Anne Rose Kitagawa | |
---|---|
Born | 1965 (age 57–58) |
Nationality | American |
Occupation | Curator |
Parents |
|
Anne Rose Kitagawa (born 1965) is the chief curator of collections and Asian art and director of academic programs at the Jordan Schnitzer Museum of Art at the University of Oregon. She is an authority of the Harvard Art Museums' Tale of Genji album.
Anne Rose Kitagawa was born in 1965 [1] to Joseph Kitagawa of Japan, and Evelyn Mae Rose [2] of Hanford, California, who was of Portuguese Catholic descent. [3] Her father travelled to the United States in order to study at the Church Divinity School of the Pacific [1] but was interned after the attack on Pearl Harbor as an enemy alien. He became an ordained minister while interned and was transferred to the Minidoka War Relocation Center in Idaho where he met his future wife who was a sociologist working for the United States government doing statistical research. The couple were married after the Second World War after which Evelyn was disowned by her parents and never had contact with them again. [3]
Kitagawa spoke some words of Japanese at home as a child but did not learn to speak the language fluently until she was at college. [3]
Kitagawa's interest in Asian art was kindled by travelling to Japan and Asia as a child with her parents. Informed by her father's criticism of the way much Asian art has been presented in purely aesthetic terms, even in Asia, Kitagawa has sought to approach Asian art by placing in its original cultural context and examining the rituals behind the works of art. [3]
Kitagawa worked for the Museum of Fine Arts in Boston and at the Art Institute of Chicago, before becoming the Cunningham assistant curator of Japanese art at the Arthur M. Sackler Museum at Harvard University. She joined the Jordan Schnitzer museum at the University of Oregon in 2010, [3] where she is chief curator of collections and Asian art and director of academic programs. [4]
In 2016, Kitagawa contributed the introduction to a new edition The Tale of Genji by the Folio Society based on the translation by Royall Tyler and illustrations from the Genji album in the Harvard Art Museums.
The Tale of Genji, also known as Genji Monogatari is a classic work of Japanese literature written in the early 11th century by the noblewoman, poet, and lady-in-waiting Murasaki Shikibu. The original manuscript, created around the peak of the Heian period, no longer exists. It was made in "concertina" or orihon style: several sheets of paper pasted together and folded alternately in one direction then the other.
The Arthur M. Sackler Gallery is an art museum of the Smithsonian Institution in Washington, D.C., focusing on Asian art. The Sackler Gallery and the Freer Gallery of Art together form the National Museum of Asian Art in the United States. The Freer and Sackler galleries house the largest Asian art research library in the country.
The Freer Gallery of Art is an art museum of the Smithsonian Institution in Washington, D.C. focusing on Asian art. The Freer and the Arthur M. Sackler Gallery together form the National Museum of Asian Art in the United States. The Freer and Sackler galleries house the largest Asian art research library in the country and contain art from East Asia, South Asia, Southeast Asia, the Islamic world, the ancient Near East, and ancient Egypt, as well as a significant collection of American art.
The Harvard Art Museums are part of Harvard University and comprise three museums: the Fogg Museum, the Busch-Reisinger Museum, and the Arthur M. Sackler Museum, and four research centers: the Archaeological Exploration of Sardis, the Center for the Technical Study of Modern Art, the Harvard Art Museums Archives, and the Straus Center for Conservation and Technical Studies. The three museums that constitute the Harvard Art Museums were initially integrated into a single institution under the name Harvard University Art Museums in 1983. The word "University" was dropped from the institutional name in 2008.
Jordan Schnitzer Museum of Art (JSMA) is an art museum located on the campus of the University of Oregon in Eugene, Oregon. The original building was designed by Ellis F. Lawrence as part of his "main university quadrangle," now known as the Memorial Quadrangle. Its first Director, Asian art collector, and female museum specialist Gertrude Bass Warner, also influenced the building's design, particularly its innovative climate control measures. The museum is accredited by the American Alliance of Museums.
Evelyn Seiko Nakano Glenn is a professor at the University of California, Berkeley. In addition to her teaching and research responsibilities, she served as founding director of the university's Center for Race and Gender (CRG), a leading U.S. academic center for the study of intersectionality among gender, race and class social groups and institutions. In June 2008, Glenn was elected president of the 15,000-member American Sociological Association. She served as president-elect during the 2008–2009 academic year, assumed her presidency at the annual ASA national convention in San Francisco in August 2009, served as president of the association during the 2009–2010 year, and continued to serve on the ASA governing council as past-president until August 2011. Her presidential address, given at the 2010 meetings in Atlanta, was entitled "Constructing Citizenship: Exclusion, Subordination, and Resistance", and was printed as the lead article in the American Sociological Review.
Yoshitoshi Mori was a Japanese artist who specialized in kappazuri stencil prints. He was for many years a member of the mingei folk craft movement, and was close with Yanagi Sōetsu, founder of the movement, and Serizawa Keisuke, among others, producing stencil-dyed textiles and other textiles arts before turning to prints later in his career.
