylvester | Synchronicity Space, New York City, NY |
The Mandrake | Niccolo Machiavelli | Ligurio, Lead | Tim Ocel | Sacramento Theatre, Sacramento, CA |
Amadeus | Peter Shaffer | Constanze, Lead | Mark Ramont | Capital City Playhouse, Austin, TX |
Woyzeck | Georg Buchner | Marie, Lead | Chuck Hudson | Century Ballroom, Seattle, WA |
The Metamorphosis | Franz Kafka | Gregor, Lead | Chuck Hudson | Century Ballroom, Seattle, WA |
K2 | Patrick Meyers | Taylor, Lead | Benji Bittle | Genesis Theatre, Seattle, WA |
Much Ado About Nothing | William Shakespeare | Hero, Lead | Terry Moore | Seattle Shakespeare Company, Seattle, WA |
Midsummer Night's Dream | William Shakespeare | Puck, Lead | Anne Ciccolella | Austin Shakespeare Company, Austin, TX |
Measure for Measure | William Shakespeare | Isabella, Lead | David Wright | Seattle Shakespeare Company, Seattle, WA |
The Diary of Anne Frank | Frances Goodrich and Albert Hacket | Anne, Lead | Marianne Mavrides | Hollywood Playhouse, Hollywood, FL |
Calliope Jam | Christopher Baker | Calliope, Lead | Michael Wilson | Alley Theatre, Houston, TX |
As You Like It | William Shakespeare | Rosalind, Lead | Bernard Hopkins | Kresge Theatre, Pittsburgh, PA |
The House of Bernarda Alba | Federico Garcia Lorca | Martirio, Lead | Rina Yerushalmi | Kresge Theatre, Pittsburgh, PA |
A Flea in Her Ear | Georges Feydeau | Eugenie | Gregory Boyd | Alley Theatre, Houston, TX |
American Vaudeville | Anne Bogart / Tina Landau | Ensemble | Anne Bogart | Alley Theatre, Houston, TX |
The Rape of Lucrece | William Shakespeare | Chastity | Allison Halstead | AHA! Theatre, Seattle, WA |
A Good List | Andrew Mellen | Frances | Andrew Mellen | Alice B. Theatre, Seattle, WA |
Title | Playwright | Director | Venue |
---|---|---|---|
India Dreaming | Anne Marie Cummings | Anne Marie Cummings | Southeast Asia Museum, New York City, New York (development/audience) |
Sinkhole | Anne Marie Cummings | Anne Marie Cummings | The Readers' Theatre, Ithaca, New York |
Wrecks | Neil LaBute | Anne Marie Cummings | The Readers' Theatre, Ithaca, New York |
Photograph51 | Anna Ziegler | Anne Marie Cummings | The Readers' Theatre, Ithaca, New York |
Detroit | Lisa D'Amour | Anne Marie Cummings | The Readers' Theatre, Ithaca, New York |
Should've | Roald Hoffmann | Anne Marie Cummings | The Readers' Theatre, Ithaca, New York |
God of Carnage | Yasmina Reza | Anne Marie Cummings | The Readers' Theatre, Ithaca, New York |
Collected Stories | Donald Margulies | Anne Marie Cummings | The Readers' Theatre, Ithaca, New York |
Fat Pig | Neil LaBute | Anne Marie Cummings | The Readers' Theatre, Ithaca, New York |
No Child | Nilaja Sun | Anne Marie Cummings | The Readers' Theatre, Ithaca, New York |
Oleanna | David Mamet | Anne Marie Cummings | The Readers' Theatre, Ithaca, New York |
K2 | Patrick Meyers | Anne Marie Cummings | The Readers' Theatre, Ithaca, New York |
A Steady Rain | Keith Huff | Anne Marie Cummings | The Readers' Theatre, Ithaca, New York |
Art | Yasmina Reza | Anne Marie Cummings | The Readers' Theatre, Ithaca, New York |
Frozen | Bryony Lavery | Anne Marie Cummings | The Readers' Theatre, Ithaca, New York |
Uncle Vanya | Anton Chekhov (the David Mamet adaptation) | Anne Marie Cummings | The Readers' Theatre, Ithaca, New York |
True West | Sam Shepard | Anne Marie Cummings | The Readers' Theatre, Ithaca, New York |
Extremes | Anne Marie Cummings | Anne Marie Cummings | The Readers' Theatre, Ithaca, New York |
Primary Stages, New York City, NY (a reading) | |||
Helen of Purgatory | Anne Marie Cummings | Anne Marie Cummings | Culture Project, New York City, NY (a reading) |
Purgatory Row | Anne Marie Cummings | Anne Marie Cummings | The Readers' Theatre, Ithaca, New York |
Touche! | Anne Marie Cummings | Anne Marie Cummings | Classic Stage Company, New York City, NY (a reading) |
Title | Writer | Director | Screening Venue | |
---|---|---|---|---|
Easy Prey | Anne Marie Cummings | Anne Marie Cummings | Cinemapolis Movie Theatre, Ithaca, New York | |
Soul Mates | Anne Marie Cummings | Anne Marie Cummings | Kendal at Ithaca, Ithaca, New York | |
Juliet Maryon Mills is a British-American actress.
