Annelies is a full-length choral work based on The Diary of Anne Frank . [1] Annelies is the full first name of Anne Frank, now commonly referred to by her abbreviated forename, Anne. The music is by British composer James Whitbourn and the libretto is compiled from the diary by Melanie Challenger. [2]
Movements from Annelies were first performed at the National UK Holocaust Memorial Day in Westminster Hall, London on 27 January 2005. The World Premiere of the full work followed in April 2005 at the Cadogan Hall, London, conducted by Leonard Slatkin with the Choir of Clare College Cambridge and the Royal Philharmonic Orchestra. [2] The fourteen movements are: [3]
The US Premiere was presented in April 2007 at Westminster Choir College, Princeton NJ with Lynn Eustis (soprano) under James Jordan and the composer, with a reduced scoring for soprano, choir and chamber ensemble. The final chamber version calls for an ensemble comprising violin, cello, piano and clarinet and was premiered in The Netherlands on 12 June 2009 with Daniel Hope (violin) and Arianna Zukerman (soprano).
In May, 2012, the piece was recorded for Naxos Records by the Westminster Williamson Voices under the direction of James Jordan with Soprano, Arianna Zukerman, the Lincoln Trio, and Clarinetist, Bharat Chandra. The recording was nominated for the 2014 Grammy for Best Choral Performance.
The group reunited for a performance of the piece in April 2019 at the Washington National Cathedral for the celebration of Anne Frank's 90th birthday.
The War Requiem, Op. 66, is a large-scale setting of the Requiem composed by Benjamin Britten mostly in 1961 and completed in January 1962. The War Requiem was performed for the consecration of the new Coventry Cathedral, which was built after the original fourteenth-century structure was destroyed in a World War II bombing raid. The traditional Latin texts are interspersed, in telling juxtaposition, with extra-liturgical poems by Wilfred Owen, written during World War I.
Malcolm Benjamin Graham Christopher Williamson, AO, CBE was an Australian composer. He was the Master of the Queen's Music from 1975 until his death.
Ned Rorem is an American composer and diarist. He won a Pulitzer Prize for Music in 1976 for his Air Music: Ten Etudes for Orchestra.
The Gramophone Classical Music Awards, launched in 1977, are one of the most significant honours bestowed on recordings in the classical record industry. They are often viewed as equivalent to or surpassing the American Grammy award, and referred to as the Oscars for classical music. They are widely regarded as the most influential and prestigious classical music awards in the world. According to Matthew Owen, national sales manager for Harmonia Mundi USA, "ultimately it is the classical award, especially worldwide."
John Harris Harbison is an American composer, known for his symphonies, operas, and large choral works.
Patrick Hawes is a British composer, conductor, organist and pianist.
Julian Anderson is a British composer and teacher of composition.
Roxanna Panufnik is a British composer of Polish heritage. She is the daughter of the composer and conductor Sir Andrzej Panufnik and his second wife Camilla, née Jessel.
Grigory Samuilovich Frid also known as Grigori Fried was a Russian composer of music written in many different genres, including chamber opera.
The Requiem, Op. 9, is a 1947 setting of the Latin Requiem by Maurice Duruflé for a solo voice, mixed choir, and organ, or orchestra with organ. The thematic material is mostly taken from the Mass for the Dead in Gregorian chant. The Requiem was first published in 1948 by Durand in an organ version.
James Whitbourn is a British composer and conductor.
James Jordan is an American writer, conductor, and professor at Westminster Choir College in Lawrenceville, New Jersey where he is currently a Senior Conductor and directs the select recording ensemble Williamson Voices and the former director of the sophomore choir, Schola Cantorum, and the freshman choir, Chapel Choir. Jordan received a Bachelor of Music (B.M.) degree from Susquehanna University, and both a Master of Music (M.M.) degree in choral conducting and a Doctor of Philosophy (Ph.D.) in the psychology of music from Temple University and was a student of Elaine Brown, Wilhelm Ehmann and Frauke Haasemann. During the 2004–2005 academic year, he was a distinguished visiting professor of music education at West Chester University. He has also been a visiting professor, lecturer, and clinician at a number of conservatories and universities including the Curtis Institute.
James B. Furman was an American composer and college professor.
Arianna Zukerman is an American lyric soprano who has performed with some of the world's finest orchestras and opera companies. Her voice was described in The Washington Post as "remarkable" combining the "range, warmth and facility of a Rossini mezzo with shimmering, round high notes and exquisite pianissimos."
The Westminster Williamson Voices is an ensemble that specializes in choral music. It is named for Westminster Choir College's founder, John Finley Williamson, who believed that choral music performed at the highest level should be accessible to all. The Choir is directed by conductor, pedagogue, and writer Dr.James Jordan
Keith Burstein born 1957 as Keith Burston is an English composer, conductor and music theorist with Russian family origins. He is noted for his fervent championing of tonal music as a valid contemporary composing style.
Cecilia McDowall is a British composer, particularly known for her choral compositions.
Quickening is a cantata for countertenor, two tenors, two baritones, children's choir, chorus, and orchestra by the Scottish composer James MacMillan. The work was co-commissioned by The Proms and the Philadelphia Orchestra and was completed in 1998. Its world premiere was performed by the Hilliard Ensemble, the BBC Symphony Orchestra & Chorus, and the Westminster Cathedral Boys' Choir under the direction of Andrew Davis at Royal Albert Hall, London, on 5 September 1999. The journalist Damian Thompson of The Spectator described it as "one of MacMillan's masterpieces."