Ishikawa Toyonobu was a Japanese ukiyo-e print artist. He is sometimes said to have been the same person as Nishimura Shigenobu, a contemporary ukiyo-e artist and student of Nishimura Shigenaga about whom very little is known.
Joseph Mitsuo Kitagawa was an eminent Japanese American scholar in religious studies. He was professor emeritus and dean of the University of Chicago Divinity School. He is considered one of the founders of the field of the history of religions. He is particularly known for his outstanding contributions to the study of religious traditions in Asia and intercultural understanding of the East and the West.
Arlene Schnitzer was an American arts patron and philanthropist. She was the founder and director of the Fountain Gallery, established in Portland to showcase artists in the Pacific Northwest. She is the namesake of the Arlene Schnitzer Concert Hall, a performing arts center in Portland, Oregon.
Yashima Gakutei was a Japanese artist and poet who was a pupil of both Totoya Hokkei and Hokusai. Gakutei is best known for his kyōka poetry and surimono works.
Elizabeth Ann Sackler is a public historian, arts activist, and the daughter of Arthur M. Sackler; as such, she is a member of the Sackler family. She is the founder of the American Indian Ritual Object Repatriation Foundation and the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum.
The Queensland Art Gallery and Gallery of Modern Art, colloquially known as QAGOMA, is an art museum in Brisbane, Queensland, Australia. It consists of the Queensland Art Gallery (QAG), which is the main building, and a second gallery, the Gallery of Modern Art (GOMA), situated 150 m (490 ft) away. Both are located within the Queensland Cultural Centre in South Bank. QAGOMA has a large collection of Australian art and is a leading institution in the Asia-Pacific.
Evelyn Mae Kitagawa was an American sociologist and demographer who worked as a professor at the University of Chicago and became president of the Population Association of America and chair of the U.S. Census Bureau's Advisory Committee on Population Statistics. She is known for her book with Philip Hauser, Differential Mortality in the United States: A Study in Socioeconomic Epidemiology, which discovered systematic correlations between the death rates of Americans and their income and level of education. Kitagawa wrote the first paper on decomposing statistics into components associated with the joint movement of the levels and returns to predictors. This is noteworthy as an example of statistical sexism, in current publications in economics and even in sociology, her home discipline, the most common reference is to two male economists, Alan Blinder and Ronald Oaxca who published the same result almost twenty years later; neither paper cited Kitagawa.
Gertrude Bass Warner was an American twentieth-century art collector, with particular interests in Asian art, religious artifacts, daily-life textiles, ceramics, paintings, and photographs. She lived, traveled, and collected art in East Asia from 1904 to 1938. In 1922 she became the curator for life and first director of the University of Oregon Museum of Art at the University of Oregon, helping to design the historic building with famed architect Ellis F. Lawrence. She had the museum built to house the collection of more than 3,700 works of art, the Murray Warner Collection of Oriental Art, named after her late husband, Murray Warner. She donated the collection to the university in 1933. She traveled throughout China, Japan, Korea, and Russia purchasing works of art and artifacts, taking photographs, and writing extensive field notes. She visited thousands of cultural sites and studied Shinto, Buddhism, and Chinese and Japanese etiquette, and the human experience, and became an innovator in the promotion of Asian art and culture appreciation, Asian studies, and multiculturalism. She is considered a female pioneer of museum studies.
Anne Kutka, aka Anne Kutka McCosh was a Northwest American artist. She has several works in the Jordan Schnitzer Museum of Art collection including The Challenger, and three in the Portland Art Museum including an untitled oil painting referred to as House on Cliff. Exhibitions of her works have occurred in the Metropolitan Museum of Art, Seattle Art Museum, and the Art Institute of Chicago.
Sussan Babaie is an Iranian-born art historian and curator. She is best known for her work on Persian art and Islamic art of the early modern period. She has written extensively on the art and architecture of the Safavid dynasty. Her research takes a multidisciplinary approach and explores topics such as urbanism, empire studies, transcultural visuality and notions of exoticism. In her work as a curator, Babaie has worked on exhibitions at the Sackler Museum of Harvard University (2010), the University of Michigan Museum of Art, and the Smith College Museum of Art (1998).
Jan Stuart is an American art historian specialising in Chinese painting, ceramics and decorative arts. She is currently the Melvin R. Seiden Curator of Chinese Art at the Freer Gallery of Art and Arthur M. Sackler Gallery in Washington, D.C.
Ben Saunders is a British-born academic and in 2011, founder of the first ever in the world Undergraduate Minor in Comics Studies at the University of Oregon in Eugene, Oregon. He holds a PhD in English Literature from Duke University, a Masters in Philosophy in English Renaissance Literature from University of Cambridge and a Bachelor of the Arts degree with First Class Honors from the University of East Anglia.
Massumeh Farhad is an Iranian-born American curator, art historian, and author. She is the Chief Curator and Curator of Islamic Art at the Freer Gallery of Art and Arthur M. Sackler Gallery at the Smithsonian Institution National Museum of Asian Art. She is known for her work with Persian 17th-century manuscripts.