Joan Martha Van Ark is an American actress. She is best known for her role as Valene Ewing on the primetime soap opera Knots Landing. A life member of The Actors Studio, she made her Broadway debut in 1966 in Barefoot in the Park. In 1971, she received a Theatre World Award and was nominated for the Tony Award for Best Featured Actress in a Play for the revival of The School for Wives.
Mary Beth Evans is an American television actress, known for her role as Kayla Brady on the NBC daytime soap Days of Our Lives, and her role as Sierra Estaban on the CBS daytime soap As the World Turns.
Linda Dano is an American actress and television host. She began her career appearing in film and prime time television before she was cast as Rae Cummings on the ABC daytime soap opera, One Life to Live from 1978 to 1980. Three years later, Dano starred as Felicia Gallant in the NBC soap opera Another World from 1983 to 1999. She returned to One Life to Live starring in the show from 1999 to 2004. Dano was nominated for a Daytime Emmy Award seven times, winning once for Outstanding Lead Actress in a Drama Series in 1993 for her work on Another World.
Deborah Ann "Debbi" Morgan is an American film and television actress. Morgan has appeared in a number of film and TV productions, and may be best known for the role of Angie Baxter–Hubbard on the ABC soap opera All My Children.
Heather Tom is an American actress and director. She is best known for her roles as Victoria Newman on The Young and the Restless, Kelly Cramer on One Life to Live and All My Children, and Katie Logan on The Bold and the Beautiful. On The Bold and the Beautiful she has earned four Daytime Emmy Awards and a total of six in her career, tying her for the most wins by a soap actress. In addition to her acting work, she has directed episodes of The Bold and the Beautiful, The Young and the Restless, Dynasty, and Good Trouble.
Robin Victory in Europe Strasser is an American actress, best known for her role as Dorian Lord on the ABC daytime soap opera One Life to Live.
The Daytime Emmy Awards, or Daytime Emmys, are part of the extensive range of Emmy Awards for artistic and technical merit for the American television industry. Bestowed by the New York-based National Academy of Television Arts and Sciences (NATAS), the Daytime Emmys are presented in recognition of excellence in American daytime television programming. The first ceremony was held in 1974, expanding what was originally a prime time-themed Emmy Award. Ceremonies generally are held in May or June.
Kimberly Anne McCullough is an American actress and television director. She is best known for her role as Robin Scorpio on the soap opera General Hospital, a role which she originated at age seven, playing the character on and off from 1985 to 2000 and 2004 to 2018, in addition to 2021. She has subsequently taken a step back from acting in order to focus on directing.
Sydney Margaret Penny is an American actress. She began her career as a child performer appearing in made-for-television movies. She made her big screen debut in the Western film Pale Rider directed by Clint Eastwood. She received total six Young Artist Awards nominations, winning two for playing Young Meggie Cleary in the miniseries The Thorn Birds (1983), and for Pale Rider. Penny also starred in the sitcom The New Gidget (1986–1988), and played Bernadette Soubirous in the French drama film Bernadette (1988) and its sequel The Passion of Bernadette (1990) both directed by Jean Delannoy.
