The American Repertory Theater (A.R.T.) is a professional not-for-profit theater in Cambridge, Massachusetts. Founded in 1979 by Robert Brustein, the A.R.T. is known for its commitment to new American plays and music–theater explorations; to neglected works of the past; and to established classical texts reinterpreted in refreshing new ways. Over the past forty years it has garnered many of the nation's most distinguished awards, including a Pulitzer Prize (1982), a Tony Award (1986), and a Jujamcyn Award (1985). In 2002, the A.R.T. was the recipient of the National Theatre Conference's Outstanding Achievement Award, and it was named one of the top three theaters in the country by Time magazine in 2003. The A.R.T. is housed in the Loeb Drama Center at Harvard University, a building it shares with the Harvard-Radcliffe Dramatic Club. The A.R.T. operates the Institute for Advanced Theater Training.
Physical theatre is a genre of theatrical performance that encompasses storytelling primarily through physical movement. Although several performance theatre disciplines are often described as "physical theatre", the genre's characteristic aspect is a reliance on the performers' physical motion rather than, or combined with, text to convey storytelling. Performers can communicate through various body gestures.
The Columbia University School of the Arts is the fine arts graduate school of Columbia University in Morningside Heights, New York. It offers Master of Fine Arts (MFA) degrees in Film, Visual Arts, Theatre and Writing, as well as the Master of Arts (MA) degree in Film Studies. It also works closely with the Arts Initiative at Columbia University (CUArts) and organizes the Columbia University Film Festival (CUFF), a week-long program of screenings, screenplay, and teleplay readings.
Viewpoints is a movement-based pedagogical and artistic practice that provides a framework for creating and analyzing performance by exploring spatial relationships, shape, time, emotion, movement mechanics, and the materiality of the actor's body. Rooted in the domains of postmodern theatre and dance composition, the Viewpoints operate as a medium for thinking about and acting upon movement, gesture, and the creative use of space.
Kristin Linklater was a Scottish vocal coach, acting teacher, actor, theatre director, and author. She retired from the Theatre Arts Division of Columbia University where she was professor emerita. She taught residential courses in Orkney.
Bells Are Ringing is a musical with a book and lyrics by Betty Comden and Adolph Green and music by Jule Styne. The story revolves around Ella, who works at an answering service, and the characters that she meets there. The main character was based on Mary Printz, who worked for Green's answering service. Three of the show's tunes, "Long Before I Knew You", "Just in Time", and "The Party's Over", became standards.
Tadashi Suzuki is a Japanese avant-garde theatre director, writer, and philosopher.
The Saratoga International Theater Institute was an ensemble-based theater company based in New York City and Saratoga Springs, New York. SITI was founded in 1992 by American director Anne Bogart and Japanese director Tadashi Suzuki on the campus of Skidmore College to redefine and revitalize contemporary theater in the United States. Originally envisioned as a summer institute in Saratoga Springs, New York, SITI has expanded to encompass a year-round program based in New York City, with a summer season in Saratoga. The company believed that contemporary American theater must incorporate artists from around the world and learn from a cross-cultural exchange of dance, music, art, and performance experiences.
15 HEAD - a theatre lab was a non-profit, professional, experimental theatre company based in Minneapolis, Minnesota.
A theatre practitioner is someone who creates theatrical performances and/or produces a theoretical discourse that informs their practical work. A theatre practitioner may be a director, dramatist, actor, designer or a combination of these traditionally separate roles. Theatre practice describes the collective work that various theatre practitioners do.
Tina Landau is an American playwright and theatre director. Known for her large-scale, musical, and ensemble-driven work, Landau's productions have appeared on Broadway, Off-Broadway, and regionally, most extensively at the Steppenwolf Theatre Company in Chicago where she is an ensemble member.
Devised theatre – frequently called collective creation – is a method of theatre-making in which the script or performance score originates from collaborative, often improvisatory work by a performing ensemble. The ensemble is typically made up of actors, but other categories of theatre practitioners may also be central to this process of generative collaboration, such as visual artists, composers, and choreographers; indeed, in many instances, the contributions of collaborating artists may transcend professional specialization. This process is similar to that of commedia dell'arte and street theatre. It also shares some common principles with improvisational theatre; however, in devising, improvisation is typically confined to the creation process: by the time a devised piece is presented to the public, it usually has a fixed, or partly fixed form. Historically, devised theatre is also strongly aligned with physical theatre, due at least in part to the fact that training in such physical performance forms as commedia, mime, and clown tends to produce an actor-creator with much to contribute to the creation of original work.
Diane Marie Paulus is an American theater and opera director who is currently the Terrie and Bradley Bloom Artistic Director of the American Repertory Theater at Harvard University. Paulus was nominated for the Tony Award for Best Direction of a Musical for her revivals of Hair and The Gershwins' Porgy and Bess, and won the award in 2013 for her revival of Pippin.
Kim Weild is a Drama Desk Award-nominated American theatre director, educator, writer, actor and choreographer.
Jay Scheib is an American stage director, playwright and artist, noted for his contemporary productions of both classical and new plays and operas. Scheib is a Professor for Music and Theater Arts and director of the Program in Theater Arts at the Massachusetts Institute of Technology where he teaches performance media, motion theater, media and methods, and introduction to directing. Scheib has been a regular guest professor at the Mozarteum, Thomas Bernhard Institut, Abteilung für Regie und Schauspiel in Salzburg, Austria, where he conducts an annual "viewpoints and composition" studio.
Sophie Irene Hunter is an English theatre director, playwright and former actress and singer. She made her directorial debut in 2007 co-directing the experimental play The Terrific Electric at the Barbican Pit after her theatre company Boileroom was granted the Samuel Beckett Theatre Trust Award. In addition, she has directed an Off-Off-Broadway revival of Henrik Ibsen's Ghosts (2010) at Access Theatre, the performance art titled Lucretia (2011) based on Benjamin Britten's opera The Rape of Lucretia at Location One's Abramovic Studio in New York City, and the Phantom Limb Company's 69° South also known as Shackleton Project (2011) which premièred at the Brooklyn Academy of Music's Harvey Theatre and later toured North America.
Music Theatre Wichita is a summer musical theatre, which has produced over 200 Broadway-scale productions since its founding in 1972. Founded as Music Theatre of Wichita in 1972 to provide summertime entertainment inside the 2100-seat Concert Hall of the newly built Century II Complex in downtown Wichita, Kansas, the organization has had only three artistic producers to date: founding producing director Jim Miller (1972-1979), John Holly (1980-1987) and current producing artistic director Wayne Bryan (1988–present). The organization adopted its current name and logo in May 2014.
Mary Overlie was an American choreographer, dancer, theater artist, professor, author, and the originator of the Six Viewpoints technique for theater and dance. The Six Viewpoints technique is both a philosophical articulation of postmodern performance and a teaching system addressing directing, choreographing, dancing, acting, improvisation, and performance analysis. The Six Viewpoints has been taught in the core curriculum of the Experimental Theater Wing within Tisch School of the Arts at New York University since its inception (1978).
KJ Sanchez is an American theatre actor, director, and playwright. She is currently an associate professor at The University of Texas at Austin, where she serves as head of the MFA Directing program.