Kathleen Noone is an American actress. She began her career as a singer in nightclubs and performed in musicals off-Broadway before making her television debut in the CBS daytime soap opera, As the World Turns (1975–1976).
Wilma Jeanne Cooper was an American actress, best known for her role as Katherine Chancellor on the CBS soap opera The Young and the Restless (1973–2013). At the time of her death, she had played Katherine for nearly 40 years, and her name appears on the list of longest-serving soap opera actors in the United States.
Julie Marie Berman is an American actress. She is known for her role as Lulu Spencer on the ABC Daytime soap opera General Hospital, for which she received three Daytime Emmy Awards, and for her role on the Golden Globe nominated Hulu comedy series Casual as Leia, Valerie's receptionist.
Emily Roya O'Brien is an English three-time Daytime Emmy-nominated actress and writer who is known for her role of Jana Hawkes Fisher on The Young and the Restless from 2006 to 2011. She voiced The Woman in Love, Death and Robots Season 1 episode of The Witness, which won The Emmy for Best Animation. She went on to portray motion capture and the voice of Eve in season 2 of Love, Death and Robots entitled Pop Squad. She also portrayed Julia in the 2014 film Pernicious and provided the voices of Camille and Samira in League of Legends, and Y'shtola in Final Fantasy XIV: A Realm Reborn. Emily also voiced Gamora in Guardians of the Galaxy: The Telltale Series and Special Agent Iman Avesta in Batman: The Enemy Within. In 2018, she became part of the main cast of the animated film Dagon Troll World Chronicles. She also voiced Amelie and young Bridget Strand in the 2019 game Death Stranding. In 2020, O'Brien joined the cast of Days of Our Lives and currently portrays the character Gwen Rizczech, the daughter of Jack Deveraux on the daytime drama. In October 2023, O'Brien took over the role of Theresa Donovan, the daughter of Shane Donovan and Kimberly Brady.
Beth Maitland is an American actress who is best known for her portrayal of Traci Abbott in the CBS Daytime soap opera The Young and the Restless from 1982 to 1996 & since 2001 on a recurring basis. She also stars as Gloria on The Grove: The Series created by Crystal Chappell.
Helen Edmundson is a British playwright, screenwriter and producer. She has won awards and critical acclaim both for her original writing and for her adaptations of various literary classics for the stage and screen.
Venice: The Series is a soap opera web series co-produced by and starring American actress Crystal Chappell. The series was inspired in part by the "Otalia" storyline on the daytime drama Guiding Light. The series has been streamed on VenicetheSeries.com since December 4, 2009, and ended with its sixth and final season in 2015.
Anne Christine Winters is an American actress and singer. She has played roles in the FX's series Tyrant as Emma Al-Fayeed, ABC's series Wicked City as Vicki Roth, and Netflix's series 13 Reasons Why as Chlöe Rice. She also starred in the films Sand Castles (2014), Pass the Light (2015), The Bride He Bought Online (2015), Mom and Dad (2017), and Night School (2018).
Danielle Brooks is an American actress. Her breakthrough role was as prison inmate Tasha "Taystee" Jefferson in the Netflix comedy-drama series Orange Is the New Black (2013–2019).
Conversations in L.A. is a one-shot romantic drama television series about the relationship between an older woman and a much younger man that was created, written, and directed by veteran stage actress Anne Marie Cummings. It follows the conversations between Michelle and Gus as they meet and fall in love, and the conversations they have with the people they know, who oppose their relationship in the City of Angels. The decision Cummings made to have the series filmed in the one-shot style with 360-camera choreography, was to submerge viewers into the world of the characters, as well as give actors an exhilarating experience similar to that of being on stage - - building the consequential momentum of one emotional moment upon the next without having to “cut.”
{{cite web}}
: CS1 maint: unfit URL (link){{cite web}}
: CS1 maint: unfit URL (link)